{"id":1171,"date":"2005-05-01T22:34:03","date_gmt":"2005-05-01T21:34:03","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/schlauer-die-operette-und-ich-i\/"},"modified":"2023-12-18T08:49:26","modified_gmt":"2023-12-18T07:49:26","slug":"schlauer-die-operette-und-ich-i","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/05\/schlauer-die-operette-und-ich-i\/","title":{"rendered":"Schlauer, die Operette und ich I"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schlauer%2C%20die%20Operette%20und%20ich%20I https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F05%2Fschlauer-die-operette-und-ich-i%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><div class=\"rightbox\"><%image(20050502-dresden-tagung-71.jpg|250|349|Tagung Dresden)%><\/div>\n<p>Es f\u00fchrt wohl kein Weg daran vorbei. Ich muss auch noch Operettenliebhaber werden. Eine ausgezeichnete &#8222;Herzogin von Chicago&#8220; in Dresdens Staatsoperette, eine merkw\u00fcrdige Biographie L\u00e9on Jessels (auf der Zugfahrt gelesen), &#8222;Roxy und ihr <strike>Dream<\/strike>Wunderteam&#8220; (als Film von 1937) von Paul Abraham, selbst ein Film wie &#8222;Maske in Blau&#8220; (von Fred Raymond, als Film 1943?). Zahlreiche Belehrungen \u00fcber Lehar, \u00fcber Abraham, \u00fcber Benatzky, \u00fcber Heymann. Und vieles mehr. Von manchen Veranstaltungen kommt man einfach schlauer zur\u00fcck &#8212; gewiss dann, wenn man vorher sowieso kaum etwas wusste.<\/p>\n<p>Operette macht wirklich Vergn\u00fcgen und eine solche Tagung hungrig, sowohl \u00fcbertragen wie wortw\u00f6rtlich. Aber kaum Zeit daf\u00fcr. Sowohl als auch. <\/p>\n<blockquote><p><b>Pers\u00f6nliche Randnotiz:<\/b> Typisch, kaum war ich in Dresden angekommen, und die Sache wurde ernst, \u00fcberkam mich ein unberechenbares Muffensausen. Werden die mich m\u00f6gen, werde ich wen ansprechen k\u00f6nnen, oder blamiere ich mich nur wieder. <\/p>\n<p><b>Zweite Notiz: <\/b>Endlich habe ich den gesehen, der ein Stelle bekommen hat, die ich seinerzeit (vor 14 Jahren) h\u00e4tte haben wollen. Er ist unterdessen Leiter der Musikabteilung der Akademie der K\u00fcnste geworden. Ich bin weiterhin nur ein Schmierer. Obwohl \u0085<\/p>\n<p><b>Dritte Notiz:<\/b> Hie\u00df nicht so diejenige, die im n\u00e4chsten Fall die Stelle bekam anstatt meiner? <\/p>\n<p><b>Vierte Notiz:<\/b> Gro\u00dfe Unsicherheit im Fragestil. Blapalaverblablub, oder \u00e4h, man kann es \u0085 oder wie? \u0085WAS?<\/p>\n<p><b>F\u00fcnfte Notiz:<\/b> Die anderen haben mich trotzdem mit Nachsicht und Freundlichkeit behandelt. \n<\/p><\/blockquote>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schlauer%2C%20die%20Operette%20und%20ich%20I https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F05%2Fschlauer-die-operette-und-ich-i%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Schlauer%2C%20die%20Operette%20und%20ich%20I https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F05%2Fschlauer-die-operette-und-ich-i%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Also, nenne ich es einfacherweise Netz-Klang-Feature. \u00a0 Mein Netzklang-Feature befasst sich in kurzen 15 Minuten mit Paul\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Paul Abraham - das echo der masse","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/07\/20050725-echo-abraham.jpg?fit=452%2C266&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1181,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/05\/hochschule-von-innen-nichts-gescheites-drinnen\/","url_meta":{"origin":1171,"position":1},"title":"Hochschule von innen \u0096 nichts Gescheites drinnen","author":"huflaikhan","date":"7. Mai 