{"id":1484,"date":"2005-10-21T09:26:37","date_gmt":"2005-10-21T08:26:37","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/the-bad-plus-suspicious-activity\/"},"modified":"2023-12-18T08:49:09","modified_gmt":"2023-12-18T07:49:09","slug":"the-bad-plus-suspicious-activity","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/the-bad-plus-suspicious-activity\/","title":{"rendered":"The Bad Plus:  Suspicious Activity?"},"content":{"rendered":"<p>Knackig.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=The%20Bad%20Plus%3A%20%20Suspicious%20Activity%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fthe-bad-plus-suspicious-activity%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" 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0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button mailto shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a 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style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Knackig.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=The%20Bad%20Plus%3A%20%20Suspicious%20Activity%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fthe-bad-plus-suspicious-activity%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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Januar 2006","format":false,"excerpt":"Das Klaviertrio mit Reid Anderson (b), Ethan Iverson (p) und David King (dm) legt schon die dritte Platte in schnelle Abfolge vor. Zun\u00e4chst so etwas wie ein Geheimtipp f\u00fcr Jazzh\u00f6rer, die auch unter den Sternen von Nirwana und Aphex Twin aufwuchsen, hat das Trio nun eine doch sehr klare und\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8467,"url":"https:\/\/www.kritische-masse.de\/logbuch\/ausklang-zum-wochenende\/","url_meta":{"origin":1484,"position":1},"title":"Ausklang zum Wochenende","author":"der huflaikhan","date":"22. August 2014","format":false,"excerpt":"Also am Wochenende will ich schon meine Ruhe haben vor der Aufgeregtheit der Welt. Man ist da gewiss privilegiert. F\u00fcr viele Menschen ist das Wochenende nie eines, weil der Kummer, die Sorge, die Angst eine Best\u00e4ndigkeit haben, die nicht vor Zeitstruktur Halt macht. Unsere WM-Tipperin Lydia Bader mit Debussy. https:\/\/www.youtube.com\/watch?v=-E-jXHn1o4Y\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-E-jXHn1o4Y\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":154,"url":"https:\/\/www.kritische-masse.de\/logbuch\/baden-powell-lembrenc\/","url_meta":{"origin":1484,"position":2},"title":"Baden Powell: Lembren\u00e7as","author":"huflaikhan","date":"30. April 2003","format":false,"excerpt":"Da spielt jemand sehr zur\u00fcckgezogen Gitarre, jenseitig. Selten haben sich Klarheit und Schwermut so sch\u00f6n vereint. Baden Bowell, Lembren\u00e7as \/ Trama TESN\/114-2 Siehe auch: Jazzzeitung","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":550,"url":"https:\/\/www.kritische-masse.de\/logbuch\/nikola-kodjabashia-reveries-of-the-solitary-walker\/","url_meta":{"origin":1484,"position":3},"title":"Nikola Kodjabashia: Reveries Of The Solitary Walker","author":"huflaikhan","date":"15. Juli 2004","format":false,"excerpt":"Pers\u00f6nliche Notiz: Zum ersten Mal h\u00f6rte ich diese CD nach einer gelage\u00e4hnlichen Besprechung mit Freunden. Sp\u00e4t abends dann zuhause legte ich mich ins G\u00e4stebett, weil mein Bett dem Gast \u00fcberlassen wurde. Das Zimmer ziemlich dunkel, ziemlich stille und dann spielte die CD. 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September 2003","format":false,"excerpt":"Der Alt-Saxophonist Dirk Meissner wagt gewisserma\u00dfen k\u00fchn den Vorspruch zur CD: \u0084Maybe that\u0091s the future of jazzmusic: the music you\u0091ll hear, when you drive slowly in your starship, cheerfull looking out of the window.\u0093 Da kann sich der Rezensent nicht ganz verkneifen, dass er beim H\u00f6ren gelegentlich den Eindruck gewann,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8894,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rundfunkabbauverein\/","url_meta":{"origin":1484,"position":5},"title":"Rundfunkabbauverein","author":"der huflaikhan","date":"29. Oktober 2023","format":false,"excerpt":"Wer erinnert sich? October 23, 1982, Staatsoper Hamburg. Ich habe am Radio gesessen. Mein Tonbandger\u00e4t hat auf dem rauschenden UKW-Kanal von NDR 2 (das war ja eher der Jugend- und Info-Sender, statt NDR 3, wo die Klassik und der Jazz sonst sendete) mitgeschnitten. Sp\u00e4ter verschwunden im Speicher in Regensburg. Hallo\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"Graues Meer bei Zingst. 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