{"id":1258,"date":"2005-06-03T09:05:00","date_gmt":"2005-06-03T08:05:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/operette-unterm-hakenkreuz\/"},"modified":"2024-06-03T21:15:47","modified_gmt":"2024-06-03T19:15:47","slug":"operette-unterm-hakenkreuz","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/operette-unterm-hakenkreuz\/","title":{"rendered":"Operette unterm Hakenkreuz"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1254\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/operette-unterm-hakenkreuz\/attachment-huffl\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050601-huffi.png?fit=80%2C126&amp;ssl=1\" data-orig-size=\"80,126\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Huffl\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050601-huffi.png?fit=80%2C126&amp;ssl=1\" class=\" alignright size-full wp-image-1254\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050601-huffi.png?resize=80%2C126&#038;ssl=1\" alt=\"Huffl\" width=\"80\" height=\"126\" align=\"right\" \/>Eigentlich bin ich ja alles andere als ein Freund der Operette gewesen. \u00dcberhaupt, diese musikdramatischen Werke, ob Oper, ob Musical, ob Operette, die waren mir suspekt. Operette besonders. Dann kam der Auftrag, doch die Tagung \u201eOperette unterm Hakenkreuz\u201c vom 29.4. bis zum 1.5. in Dresden anzuschauen und dar\u00fcber zu berichten f\u00fcr den Mitteldeutschen Rundfunk. Mann, was eine Freude. Ausgerechnet ich \u2014 keine Ahnung von und mehr noch, das war doch Mist. Operette ist doof.<\/p>\n<p>Es kam anders. Die Tagung war wirklich gut und die Gehirnzellen wurden zum Rotieren gebracht. Die Sache wurde vor Ort sehr aufschlussreich und animierend. Jetzt ist ein <a href=\"http:\/\/www.nmz.de\/nmz\/2005\/06\/magazin-operette.shtml\" target=\"_blank\" rel=\"noopener\">entsprechender Text<\/a> in der aktuellen nmz erschienen. Und am Sonnabend, dem 4.6.2005 wird auf MDR Kultur (hei\u00dft jetzt Figaro, \u00e4rgerlich) ein entsprechender Bericht gesendet. Von etwa 20:00 Uhr bis 21:00 Uhr. Kann man auch als <a href=\"http:\/\/www.mdr.de\/mdr-figaro\/\" target=\"_blank\" rel=\"noopener\">Internet-Stream<\/a> f\u00fcr den Windows Media Player oder als Real-Audio h\u00f6ren. <!--break--> Zu den Tagungsteilnehmern geh\u00f6rte auch Volker Klotz, der \u201egro\u00dfe\u201c Operettenfachmann.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1255\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/operette-unterm-hakenkreuz\/attachment-klotz\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz1.jpg?fit=200%2C135&amp;ssl=1\" data-orig-size=\"200,135\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Klotz\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz1.jpg?fit=200%2C135&amp;ssl=1\" class=\" size-full wp-image-1255\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz1.jpg?resize=200%2C135&#038;ssl=1\" alt=\"Klotz\" width=\"200\" height=\"135\" \/> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1256\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/operette-unterm-hakenkreuz\/attachment-klotz-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz2.jpg?fit=200%2C133&amp;ssl=1\" data-orig-size=\"200,133\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Klotz\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz2.jpg?fit=200%2C133&amp;ssl=1\" class=\" size-full wp-image-1256\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz2.jpg?resize=200%2C133&#038;ssl=1\" alt=\"Klotz\" width=\"200\" height=\"133\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1257\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/operette-unterm-hakenkreuz\/attachment-klotz-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?fit=500%2C363&amp;ssl=1\" data-orig-size=\"500,363\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Klotz\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?fit=500%2C363&amp;ssl=1\" class=\" size-full wp-image-1257\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?resize=500%2C363&#038;ssl=1\" alt=\"Klotz\" width=\"500\" height=\"363\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050602-klotz3.jpg?resize=300%2C218&amp;ssl=1 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Operette%20unterm%20Hakenkreuz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Foperette-unterm-hakenkreuz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Operette besonders. Dann kam der Auftrag, doch die Tagung \u201eOperette unterm Hakenkreuz\u201c vom 29.4. bis zum 1.5. in Dresden anzuschauen und dar\u00fcber zu berichten f\u00fcr den Mitteldeutschen Rundfunk. Mann, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Operette%20unterm%20Hakenkreuz