{"id":1355,"date":"2005-08-12T14:21:31","date_gmt":"2005-08-12T13:21:31","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/mein-zitat-des-tages\/"},"modified":"2023-12-18T08:49:11","modified_gmt":"2023-12-18T07:49:11","slug":"mein-zitat-des-tages","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/mein-zitat-des-tages\/","title":{"rendered":"Mein Zitat des Tages"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Mein%20Zitat%20des%20Tages https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F08%2Fmein-zitat-des-tages%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das sieht so ganz nach mi\u00dflungenem MetaDesign aus, so wie das WDR-Logo und dieses ganze ARD-Logeln sowieso.Bonn Die StadtWenn man das so sieht, kann man verstehen, dass der Bundestag nach Berlin umgezogen ist. Hier ist es\u2026","rel":"","context":"In \"Berlin\"","block_context":{"text":"Berlin","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/berlin\/"},"img":{"alt_text":"Statt Bonn","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/09\/stadt-bonn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8745,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/01\/kunst-in-den-grenzen-der-demokratie-von-2018\/","url_meta":{"origin":1355,"position":4},"title":"Kunst in den Grenzen der \u201eDemokratie\u201c von 2018","author":"der huflaikhan","date":"30. Januar 2018","format":false,"excerpt":"Es ist schon alles zur Debatte um die Bemalung einer Hochschulwand in Berlin gesagt worden. K\u00f6nnte man denken. Denn es gibt zahlreiche Kommentare, Polemiken, Diskussionen zur Verwendung eines Gedichts von Eugen Gomringer im \u00f6ffentlichen Raum. Da geht es um die Interpretation von Texten, da geht es um Vorw\u00fcrfe wie Zensur\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Leere W\u00e4nde ins Blaue hinein. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/01\/wand_bemalung-300x237.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8765,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/07\/hochschule-fuer-musik-und-theater-muenchen-praesident-redmann-im-argumentationschaos\/","url_meta":{"origin":1355,"position":5},"title":"Hochschule f\u00fcr Musik und Theater M\u00fcnchen: Pr\u00e4sident Redmann im Argumentationschaos","author":"der huflaikhan","date":"8. Juli 2018","format":false,"excerpt":"Die Hochschule f\u00fcr Musik und Theater M\u00fcnchen kommt nicht zur Ruhe \u2013 und sie kommt nicht einmal zu einer geordneten Unruhe. F\u00fcr BR-KLASSIK hat Bernhard Neuhoff k\u00fcrzlich den wiedergew\u00e4hlten Pr\u00e4sidenten, Bernd Redmann, f\u00fcr ein Interview gewinnen k\u00f6nnen. 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