{"id":1073,"date":"2005-02-21T03:28:00","date_gmt":"2005-02-21T02:28:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/urteilskraft-musik-politics\/"},"modified":"2023-12-18T08:49:27","modified_gmt":"2023-12-18T07:49:27","slug":"urteilskraft-musik-politics","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/urteilskraft-musik-politics\/","title":{"rendered":"Urteilskraft: Musik &#038; Politics"},"content":{"rendered":"<p><cite>\u0085 rekolonialistische Kontrageste \u0085<\/p>\n<p><i>Quelle: <a href=\"http:\/\/www.urteilskraft.de\/noframes\/h-jazz-politics.shtml\">Urteilskraft: Musik &amp; Politics<\/a><\/i><\/cite><br \/>\nErw\u00e4hnte CDs:<br \/>\n    *  Mingus Big Band, Blues &#038; Politics, Dreyfuss Jazz, FDM 36603-2<br \/>\n    * Don Byron, Nu Blaxploitation, Blue Note 7243 4 93711 2 5<br \/>\n    * Monty Alexander, Stir It Up, The Music Of Bob Marley, Telarc CD-83469<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0085 rekolonialistische Kontrageste \u0085 Quelle: Urteilskraft: Musik &amp; Politics Erw\u00e4hnte CDs: * Mingus Big Band, Blues &#038; Politics, Dreyfuss Jazz, FDM 36603-2 * Don Byron, Nu Blaxploitation, Blue Note 7243 4 93711 2 5 * Monty Alexander, Stir It Up, The Music Of Bob Marley, Telarc CD-83469<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_metis_text_type":"","_metis_text_length":291,"_post_count":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[],"tags":[],"class_list":["post-1073","post","type-post","status-publish","format-standard","hentry","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[{"userId":1,"userName":"der 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Ungl\u00fccklich, aber fast taub.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch\/","https:\/\/www.facebook.com\/hufner"]},{"@type":"Person","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932","name":"huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","caption":"huflaikhan"},"description":"Musikwissenschaftler, Ideologiekritiker seit 1964.","sameAs":["https:\/\/kritische-masse.de"],"url":"https:\/\/www.kritische-masse.de\/logbuch\/author\/huflaikhan\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_names":[],"post_class":[["post-1073","post","type-post","status-publish","format-standard","hentry","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2154,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/uretilskraft\/","url_meta":{"origin":1073,"position":0},"title":"Uretilskraft","author":"huflaikhan","date":"16. Februar 2007","format":false,"excerpt":"Ich schreibe immer Uretilskraft. Die Finger wollen es so. Aber warum Urteilskaft? Warum jetzt. Kennern der \"Kritischen Masse\" ist klar. Die Hauptkategorie der Ablage hie\u00df \"Angriff auf die Urteilskraft\" [1] [2]. Das r\u00fchrte von der Herstellung eines Romans her, der eben so hie\u00df [1] [2]. Das hatte seinen Ursprung seinerseits\u2026","rel":"","context":"Mit 7 Kommentaren","block_context":{"text":"Mit 7 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/uretilskraft\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1529,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/urteilskraft\/","url_meta":{"origin":1073,"position":1},"title":"Urteilskraft","author":"huflaikhan","date":"25. November 2005","format":false,"excerpt":"Lichtenberg: Weiser werden hei\u00dft immer mehr und mehr die Fehler kennen lernen, denen dieses Instrument, womit wir empfinden und urteilen, unterworfen sein kann. Vorsichtigkeit im Urteilen ist was heutzutage allen und jeden zu empfehlen ist, gew\u00f6nnen wir alle 10 Jahre nur eine unstreitige Wahrheit von jedem philosophischen Schriftsteller, so w\u00e4re\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2593,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/02\/gut-ding-will-weile\/","url_meta":{"origin":1073,"position":2},"title":"Gut Ding will Weile","author":"huflaikhan","date":"21. Februar 2009","format":false,"excerpt":"ein kleines Experiment - denn so kann man doch erheblich Zeit sparen bei Interpretationsvergleichen.","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2615,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/08\/gema-im-badblog-musick\/","url_meta":{"origin":1073,"position":3},"title":"Gema im BadBlog Of Musick","author":"huflaikhan","date":"7. August 2009","format":false,"excerpt":"Thats all.","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2281,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/das-bach-problem\/","url_meta":{"origin":1073,"position":4},"title":"Das Bach-Problem","author":"hufi","date":"7. September 2007","format":false,"excerpt":"F\u00fcr die aktuelle Ausgabe von taktlos, dem musikmagazin des bayerischen rundfunks und der neuen musikzeitung, wurde ich um eine Stellungnahme zur Zukunft des Komponisten Johann Sebastian Bach gebeten. Das Ergebnis ist ern\u00fcchternd. (K\u00f6nnte man sagen, zu Bach oder zum Beitrag selbst, stimmt schon.) So wie Stuttgart, also die Stadt. Man\u2026","rel":"","context":"In \"Johann Sebastian Bach\"","block_context":{"text":"Johann Sebastian Bach","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/johannsebastianbach\/"},"img":{"alt_text":"urteilskraft-4745","src":"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/09\/urteilskraft-4745.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2530,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/11\/sampling-und-bgh\/","url_meta":{"origin":1073,"position":5},"title":"Sampling und BGH","author":"huflaikhan","date":"22. November 2008","format":false,"excerpt":"Gestern habe ich f\u00fcr die nmz-online einen kleinen Beitrag verfasst zum Thema Sampling und Bundesgerichtshof. Mit einer kleinen akustischen Demonstration versehen. Bitte umswitchen ... oder auch nicht.","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1073"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}