https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Foperette-unterm-hakenkreuz%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 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auf \u2026","die Kunst"],"post_class":[["post-1258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-angriffauf","category-die-kunst","tag-operette","tag-nationalsozialismus","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1187,"url":"https:\/\/www.kritische-masse.de\/logbuch\/drei-zitate\/","url_meta":{"origin":1258,"position":0},"title":"Drei Zitate","author":"huflaikhan","date":"9. Mai 2005","format":false,"excerpt":"Die Zeiten, die Zeiten: a) Rektor der Hochschule f\u00fcr Musik und Theater M\u00fcnchen, Siegfried Mauser (2005): Was mich ein bisschen gest\u00f6rt hat an dem Beitrag [\u00fcber \"Operette unterm Hakenkreuz\"; M.H.], ist, was ich eigentlich mittlerweile wirklich komplett satt habe, dieses Gegeneinanderstellen von E- und U-Musik und dass man die U-Musik\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/netzklang-feature-paul-abraham\/","url_meta":{"origin":1258,"position":1},"title":"Netzklang-Feature: Paul Abraham","author":"huflaikhan","date":"1. August 2005","format":false,"excerpt":"Ich wei\u00df ja immer noch nicht, was nun anders ist am Podcast, als am sonstigen Produzieren von M\u00fcll. Erinnert mich an Weblog-Systeme. Gro\u00dfer Bohei um ein kleines Feature: Content Management f\u00fcr (fast) alle. Also, nenne ich es einfacherweise Netz-Klang-Feature. \u00a0 Mein Netzklang-Feature befasst sich in kurzen 15 Minuten mit Paul\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Paul Abraham - das echo der masse","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/07\/20050725-echo-abraham.jpg?fit=452%2C266&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1171,"url":"https:\/\/www.kritische-masse.de\/logbuch\/schlauer-die-operette-und-ich-i\/","url_meta":{"origin":1258,"position":2},"title":"Schlauer, die Operette und ich I","author":"huflaikhan","date":"1. Mai 2005","format":false,"excerpt":"Es f\u00fchrt wohl kein Weg daran vorbei. Ich muss auch noch Operettenliebhaber werden. Eine ausgezeichnete \u201eHerzogin von Chicago\u201c in Dresdens Staatsoperette, eine merkw\u00fcrdige Biographie L\u00e9on Jessels (auf der Zugfahrt gelesen), \u201eRoxy und ihr DreamWunderteam\u201c (als Film von 1937) von Paul Abraham, selbst ein Film wie \u201eMaske in Blau\u201c (von Fred\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":62,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-82-operette-land-des-schwaechelns\/","url_meta":{"origin":1258,"position":3},"title":"taktlos #82: Operette, Land des Schw\u00e4chelns","author":"huflaikhan","date":"7. Oktober 2004","format":false,"excerpt":"Gestern abend um diese Zeit ging taktlos 82 \u00fcber die B\u00fchne, besser gesagt \u00fcber den Sender. Ein wieder ganz lebendige Sendung mit mindestens zwei Gespr\u00e4chspartnern, die sch\u00f6n reden konnten (einer davon zumal ein Bariton). Operette? Das habe ich mir auch gesagt und meinen Teil gedacht. Mottenkiste mit zuviel Schminke (aber\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/taktlos\/"},"img":{"alt_text":"Blick aus dem Studio ins Studio","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041007-takt82.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1181,"url":"https:\/\/www.kritische-masse.de\/logbuch\/hochschule-von-innen-nichts-gescheites-drinnen\/","url_meta":{"origin":1258,"position":4},"title":"Hochschule von innen \u0096 nichts Gescheites drinnen","author":"huflaikhan","date":"7. Mai 2005","format":false,"excerpt":"Zentrale und Parteigeb\u00e4ude der NSDAP \u2014 M\u00fcnchen. Jetzt Hochschule f\u00fcr Musik und Theater. Musik soll angeblich den b\u00f6sen Geist ausgetrieben haben. Wenn das mal stimmen sollte, dann w\u00e4re es wenigstens richtig. Im R\u00fccken des Foddegrafen \u00fcbrigens das alte Kaminzimmer mit dem entsprechenden Balkon f\u00fcr des F\u00fchrers Ausschau und Paraden. Na\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3422,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-erste-s-nde-schlagerjazz\/","url_meta":{"origin":1258,"position":5},"title":"Die erste S\u00fcnde des Jahres \u2013 Schlagerjazz","author":"huflaikhan","date":"1. Januar 2015","format":false,"excerpt":"Ich gebe zu, ich habe heute nacht ges\u00fcndigt. Nach Neujahr kam das gro\u00dfe Schlagerderby aus den sp\u00e4ten 60er und 70er Jahren. Aus den Archiven des Fernsehens, gesendet vom rbb. Selige Zeiten f\u00fcr Autoren (Texter wie Komponisten), alles wirklich gut komponiert, tolle Stimmen bisweilen. Reichtum f\u00fcr die Autoren garantiert. Und das\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Funken aus Nichts. 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