{"id":1073,"date":"2005-02-21T03:28:00","date_gmt":"2005-02-21T02:28:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/urteilskraft-musik-politics\/"},"modified":"2023-12-18T08:49:27","modified_gmt":"2023-12-18T07:49:27","slug":"urteilskraft-musik-politics","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/urteilskraft-musik-politics\/","title":{"rendered":"Urteilskraft: Musik &#038; Politics"},"content":{"rendered":"<p><cite>\u0085 rekolonialistische Kontrageste \u0085<\/p>\n<p><i>Quelle: <a href=\"http:\/\/www.urteilskraft.de\/noframes\/h-jazz-politics.shtml\" target=\"_blank\" rel=\"noopener\">Urteilskraft: Musik &amp; Politics<\/a><\/i><\/cite><br \/>\nErw\u00e4hnte CDs:<br \/>\n    *  Mingus Big Band, Blues &#038; Politics, Dreyfuss Jazz, FDM 36603-2<br \/>\n    * Don Byron, Nu Blaxploitation, Blue Note 7243 4 93711 2 5<br \/>\n    * Monty Alexander, Stir It Up, The Music Of Bob Marley, Telarc CD-83469<\/p>\n<div 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September 2007","format":false,"excerpt":"F\u00fcr die aktuelle Ausgabe von taktlos, dem musikmagazin des bayerischen rundfunks und der neuen musikzeitung, wurde ich um eine Stellungnahme zur Zukunft des Komponisten Johann Sebastian Bach gebeten. Das Ergebnis ist ern\u00fcchternd. (K\u00f6nnte man sagen, zu Bach oder zum Beitrag selbst, stimmt schon.) So wie Stuttgart, also die Stadt. Man\u2026","rel":"","context":"In \"Johann Sebastian Bach\"","block_context":{"text":"Johann Sebastian Bach","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/johannsebastianbach\/"},"img":{"alt_text":"urteilskraft-4745","src":"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/09\/urteilskraft-4745.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2593,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/02\/gut-ding-will-weile\/","url_meta":{"origin":1073,"position":2},"title":"Gut Ding will Weile","author":"huflaikhan","date":"21. Februar 2009","format":false,"excerpt":"ein kleines Experiment - denn so kann man doch erheblich Zeit sparen bei Interpretationsvergleichen.","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2615,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/08\/gema-im-badblog-musick\/","url_meta":{"origin":1073,"position":3},"title":"Gema im BadBlog Of Musick","author":"huflaikhan","date":"7. August 2009","format":false,"excerpt":"Thats all.","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2576,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/01\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\/","url_meta":{"origin":1073,"position":4},"title":"Der Finanzkrisensong &#8211; Wenn Aktienkurse Musik werden","author":"huflaikhan","date":"26. Januar 2009","format":false,"excerpt":"Der Finanzkrisensong - Wenn Aktienkurse Musik werden - Jede Zeit hat ihre Musik. Fast ist man geneigt, den Komponisten Johannes Kreidler als composer in webpresence der nmz zu adoptieren. Nach seinem Sampling-St\u00fcck Product Placement und seinem St\u00fcck Call Wolfgang geht es in seinem neuesten Werk um die Finanzkrise: Chart Music.\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1529,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/urteilskraft\/","url_meta":{"origin":1073,"position":5},"title":"Urteilskraft","author":"huflaikhan","date":"25. November 2005","format":false,"excerpt":"Lichtenberg: Weiser werden hei\u00dft immer mehr und mehr die Fehler kennen lernen, denen dieses Instrument, womit wir empfinden und urteilen, unterworfen sein kann. Vorsichtigkeit im Urteilen ist was heutzutage allen und jeden zu empfehlen ist, gew\u00f6nnen wir alle 10 Jahre nur eine unstreitige Wahrheit von jedem philosophischen Schriftsteller, so w\u00e4re\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1073"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}