{"id":10409,"date":"2024-11-14T14:34:01","date_gmt":"2024-11-14T13:34:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=10409"},"modified":"2024-11-14T14:34:01","modified_gmt":"2024-11-14T13:34:01","slug":"programmtipps-hamel-in-muenchen-kampe-in-berlin","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/programmtipps-hamel-in-muenchen-kampe-in-berlin\/","title":{"rendered":"Programmtipps: Hamel in M\u00fcnchen \/ Kampe in Berlin"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Programmtipps%3A%20Hamel%20in%20M%C3%BCnchen%20%2F%20Kampe%20in%20Berlin https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F11%2Fprogrammtipps-hamel-in-muenchen-kampe-in-berlin%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Schnell noch zwei Tipps f\u00fcr Oper, Konzert und Gespr\u00e4ch mit Musiktheater von Kampe und Co, sowie einem Gespr\u00e4chskonzert mit Urauff\u00fchrung von Peter Michael Hamel.<\/p>\n<p><strong>M\u00fcnchen<\/strong><\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/programmtipps-hamel-in-muenchen-kampe-in-berlin\/#%E2%80%9EEbenso_ins_Offene%E2%80%9C_%E2%80%93_Der_Komponist_Peter_Michael_Hamel\" >\u201eEbenso ins Offene\u201c \u2013 Der Komponist Peter Michael Hamel<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/programmtipps-hamel-in-muenchen-kampe-in-berlin\/#Aufstehen_Zaehneputzen_und_dann_los\" >Aufstehen, Z\u00e4hneputzen und dann los.<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"%E2%80%9EEbenso_ins_Offene%E2%80%9C_%E2%80%93_Der_Komponist_Peter_Michael_Hamel\"><\/span><strong>\u201eEbenso ins Offene\u201c \u2013 Der Komponist Peter Michael Hamel<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><strong>Gespr\u00e4chskonzert am Freitag, den 15. November um 19 Uhr:<\/strong> Studierende der Hochschule f\u00fcr Musik und Theater M\u00fcnchen (HMTM) pr\u00e4sentieren kammermusikalische Werke von Peter Michael Hamel. Dazwischen kommt der Komponist im Dialog mit Dorothea Hofmann (HMTM) selbst zu Wort.<\/p>\n<p>Hamel, 1947 in M\u00fcnchen geboren und aufgewachsen, ist nach Stationen in Berlin, Rom, Irland, Graz und Hamburg, unterbrochen von ausgedehnten Reisen und Studienaufenthalten in Asien, sesshaft geworden in Aschau im Chiemgau. \u201eWeltb\u00fcrger mit europ\u00e4isch-bajuwarisch-christlichen Wurzeln\u201c \u2013 so hat sich Hamel einmal selbst charakterisiert. 2017 \u00fcbergab er seinen Vorlass der Bayerischen Staatsbibliothek.<\/p>\n<p>Auf dem Konzertprogramm stehen Werke f\u00fcr Klavier und Violine aus verschiedenen Schaffensphasen. Zur Urauff\u00fchrung kommt das 2. Klavierquintett aus dem Jahr 2019.<\/p>\n<ul>\n<li>Mitwirkende: Johannes Obermeier (Klavier), Peter Son G\u00f6tz (Violine), Lycoris-Quartett<\/li>\n<li>Ort: Bayerische Staatsbibliothek, Ludwigstr. 16, 80538 M\u00fcnchen, Lesesaal Musik\/ Karten\/ Bilder: Der Eintritt ist frei. Das Platzkontingent ist begrenzt!<\/li>\n<li><strong>Anmeldung erbeten <\/strong>unter <a href=\"mailto:veranstaltungen@bsb-muenchen.de\"><strong>veranstaltungen@bsb-muenchen.de<\/strong><\/a><\/li>\n<li>Die Reihe \u201eWerkstattkonzert\u201c wird durch die \u201eF\u00f6rderer und Freunde der Bayerischen Staatsbibliothek e.V.\u201c freundlich unterst\u00fctzt.<\/li>\n<\/ul>\n<figure id=\"attachment_9238\" aria-describedby=\"caption-attachment-9238\" style=\"width: 840px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9238\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/offener-brief-an-rbb-petitionsmuell-verendete-musik-blogs\/02_18_essen_kampe\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?fit=2048%2C2048&amp;ssl=1\" data-orig-size=\"2048,2048\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner\" data-image-description=\"&lt;p&gt;Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?fit=1024%2C1024&amp;ssl=1\" class=\"size-large wp-image-9238\" title=\"Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=840%2C840&#038;ssl=1\" alt=\"Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner\" width=\"840\" height=\"840\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_18_essen_kampe.jpg?w=2048&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a><figcaption id=\"caption-attachment-9238\" class=\"wp-caption-text\">Essener Komponist gewinnt Preis. Herzlichen Gl\u00fcckwunsch, Gordon Kampe. Foto: Hufner<\/figcaption><\/figure>\n<p><strong>Berlin<\/strong><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Aufstehen_Zaehneputzen_und_dann_los\"><\/span><strong>Aufstehen, Z\u00e4hneputzen und dann los.<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Wer kennt das nicht? Kaum hat der Tag angefangen, schon ist alles wieder irgendwie zu viel. Fad und grau zieht f\u00fcr Hanna, Azra und Kalli der Alltag durch die Woche, \u00fcberall lauern Sorgen und Probleme. Doch pl\u00f6tzlich tut sich da eine sch\u00f6ne bunte Glitzerwelt auf \u2026 Was ist da los?<\/p>\n<p>IMMMERMEEEHR ist ein Musiktheater von, f\u00fcr und mit Kindern \u2013 und feiert am Samstag, den 16. November 2024 seine Urauff\u00fchrung. Es folgen \u00fcber 20 weitere Vorstellungen bis Ende Dezember.<\/p>\n<ul>\n<li>Karten <a href=\"https:\/\/ogy.de\/5x0j?fbclid=IwZXh0bgNhZW0CMTAAAR3XVgSZM7f-Zfbc1BHYDrFsoFq7QwvMLMxrHwJVUohOeQm7n0ALMq-2-ig_aem_04TkRPtU1IJB7qXiBknkYg\">https:\/\/ogy.de\/5x0j<\/a><\/li>\n<li>Info <a href=\"https:\/\/ogy.de\/geju?fbclid=IwZXh0bgNhZW0CMTAAAR1WksKNnjItii2fsbpClPnCbszw10PvhYt3CzJeUUXbCZlaobTTcDnZ4-k_aem_UHBPQqtSWeEsrIctbnnTkA\">https:\/\/ogy.de\/geju<\/a><\/li>\n<\/ul>\n<p>Komposition: Gordon Kampe; Text: Maria Milisavljevi\u0107; Musikalische Leitung: Christian Lindhorst; Inszenierung: Franziska Seeberg; B\u00fchne, Kost\u00fcme: Judith Philipp<\/p>\n<p>Mit Solist*innen des Kinderchores und dem Kinderchor der Deutschen Oper Berlin sowie Artur Garbas \/ Stephen Marsh, Dora Jana Klaric, Maria Vasilevskaya \/ Carla Cottini, Ferhat Baday, Tina Kim, Peter Fritz, Stefano Cucuzzella, Stephan Buchmiller, Sebastian Molsen, Martin Schaal, Daniel Adam, Pierre Azzuro, Lukas Zeuner, Bj\u00f6rn 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