{"id":1098,"date":"2005-03-07T03:02:00","date_gmt":"2005-03-07T02:02:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/mouse-machine-the-complexity-of-lucy\/"},"modified":"2023-12-18T08:49:27","modified_gmt":"2023-12-18T07:49:27","slug":"mouse-machine-the-complexity-of-lucy","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/03\/mouse-machine-the-complexity-of-lucy\/","title":{"rendered":"Mouse Machine &#8211; The Complexity Of Lucy"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1097\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-the-complexity-of-lucy\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/03\/20050303-mom_record_lucy.jpg?fit=170%2C153&amp;ssl=1\" data-orig-size=\"170,153\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Complexity Of Lucy\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/03\/20050303-mom_record_lucy.jpg?fit=170%2C153&amp;ssl=1\" class=\" alignright size-full wp-image-1097\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/03\/20050303-mom_record_lucy.jpg?resize=170%2C153&#038;ssl=1\" alt=\"The Complexity Of Lucy\" hspace=\"5\" align=\"right\" width=\"170\" height=\"153\" \/>Eine neue CD aus dem Hause Hazelwood. Zwei Schauspieler des Berliner Staatstheaters hatten offenbar zu viel Zeit (oder auch zu wenig, es ist egal) und haben ein in der Tat ulkig-komplexes Album hingelegt. Ein Kunst-Album. Nicht nur das Cover (welches mich stark an die Residents erinnert), auch die Musik ist eine reine Spielwiese, ein Experimentierfeld; irgendwo zwischen Mischpult und Miniorchester.<\/p>\n<p><!--break--><\/p>\n<p>Manchmal kamen auch Gedanken an \u201eThey Might Be Giants\u201c oder \u201eDavid Garland\u201c [Track 8: Whatadowhatado] auf. Das liegt an dieser Mischung von einfachsten Melodieformen, die konterkariert werden durch Gemurkse. Das iost heiter, das ist ernst und es ist nicht 0-8-15. Auf jeden Fall hereinh\u00f6renswert. Zwei St\u00fccke finden sich auch auf der <a href=\"http:\/\/www.hazelwood.de\/mousemachine\/index.php\">Heimatseite der Combo<\/a> bei Hazelwood. Bei Senseless hat man freilich jene N\u00f6lerei, die ein bisschen zu abgek\u00fchlt klingt, bei Enter ein bisschen zu viel Gewusel. Wenn man das gegenseitig durchmixt gewinnt man aber dennoch. 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Zwei Schauspieler des Berliner Staatstheaters hatten offenbar zu viel Zeit (oder auch zu wenig, es ist egal) und haben ein in der Tat ulkig-komplexes Album hingelegt. Ein Kunst-Album. Nicht nur das Cover (welches mich stark an die Residents erinnert), auch die Musik ist eine reine Spielwiese, ein Experimentierfeld; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_bluesky_dont_syndicate":"","_bluesky_syndication_accounts":"","_bluesky_syndication_text":"","_metis_text_type":"","_metis_text_length":1002,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[2240],"class_list":["post-1098","post","type-post","status-publish","format-standard","hentry","tag-hazelwood","entry"],"desktop_mode_lock":null,"desktop_mode_contribut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huflaikhan","userAvatarUrl":"https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&d=blank&r=g"}],"desktop_mode_attached_media":[1097],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mouse Machine - The Complexity Of Lucy - Kritische Masse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/03\/mouse-machine-the-complexity-of-lucy\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mouse Machine - The Complexity Of Lucy - Kritische Masse\" \/>\n<meta property=\"og:description\" content=\"Eine neue CD aus dem Hause Hazelwood. 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Ein Sampler mit ganz sch\u00f6nen Combos wie Calexico, Fehlfarben, Super Preachers, Family 5 (dass es die noch gibt), Wir sind Helden ... Ein sch\u00f6ner Schnitt a) durch einige Produktionen von Hazelwood (Kool Ade Acid Test, Mardi Gras BB. ...) und b) der wirkliche Grund: ein Schnitt durch\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":366,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/rez-house-williams-revolutionist\/","url_meta":{"origin":1098,"position":3},"title":"[Rez] House Williams: Revolutionist","author":"huflaikhan","date":"3. M\u00e4rz 2004","format":false,"excerpt":"F\u00e4ngt an wie ein St\u00fcck von Lou Reed und John Cale. Hometown ist wie Smalltown in den Songs for Drella. Ich sch\u00e4tze, diese N\u00e4he war nicht zuf\u00e4llig, nur das Home=Main \u0096 Town ist. Frankfurt eben, irgendwie auch eine Kleinstadt, vielleicht die gr\u00f6\u00dfte deutsche. Die Musik auf dieser Scheibe grabbelt sich\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":702,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/mardi-grasbb-29-moonglow\/","url_meta":{"origin":1098,"position":4},"title":"Mardi Gras.bb: 29 Moonglow","author":"huflaikhan","date":"21. August 2004","format":false,"excerpt":"Die neue von Mardi Gras.bb ist ein schwieriges Kind. Waren fr\u00fchere Platten dieser Band richtig pr\u00e4chtig angereichert, mit Spritz und Sprutz, ist dieses Werk schon sehr knapp geschn\u00fcrt. Die 14 Musiker der Kapelle schwingen sich nicht auf zum Supersound, zur Klangbr\u00fche. Alles wird eingedampft und geradezu kammermusikalisch. Das muss ja\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":151,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/04\/superpreachers-stereophonic-sometimes\/","url_meta":{"origin":1098,"position":5},"title":"Superpreachers: Stereophonic Sometimes","author":"huflaikhan","date":"28. April 2003","format":false,"excerpt":"Gute Uptempo-St\u00fccke, die fein und raffiniert gemixt sind. Teilweise allerdings etwas langweilig und ein bisschen technikverspielt. \u00dcberrumpelt beim ersten H\u00f6ren, wird dann schw\u00e4cher. Superpreachers, Stereophonic Sometimes \/ Hazelwood HAZ 023","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1098"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1098\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}