{"id":11014,"date":"2025-07-17T10:58:57","date_gmt":"2025-07-17T08:58:57","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=11014"},"modified":"2025-07-18T11:38:18","modified_gmt":"2025-07-18T09:38:18","slug":"john-coltrane-das-schweigen-der-aemter","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/john-coltrane-das-schweigen-der-aemter\/","title":{"rendered":"John Coltrane \/ Das Schweigen der \u00c4mter"},"content":{"rendered":"\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/john-coltrane-das-schweigen-der-aemter\/#John_Coltrane\" >John Coltrane<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/john-coltrane-das-schweigen-der-aemter\/#Das_Schweigen_der_Aemter\" >Das Schweigen der \u00c4mter<\/a><\/li><\/ul><\/nav><\/div>\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"John_Coltrane\"><\/span>John Coltrane<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Heute im Jahr 1967 ist John Coltrane gestorben. Ein Musiker, dessen Ton von mystischer Tiefe direkt zu Herzen geht. Heute ebenso wie fr\u00fcher. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Tiefe ist so ein gschlachtes Wort, it&#8217;s so deep.) <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Die Musiksprache von Coltrane kleidet einen von innen her aus.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/rkY_zTKzPCY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Das_Schweigen_der_Aemter\"><\/span>Das Schweigen der \u00c4mter<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Vor ein paar Tagen hatte ich in der <a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/unkomische-schertze-in-der-kultur\/\">Recherchefrage zur Komischen Oper Berlin und der Opernstiftung  vom Online-Magazins &#8220;Van&#8221;<\/a> <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-van-magazin wp-block-embed-van-magazin\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"oceanwp-oembed-wrap clr\"><blockquote class=\"wp-embedded-content\" data-secret=\"Yc9NoMtcf9\"><a href=\"https:\/\/van-magazin.de\/mag\/komische-oper-kosten\/\">Komische Oper<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8222;Komische Oper&#8220; &#8211; VAN Magazin\" src=\"https:\/\/van-magazin.de\/mag\/komische-oper-kosten\/embed\/#?secret=d3NdIdk9HS#?secret=Yc9NoMtcf9\" data-secret=\"Yc9NoMtcf9\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">beim Pressesprecher des zust\u00e4ndigen Senats nachgefragt, ob es \u00fcblich sei, bei einfachen Presseanfragen, diese an eine externe Kanzlei freier Wahl durchzuleiten. Die Antwort war: Ja. Das liege in deren eigenen Ermessen. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201eGrunds\u00e4tzlich bed\u00fcrfen weder die Stiftung Oper (SOB), noch die jeweils eigenst\u00e4ndigen Betriebe der Stiftung Oper einer Genehmigung bei der Beauftragung externer Anwaltskanzleien. Externe Beauftragungen finden f\u00fcr gew\u00f6hnlich statt, wenn spezialisierte Expertise notwendig ist und daher grunds\u00e4tzlich nicht un\u00fcblich.\u201c<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">\u00dcber die dadurch entstehenden Kosten kann der Pressesprecher nichts sagen, weil ihm dazu keine Informationen vorliegen und diese auch nicht gemeldet werden m\u00fcssen. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201eDas Budget der SOB wird eigenverantwortlich verwaltet, sodass die SenKultGZ keine Kenntnis hier\u00fcber hat.\u201c<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Auf die Nachfrage, ob dies wirklich angemessen sei, selbst banalste Anfragen durch kostspielige Anw\u00e4lte beantworten zu lassen, die dann allein eine Fristverl\u00e4ngerung zur Beantwortung bekannt geben, die auch ein Pressesprecher so verfassen k\u00f6nnte, schweigt der stellvertretende Pressesprecher noch.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"666\" data-attachment-id=\"11016\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/john-coltrane-das-schweigen-der-aemter\/kunstinstallation-im-buergeramt-hohenzollerndamm-berlin-design-bewusstsein\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?fit=960%2C666&amp;ssl=1\" data-orig-size=\"960,666\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Kunstinstallation im B\u00fcrgeramt Hohenzollerndamm Berlin. Design &amp;#038; Bewusstsein.\" data-image-description=\"&lt;p&gt;Kunstinstallation im B\u00fcrgeramt Hohenzollerndamm Berlin. Design &amp;#038; Bewusstsein.&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Kunstinstallation im B\u00fcrgeramt Hohenzollerndamm Berlin. Design &amp;#038; Bewusstsein.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?fit=960%2C666&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?resize=960%2C666&#038;ssl=1\" alt=\"Kunstinstallation im B\u00fcrgeramt Hohenzollerndamm Berlin. Design &amp; Bewusstsein.\" class=\"wp-image-11016\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?resize=300%2C208&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/Kunstinstallation-im-Buergeramt-Hohenzollerndamm-Berlin.-Design-Bewusstsein.jpg?resize=768%2C533&amp;ssl=1 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Kunstinstallation im B\u00fcrgeramt Hohenzollerndamm Berlin. Design &amp; Bewusstsein. 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Die Musiksprache von Coltrane kleidet einen von innen her 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August 2015","format":false,"excerpt":"Auf der Spur eines gigantischen Musikraubs. Wer irgendwelche Computerwerbung im Fernsehen h\u00f6rt, der bekommt sicher, so wie ich, immer eine mentale Krise, wenn da zwischendrin dieses \"Intel Inside\"-Soundlogo und die Bild\/Animationsmarke dazu h\u00f6rt. [mp3j track=\"Soundlogo Intel Inside@Intel_Inside_coltrane.mp3\" flip=\"y\"] Ich habe mir das neulich in Dauerschleife angeh\u00f6rt bei irgend so einem\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"A Love Supreme. 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Musik, visualisiert auf\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8497,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/10\/gigantische-schritte-1920-1960-2000\/","url_meta":{"origin":11014,"position":3},"title":"Gigantische Schritte (1920 \/ 1960 \/ 2000)","author":"der huflaikhan","date":"9. Oktober 2014","format":false,"excerpt":"L\u00e4ngst ein Klassiker, kennt diese Animation von Michal Levy trotzdem wahrscheinlich nicht jeder. Muss man ja auch nicht. Der Film ist von 2002 und selten zu sehen (hier aus dem Cache bei Google in hoher Qualit\u00e4t). Denn bald nach Ver\u00f6ffentlichung gab es offenbar Probleme mit den Rechten an der Musik.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8589,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/08\/sibelius-a-la-vista\/","url_meta":{"origin":11014,"position":4},"title":"Sibelius a la vista","author":"der huflaikhan","date":"4. August 2015","format":false,"excerpt":"Nachdem ich gestern schon den fiesen Beinahe-Diebstahl von Intel bei John Coltrane dargestellt hatte, konnte es nicht ausbleiben, dass ich auch der Startmelodie von Windows Vista und Windows 7 und Windows 8 nachgehen musste. Die geht ja bekanntlich so: [mp3j track=\"vista.mp3\" flip=\"y\"] Quarte, gro\u00dfe Sekunde, Quarte [Ambitus also eine Oktave].\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/05\/2006-05-prono.jpg?fit=720%2C540&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9845,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/06\/vaterland-aus-blasinstrumenten-und-einem-akkordeon\/","url_meta":{"origin":11014,"position":5},"title":"Vaterland aus Blasinstrumenten und einem Akkordeon","author":"der huflaikhan","date":"25. 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