{"id":1452,"date":"2005-09-27T22:17:18","date_gmt":"2005-09-27T21:17:18","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/paul-valery-geheimnisvoll\/"},"modified":"2023-12-18T08:49:09","modified_gmt":"2023-12-18T07:49:09","slug":"paul-valery-geheimnisvoll","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/paul-valery-geheimnisvoll\/","title":{"rendered":"Paul Val\u00e9ry: Geheimnisvoll"},"content":{"rendered":"<p><cite>Es hat etwas Schreckliches, zu sein, was man ist.<br \/>\nWenn Ich etwas ist, ist es nichts.<\/p>\n<p><i>Paul Val\u00e9ry, Cahiers\/Hefte 4, Ffm 1990, S. 490. <\/i><\/cite><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Paul%20Val%C3%A9ry%3A%20Geheimnisvoll https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F09%2Fpaul-valery-geheimnisvoll%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Wenn Ich etwas ist, ist es nichts. Paul Val\u00e9ry, Cahiers\/Hefte 4, Ffm 1990, S. 490.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Paul%20Val%C3%A9ry%3A%20Geheimnisvoll https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F09%2Fpaul-valery-geheimnisvoll%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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September 2004","format":false,"excerpt":"Grimmig h\u00e4lt ein Rotlicht die Autos in Schranken. Die Pflastersteine r\u00fctteln. Die Br\u00fccke ist breit und hell der Stein in der Sonne. Ein Tiefwasser treibt durch die Bogen, dem die B\u00e4ume ihre Bl\u00e4tter spenden. Das Rotlicht zittert, die angehaltene Meute dr\u00f6hnt; es sch\u00fcttern die Steine. Paul Nizan, Canto, Frankfurt\/M. 1993,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2216,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/06\/rez-jean-paul-bourelly-news-a-darked-out-room\/","url_meta":{"origin":1452,"position":1},"title":"[Rez] Jean Paul Bourelly: news from a darked out room","author":"hufi","date":"12. Juni 2007","format":false,"excerpt":"Ich habe lange darauf gewartet, mich endlich zu diesem eigenartigen Album \u00e4u\u00dfern zu k\u00f6nnen. Vom Cover her genau das gleiche und das Gegenteil von dem der Malene. Was w\u00fcrde der geneigte Leser denken, dass jetzt f\u00fcr Musik k\u00e4me? Na, es ist hier ein Mann im Solo mit seiner Gitarre, der\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/netzklang-feature-paul-abraham\/","url_meta":{"origin":1452,"position":2},"title":"Netzklang-Feature: Paul Abraham","author":"huflaikhan","date":"1. August 2005","format":false,"excerpt":"Ich wei\u00df ja immer noch nicht, was nun anders ist am Podcast, als am sonstigen Produzieren von M\u00fcll. Erinnert mich an Weblog-Systeme. Gro\u00dfer Bohei um ein kleines Feature: Content Management f\u00fcr (fast) alle. 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Allerdings nur bezogen auf das Ende mit den Zugaben. Da gab es John Williams mit drei St\u00fccken und Paul Lincke mit der Berliner Luft. Kurz gesagt: Das war nix. 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