2005","format":false,"excerpt":"Zentrale und Parteigeb\u00e4ude der NSDAP \u2014 M\u00fcnchen. Jetzt Hochschule f\u00fcr Musik und Theater. Musik soll angeblich den b\u00f6sen Geist ausgetrieben haben. Wenn das mal stimmen sollte, dann w\u00e4re es wenigstens richtig. Im R\u00fccken des Foddegrafen \u00fcbrigens das alte Kaminzimmer mit dem entsprechenden Balkon f\u00fcr des F\u00fchrers Ausschau und Paraden. Na\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":62,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/10\/taktlos-82-operette-land-des-schwaechelns\/","url_meta":{"origin":1171,"position":2},"title":"taktlos #82: Operette, Land des Schw\u00e4chelns","author":"huflaikhan","date":"7. Oktober 2004","format":false,"excerpt":"Gestern abend um diese Zeit ging taktlos 82 \u00fcber die B\u00fchne, besser gesagt \u00fcber den Sender. Ein wieder ganz lebendige Sendung mit mindestens zwei Gespr\u00e4chspartnern, die sch\u00f6n reden konnten (einer davon zumal ein Bariton). Operette? Das habe ich mir auch gesagt und meinen Teil gedacht. Mottenkiste mit zuviel Schminke (aber\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"Blick aus dem Studio ins Studio","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041007-takt82.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1258,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/06\/operette-unterm-hakenkreuz\/","url_meta":{"origin":1171,"position":3},"title":"Operette unterm Hakenkreuz","author":"huflaikhan","date":"3. Juni 2005","format":false,"excerpt":"Eigentlich bin ich ja alles andere als ein Freund der Operette gewesen. \u00dcberhaupt, diese musikdramatischen Werke, ob Oper, ob Musical, ob Operette, die waren mir suspekt. Operette besonders. Dann kam der Auftrag, doch die Tagung \u201eOperette unterm Hakenkreuz\u201c vom 29.4. bis zum 1.5. in Dresden anzuschauen und dar\u00fcber zu berichten\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Klotz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1383,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/werbung-heute-duo-phon-records\/","url_meta":{"origin":1171,"position":4},"title":"Werbung: Heute &#8211; Duo-Phon-Records","author":"huflaikhan","date":"26. August 2005","format":false,"excerpt":"Gerade habe ich alte Post ge\u00f6ffnet. Darin teilt des Berliner Platten-Label \u201eDuo-Phon-Records\u201c mit, ihre Preise f\u00fcr s\u00e4mtliche CDs mit historischen Aufnahmen auf 8,63 \u0080 zzgl. MwSt. gesenkt zu haben. Macht also 9,90 \u0080 f\u00fcr den Normalverbraucher. Ferner gibt es weitere Pakete zu reduzierten Preisen (\"566 musikalische Perlen des Tonfilms -\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1337,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/07\/poddet-huflaikhan-auch\/","url_meta":{"origin":1171,"position":5},"title":"Poddet Huflaikhan auch?","author":"huflaikhan","date":"25. Juli 2005","format":false,"excerpt":"Keine Welle ist schlecht genug, um sie nicht mitzunehmen, gerade auch im Internet. Huflaikhan sieht eine Galerie, also macht er auch schnell eine. Macht der eine oder andere Kollege eine Art Podcast, dann l\u00e4sst sich auch Huflaikhan nicht lumpen. Wird gemacht, ist in Ordnung. Nun ist das aber gar nicht\u2026","rel":"","context":"In \"Blogging\"","block_context":{"text":"Blogging","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/blogging\/"},"img":{"alt_text":"Paul Abraham - das echo der masse","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/07\/20050725-echo-abraham.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1171\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}