{"id":1073,"date":"2005-02-21T03:28:00","date_gmt":"2005-02-21T02:28:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/urteilskraft-musik-politics\/"},"modified":"2023-12-18T08:49:27","modified_gmt":"2023-12-18T07:49:27","slug":"urteilskraft-musik-politics","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/urteilskraft-musik-politics\/","title":{"rendered":"Urteilskraft: Musik &#038; Politics"},"content":{"rendered":"<p><cite>\u0085 rekolonialistische Kontrageste \u0085<\/p>\n<p><i>Quelle: <a href=\"http:\/\/www.urteilskraft.de\/noframes\/h-jazz-politics.shtml\" target=\"_blank\" rel=\"noopener\">Urteilskraft: Musik &amp; Politics<\/a><\/i><\/cite><br \/>\nErw\u00e4hnte CDs:<br \/>\n    *  Mingus Big Band, Blues &#038; Politics, Dreyfuss Jazz, FDM 36603-2<br \/>\n    * Don Byron, Nu Blaxploitation, Blue Note 7243 4 93711 2 5<br \/>\n    * Monty Alexander, Stir It Up, The Music Of Bob Marley, Telarc CD-83469<\/p>\n<div 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":3276,"url":"https:\/\/www.kritische-masse.de\/logbuch\/erster-zweiter-drittter-letzter\/","url_meta":{"origin":1073,"position":0},"title":"Erster, zweitter, drittter, lettztter","author":"huflaikhan","date":"30. November 2013","format":false,"excerpt":"Ein kurzer Blick auf den Sinn des musikalischen Wettbewerbs. Es gibt keinen Sinn in Wettbewerben. Der Wettbewerb, das sich vergleichen mit, das geh\u00f6rt, wie man gerne h\u00f6rt, zum Dasein dazu. Kinder w\u00fcnschen sich zu vergleichen und ihre Kr\u00e4ft zu messen. Wettbewerbe sind ein Kinderwunsch. Jugend musiziert ist eben auch so\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Sieg, Sieg Sieg. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/11\/urlaubspornoe-2887.jpg?fit=1200%2C1040&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/11\/urlaubspornoe-2887.jpg?fit=1200%2C1040&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/11\/urlaubspornoe-2887.jpg?fit=1200%2C1040&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/11\/urlaubspornoe-2887.jpg?fit=1200%2C1040&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/11\/urlaubspornoe-2887.jpg?fit=1200%2C1040&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8566,"url":"https:\/\/www.kritische-masse.de\/logbuch\/composing-life-nico-sauer\/","url_meta":{"origin":1073,"position":1},"title":"Composing Life (Nico Sauer)","author":"der huflaikhan","date":"21. Juli 2015","format":"video","excerpt":"In einer ziemlich analytischen Art und Weise hat der Karlsruher Komponist und Mensch, Nico Sauer, die Bedeutung des Komponieren f\u00fcr die Lebensf\u00fchrung des Menschen in ein Video gefasst. Was zun\u00e4chst vielleicht wie eine Persiflage auf Medienereignisse erscheinen mag, folgt einer sehr vitalen und tiefgr\u00fcndigen Logik. Du sollst dein Leben komponieren!\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/t65DrqLlBKA\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2606,"url":"https:\/\/www.kritische-masse.de\/logbuch\/seltsame-genossen\/","url_meta":{"origin":1073,"position":2},"title":"Seltsame Genossen","author":"huflaikhan","date":"11. Mai 2009","format":false,"excerpt":"Peter K. schreibt etwa: \"Gepoltere und sonstige Agressivit\u00e4ten waren ja nicht vorhanden.\"\u00a0 Nat\u00fcrlich nicht, schon gar nicht von seiner Seite. Ein Gestammel nach dem Motto von Gesch\u00e4ftsordnungsantr\u00e4gen folgt, die man aber nie auf sich selbst zur\u00fcckwerfen m\u00f6chte. Das gildet n\u00e4mlich nicht.Habe ja immer schon \u00fcberlegt, wie jemand wie Don Alphonso\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2281,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-bach-problem\/","url_meta":{"origin":1073,"position":3},"title":"Das Bach-Problem","author":"hufi","date":"7. September 2007","format":false,"excerpt":"F\u00fcr die aktuelle Ausgabe von taktlos, dem musikmagazin des bayerischen rundfunks und der neuen musikzeitung, wurde ich um eine Stellungnahme zur Zukunft des Komponisten Johann Sebastian Bach gebeten. Das Ergebnis ist ern\u00fcchternd. (K\u00f6nnte man sagen, zu Bach oder zum Beitrag selbst, stimmt schon.) So wie Stuttgart, also die Stadt. Man\u2026","rel":"","context":"In \"Johann Sebastian Bach\"","block_context":{"text":"Johann Sebastian Bach","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/johannsebastianbach\/"},"img":{"alt_text":"urteilskraft-4745","src":"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/09\/urteilskraft-4745.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2154,"url":"https:\/\/www.kritische-masse.de\/logbuch\/uretilskraft\/","url_meta":{"origin":1073,"position":4},"title":"Uretilskraft","author":"huflaikhan","date":"16. Februar 2007","format":false,"excerpt":"Ich schreibe immer Uretilskraft. Die Finger wollen es so. Aber warum Urteilskaft? Warum jetzt. Kennern der \"Kritischen Masse\" ist klar. Die Hauptkategorie der Ablage hie\u00df \"Angriff auf die Urteilskraft\" [1] [2]. Das r\u00fchrte von der Herstellung eines Romans her, der eben so hie\u00df [1] [2]. Das hatte seinen Ursprung seinerseits\u2026","rel":"","context":"Mit 7 Kommentaren","block_context":{"text":"Mit 7 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/uretilskraft\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3404,"url":"https:\/\/www.kritische-masse.de\/logbuch\/swr-classics-demuetigt-teodor-currentzis\/","url_meta":{"origin":1073,"position":5},"title":"SWR Classics dem\u00fctigt Teodor Currentzis","author":"der huflaikhan","date":"26. Juli 2023","format":false,"excerpt":"Ja, wie denn. Ja, was denn. Das liest man in der S\u00fcddeutschen Zeitung, wenn man mal genau hinschaut. Denn in einer Stellungnahme, die zumindest der SZ vorliegt, die aber nicht einmal auf den Seiten des SWR zu finden ist, steht, dass man auf Seiten des SWR nicht mal ansatzweise den\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1073"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}