{"version":"1.0","provider_name":"Kritische Masse","provider_url":"https:\/\/www.kritische-masse.de\/logbuch","title":"new art saxophone quartet: Guarda! - Kritische Masse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Hs41xnpGbR\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2003\/11\/new-art-saxophone-quartet-guarda\/\">new art saxophone quartet: Guarda!<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.kritische-masse.de\/logbuch\/2003\/11\/new-art-saxophone-quartet-guarda\/embed\/#?secret=Hs41xnpGbR\" width=\"600\" height=\"338\" title=\"&#8222;new art saxophone quartet: Guarda!&#8220; &#8211; Kritische Masse\" data-secret=\"Hs41xnpGbR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.kritische-masse.de\/logbuch\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Eine zweite Reise bei Meta Racords. Das new art saxophone quartet ist im Unterengadin unterwegs, nicht wirklich aber mental. Klaus Pfister (ss), Ren\u00e9 Straub (as), Daniel Chmelik (ts) und Erich Strehler (bs) sind da unterwegs mit &#8220;H\u00f6rbildern&#8221; wie es Pfister nennt. Man ist geneigt, bei vier Saxophonen kann man nichts falsch machen, die klingen einfach [&hellip;]"}