{"id":1316,"date":"2005-07-15T07:48:00","date_gmt":"2005-07-15T06:48:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ich-melde-ansprueche\/"},"modified":"2023-12-18T08:49:24","modified_gmt":"2023-12-18T07:49:24","slug":"ich-melde-ansprueche","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ich-melde-ansprueche\/","title":{"rendered":"Ich melde Anspr\u00fcche"},"content":{"rendered":"<p>Nach einem Durchtippfehler fiel mir auf, dass mir ein &#8212; wie ich finde &#8212; sch\u00f6ner Neologismus gegl\u00fcckt ist. Das neue Wort trifft sehr gut eine Verhaltensweise der Musikwirtschaft (aber wohl auch andere Wirtschaftsressorts). Also hier:<\/p>\n<div style=\"text-align: center\">\n<h2>Verklaufen&trade;<\/h2>\n<\/div>\n<p>Anwendung: Jemand will einem etwas, was einem selbst geh\u00f6rt <i>verklaufen.<\/i> Im Besitz von etwas sein, was man nicht besitzen kann, aber jemand anderem, vorzugsweise allen, geh\u00f6rt. Verklauf ist das zentrale Gesch\u00e4ftsfeld der sogenannten Creative Industries. Anwendung: Apple verklauft Downloads. Parteien verklaufen politisches Engagement.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ich%20melde%20Anspr%C3%BCche https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fich-melde-ansprueche%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ich%20melde%20Anspr%C3%BCche https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fich-melde-ansprueche%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Nach einem Durchtippfehler fiel mir auf, dass mir ein &#8212; wie ich finde &#8212; sch\u00f6ner Neologismus gegl\u00fcckt ist. Das neue Wort trifft sehr gut eine Verhaltensweise der Musikwirtschaft (aber wohl auch andere Wirtschaftsressorts). Also hier: Verklaufen&trade; Anwendung: Jemand will einem etwas, was einem selbst geh\u00f6rt verklaufen. Im Besitz von etwas sein, was man nicht besitzen [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ich%20melde%20Anspr%C3%BCche https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fich-melde-ansprueche%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juli 2018","format":false,"excerpt":"Nach einem Durchtippfehler fiel mir auf, dass mir ein \u2014 wie ich finde \u2014 sch\u00f6ner Neologismus gegl\u00fcckt ist. Das neue Wort trifft sehr gut eine Verhaltensweise der Musikwirtschaft (aber wohl auch andere Wirtschaftsressorts). Also hier: Verklaufen\u2122 Anwendung: Jemand will einem etwas, was einem selbst geh\u00f6rt verklaufen. Im Besitz von etwas\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2282,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kultur-und-kunst-im-kartell-ihrer-vermarktung\/","url_meta":{"origin":1316,"position":1},"title":"Kultur und Kunst im Kartell ihrer Vermarktung","author":"hufi","date":"9. 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Mai 2003","format":false,"excerpt":"Amberg - Ein 71-J\u00e4hriger stahl am Freitag in einen Einkaufsmarkt [hineinstehlen, ein prima Neologismus] in Amberg ein Paar Laufsocken im Wert von drei Euro. Der sportliche Opa wurde allerdings beobachtet [von einem gelangweilten Blitz-Redakteur?] und festgehalten [und ob man ihn jemals loslie\u00df, das ist noch unbekannt!]. Rat des Huflaikhan: Man\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2155,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vom-broetchendiebstahl-und-von-der-brotlosen-kunst\/","url_meta":{"origin":1316,"position":3},"title":"Vom Br\u00f6tchendiebstahl und von der brotlosen Kunst","author":"huflaikhan","date":"17. Februar 2007","format":false,"excerpt":"Andr\u00e9 Spiegel \u00fcber seinen Auftritt bei taktlos: Ich fand es aufschlu\u00dfreich, von Dieter Gorny eine Reihe von Argumenten in Reinkultur zu h\u00f6ren, die sonst selten so ausdr\u00fccklich formuliert werden (\"Wenn ich ein Br\u00f6tchen klaue, ist das Diebstahl, aber wenn ich ein Musikst\u00fcck klaue, soll das keiner sein?\") Wer letztlich die\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/vom-broetchendiebstahl-und-von-der-brotlosen-kunst\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3510,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-kann-so-nix-werden-urheberrecht\/","url_meta":{"origin":1316,"position":4},"title":"Das kann so nix werden (Urheberrecht)","author":"huflaikhan","date":"11. Dezember 2015","format":false,"excerpt":"Momentan bin ich schwer dar\u00fcber im Zweifel, ob das alles noch was werden kann. Seit \u00fcber 25 Jahren befasse ich mich mit dem Thema Urheberrecht, nat\u00fcrlich nicht als Jurist, denn das bin ich ja nicht, sondern als jemand, der damit t\u00e4glich umgehen muss. Jetzt habe ich das erste mal das\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Mir ist \u00fcbel. 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Dezember 2003","format":false,"excerpt":"Vom frischgebackenen Schirmherren des \u0084Deutschen Musik-Exportb\u00fcros\u0093 kann man unter \u0084Kunst & Leben bei ARD.de\u0093 eine gro\u00dfe Schimpftirade auf die Geschichte des Deutschen Schlagers in Deutschland lesen. Nach dem Zweiten Weltkrieg habe sich Deutschland in einer Identit\u00e4tskrise befunden und man sei daher nicht zu einem eigenst\u00e4ndigen Genre gekommen. 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