{"id":11789,"date":"2026-02-10T22:04:40","date_gmt":"2026-02-10T21:04:40","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=11789"},"modified":"2026-02-10T22:05:30","modified_gmt":"2026-02-10T21:05:30","slug":"o-fortuna","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/o-fortuna\/","title":{"rendered":"O Fortuna"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Es hat mich gewundert, wie h\u00e4\u00dflich unsere Nationalhymne doch klingen kann. Hier, bei den Olympischen Winterspielen in Italien. Was f\u00fcr eine plumpe Variante hat da, genau wer?, ausgew\u00e4hlt? Gratulation aber an die Gewinner:innen. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gold im Skispringen auf der kleinen Schanze. Was keiner wei\u00df, 1972 war ich ein totaler Fan von Wojciech Fortuna, dem Olympia-Sieger im Skispringen. Da war ich 8 Jahre alt und habe meinem Ski-Sprung-Vorbild gefr\u00f6nt. Dabei habe ich ihn nachgeahmt, lange Zeit, auf den Spielpl\u00e4tzen der Umgebung, indem ich ihn imitiert hatte auf der Rutsche mit abschlie\u00dfendem Sprung und Landung, nat\u00fcrlich im Telemark. Was sonst. Fortuna hat immer gewonnen. Immer. <\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/widget.qobuz.com\/track\/199420448?zone=DE-de\" width=\"378\" height=\"390\" > <p>Your browser does not support iframes.<\/p> <\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">Die bessere Landung. An sich habe ich total die H\u00f6henangst.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=O%20Fortuna https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fo-fortuna%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=O%20Fortuna https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fo-fortuna%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Nationalhymne bei Olympia eher bedauerlich.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=O%20Fortuna https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fo-fortuna%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8430,"url":"https:\/\/www.kritische-masse.de\/logbuch\/deutscher-samba-ii-triste-und-vorschau-auf-spiel-1\/","url_meta":{"origin":11789,"position":0},"title":"Deutscher Samba II (triste und Vorschau auf Spiel 1)","author":"der huflaikhan","date":"11. Juni 2014","format":false,"excerpt":"Der gro\u00dfartige S\u00e4nger David Stingl hat mich in einem Kommentar auf folgende Gesangsvariante der Nationalhymne hingewiesen. Geht doch: http:\/\/youtu.be\/IlRvE6zWxrw Bestimmt hat da aber der eine oder andere auch wieder was zu meckern, so in Richtung Besch\u00e4digung eines Verfassungsdingens. Oder Haydn-Mord. David Stingl selbst hat sich auch dem Thema Hymne und\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"create a highly detailed high resolution image for a blog post","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/create-a-highly-detailed-high-resolution-image-for-a-blog-post.png?fit=1024%2C768&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/create-a-highly-detailed-high-resolution-image-for-a-blog-post.png?fit=1024%2C768&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/create-a-highly-detailed-high-resolution-image-for-a-blog-post.png?fit=1024%2C768&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/create-a-highly-detailed-high-resolution-image-for-a-blog-post.png?fit=1024%2C768&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8431,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kroatien-vs-brasilien\/","url_meta":{"origin":11789,"position":1},"title":"Kroatien vs. Brasilien","author":"der huflaikhan","date":"12. Juni 2014","format":false,"excerpt":"Und ein letzter Hinweis auf die Hymnenfrage. Walter Scharfenecker hat bei nmz-online so ziemlich jeden Klassiker ausgegraben, den man finden konnte. Von Haydn \u00fcber Beethoven, einen falschen Mozart und alte Niederl\u00e4nder. Die Nationalhymnen so mal historisch gesehen. Zum Beispiel mit dem Hinweis auf ein kroatisches Lied, an dessen Melodie sich\u00a0\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/FA2ZXm3VU5Y\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8425,"url":"https:\/\/www.kritische-masse.de\/logbuch\/fussball-und-kultur\/","url_meta":{"origin":11789,"position":2},"title":"Fussball und Kultur","author":"der huflaikhan","date":"1. Juni 2014","format":false,"excerpt":"Es gibt ja in gro\u00dfer Anzahl: Fussball-Hater unter den Musikern und wie mir scheint vor allem Komponisten. Die tun betreten dreinschauen, wenn sie in der Timeline von Facebook mit mehr oder minder patriotischem Zeug zum Spiel \u2013 oder auch zur Theorie oder Praxis des Spiel konfrontiert werden. Nat\u00fcrlich muss niemand\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1367,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sangeslust-sangesfrust\/","url_meta":{"origin":11789,"position":3},"title":"Sangeslust &#8211; Sangesfrust","author":"huflaikhan","date":"16. August 2005","format":false,"excerpt":"Wenn die Klingelton-Generation zu singen beginnt, dann wird sie ehrlich. Pop-T\u00f6nchen Sarah Connor versang sich bei ihrer Interpretation der Deutschen Nationalhymne - und zwar nicht nur im Text. Gut, man wei\u00df ja, dass wenig genug Menschen sowohl Text wie Melodie in einigerma\u00dfen ertr\u00e4glichem Ma\u00dfe hinbekommen. Doch das hat wohl andere\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8709,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vaterland\/","url_meta":{"origin":11789,"position":4},"title":"Vaterland!","author":"der huflaikhan","date":"10. Juni 2017","format":false,"excerpt":"Das Vaterland hat einen Platten. Heute in der N\u00e4he des Wochenmarktes in Kleinmachnow gesehen. Es gab schon Marken mit Position! Wenn man sich \u00fcber Wikipedia etwas schlau macht, dann wird man feststellen, dass die bei \"Vaterland\" zuerst eigentlich als \"Firma Herfeld & Co. zun\u00e4chst Blasinstrumente und Akkordeons\" herstellte. Man \"war\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Das Vaterland hat einen Platten. 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Da ist es ein unertr\u00e4glicher Anachronismus, pl\u00f6tzlich von einer Tradition zu reden, die man sich im Gewirr der universalen Netze einfach erfindet: deutsche Leitkultur schallt es da aus den politischen Provinzhirnen. 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