{"id":1044,"date":"2005-02-05T10:28:24","date_gmt":"2005-02-05T09:28:24","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/robinson-crusoe\/"},"modified":"2023-12-18T08:49:27","modified_gmt":"2023-12-18T07:49:27","slug":"robinson-crusoe","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/robinson-crusoe\/","title":{"rendered":"Robinson Crusoe"},"content":{"rendered":"<p><cite>Komponieren (\u0085) kann weder hei\u00dfen, sich naiv vertrauensvoll der bereits in der Gesellschaft expressiv funktionierenden Mittel zu bedienen, noch ins Land der unbekannten L\u00e4nge auszuweichen, sondern mu\u00df hei\u00dfen: Situationen der ver\u00e4nderten, \u0082befreiten\u0091 Wahrnehmung suchen und im Hinblick darauf immer wieder auf der kommunikativ verw\u00fcsteten Insel dieser unserer sprachfertig-sprachlosen Zivilisation \u0082Robinson Crusoe\u0091 spielen und sich so zugleich auf das existentielle Abenteuer des sich in seinen eigenen Tr\u00fcmmern erkennenden b\u00fcrgerlichen Ichs einlassen.<\/cite><br \/>\n<i>Helmut Lachenmann: Sprachlose Musik in einer sprachfertigen Welt, in: hanseatenweg 10, Zeitschrift der Akademie der K\u00fcnste 2\/90, Berlin 1990, S. 76.<\/i><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Robinson%20Crusoe https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frobinson-crusoe%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 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