{"version":"1.0","provider_name":"Kritische Masse","provider_url":"https:\/\/www.kritische-masse.de\/logbuch","title":"Im Fokus: Foddo-Ballett - Kritische Masse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Qi5iGE4dy5\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/im-fokus-foddo-ballett\/\">Im Fokus: Foddo-Ballett<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/im-fokus-foddo-ballett\/embed\/#?secret=Qi5iGE4dy5\" width=\"600\" height=\"338\" title=\"&#8222;Im Fokus: Foddo-Ballett&#8220; &#8211; Kritische Masse\" data-secret=\"Qi5iGE4dy5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.kritische-masse.de\/logbuch\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Am Tach der &#8222;Offenen T\u00fcr&#8220; der Berliner Philharmoniker. Klar. Vermittlung von einem schwachen St\u00fcck Luciano Berios (Opus Number Zoo &#8212; da bekomm ich die Krise bei den sprechenden Musikers, mannomann) an die nachfolgende Generation. Pepa hat schon was feines dr\u00fcber verfasst. So ungef\u00e4hr, meint Moss selbst, k\u00f6nnte es klingen, wenn es besser komponiert worden w\u00e4re [&hellip;]"}