{"id":153,"date":"2003-04-29T13:26:00","date_gmt":"2003-04-29T12:26:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/sidsel-endresen-bugge-wesseltoft-out-here-in-there\/"},"modified":"2023-12-18T08:50:13","modified_gmt":"2023-12-18T07:50:13","slug":"sidsel-endresen-bugge-wesseltoft-out-here-in-there","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/sidsel-endresen-bugge-wesseltoft-out-here-in-there\/","title":{"rendered":"Sidsel Endresen, Bugge Wesseltoft: Out here. In there"},"content":{"rendered":"<p>Ja, ich wei\u00df, die Platte ist schon etwas alt &#8211; aber ich habe sie mir heute nochmals beim Durchkramen herausgefischt. Und es ist schon erstaunlich, welche Breite zwei Musiker zusammen zum Klingen bringen. Klar, das k\u00f6nnte auch in irgendwelchen Yuppie-Schuppen laufen und dann l\u00e4sst man sich die Cocktail-Kirsche zwischen den Hautfalten verkr\u00fcmeln. Muss ja nicht sein<br \/>\n<br \/>\nWas ich wirklich faszinierende finde an dieser Platte, ist, dass sie wirklich sch\u00f6n geh\u00f6rt ist, mit minimalen Mitteln ein musikalisches durchaus gro\u00dfes Universum aufschlie\u00dft: Insbesondere in den beiden ersten St\u00fccken.<br \/>\n<br \/>\n<i>Sidsel Endresen,, Bugge Wesseltoft: Out here. In there. \/ Jazzland 017368-2<\/i><br \/>\n<br \/>\nPS: Und wieder kein nerviges Schlagzeug dabei!<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sidsel%20Endresen%2C%20Bugge%20Wesseltoft%3A%20Out%20here.%20In%20there https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsidsel-endresen-bugge-wesseltoft-out-here-in-there%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Sidsel%20Endresen%2C%20Bugge%20Wesseltoft%3A%20Out%20here.%20In%20there https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsidsel-endresen-bugge-wesseltoft-out-here-in-there%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Und es ist schon erstaunlich, welche Breite zwei Musiker zusammen zum Klingen bringen. Klar, das k\u00f6nnte auch in irgendwelchen Yuppie-Schuppen laufen und dann l\u00e4sst man sich die Cocktail-Kirsche zwischen den Hautfalten verkr\u00fcmeln. Muss ja nicht [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sidsel%20Endresen%2C%20Bugge%20Wesseltoft%3A%20Out%20here.%20In%20there https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsidsel-endresen-bugge-wesseltoft-out-here-in-there%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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Juli 2007","format":false,"excerpt":"\u201ePunkt\u201c sind Jan Bang und Erik Honor\u00e9, verst\u00e4rkt durch Sidsel Endresen, David Sylvian, Nils Petter Molv\u00e6r, Arve Henriksen, Audun Kleive, Eivind Aarset und Origami Ios. \u201ePunkt\u201c produziert mit allen Mitteln der elektronischen Daten- und Musikverarbeitung. Herausgekommen ist dabei eine Art abges\u00e4gte Clubbing-Moderne: Punkt! Musik, die sich an durchaus g\u00e4ngigen Stilmitteln\u2026","rel":"","context":"In &quot;jazzzeitung&quot;","block_context":{"text":"jazzzeitung","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/jazzzeitung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":844,"url":"https:\/\/www.kritische-masse.de\/logbuch\/henrietta-collins-and-wifebeating-childhaters\/","url_meta":{"origin":153,"position":1},"title":"Henrietta Collins and the Wifebeating Childhaters","author":"huflaikhan","date":"19. Oktober 2004","format":false,"excerpt":"Ich bin Quirinus noch was schuldig. Es mag gut passen zur Zeit. Damals verfasste Quirinus den Text \u201eDie Rammsteinfresserin\u201c und ich erw\u00e4hnte Herietta Collins and The Wifebeating Childhaters feat. Henry Rollins, eine EP von 1984 (um den Dreh). Quirinus setzte sich damals auseinander mit der Frage von Gewaltverherrlichung oder -ausl\u00f6sung\u2026","rel":"","context":"Mit 6 Kommentaren","block_context":{"text":"Mit 6 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/henrietta-collins-and-wifebeating-childhaters\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2213,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-silje-nergaard-darkness-out-of-blue\/","url_meta":{"origin":153,"position":2},"title":"[Rez] Silje Nergaard: Darkness Out Of Blue","author":"hufi","date":"9. Juni 2007","format":false,"excerpt":"Ganz ein anderes Kaliber als Malene. Allein wie sie die Tonrepetitionen auf dem ersten St\u00fcck Paper Boats zu gestalten wei\u00df \u2013 da ist hindertfach mehr Gewicht an Stimme drin. Eine Jazzplatte mit Frau, mit etwas charakteristischer Stimme. Diese nordischen Stimmwunder k\u00f6nnen einem ja wirklich mal langsam \u00fcber werden. Aber gelungener\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8709,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vaterland\/","url_meta":{"origin":153,"position":3},"title":"Vaterland!","author":"der huflaikhan","date":"10. Juni 2017","format":false,"excerpt":"Das Vaterland hat einen Platten. Heute in der N\u00e4he des Wochenmarktes in Kleinmachnow gesehen. Es gab schon Marken mit Position! Wenn man sich \u00fcber Wikipedia etwas schlau macht, dann wird man feststellen, dass die bei \"Vaterland\" zuerst eigentlich als \"Firma Herfeld & Co. zun\u00e4chst Blasinstrumente und Akkordeons\" herstellte. Man \"war\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Das Vaterland hat einen Platten. 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September 2004","format":false,"excerpt":"\u0085 meint der taktlos-Hofreaktion\u00e4r Dr. Martin Hufner. Jetzt. Hier. Der Beitrag f\u00fcr taktlos 80 \u2014 Sch\u00f6n, gut, radikal: Trikont. Die Nachbetrachtung gabs ja schon. Jetzt die die Stimme des Herrn \u2014 zu lesen oder auch als Real-Audio (4 Minuten etwa) zu h\u00f6ren. Musik: Linksradikales Blasorchester ? Autor: Wenn der Radikale\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":729,"url":"https:\/\/www.kritische-masse.de\/logbuch\/schoen-gut-radikal-trikont-nachbetrachtung-taktlos-80\/","url_meta":{"origin":153,"position":5},"title":"Sch\u00f6n, gut, radikal: Trikont &#8211; Nachbetrachtung &#8211; taktlos # 80","author":"huflaikhan","date":"2. September 2004","format":false,"excerpt":"Gestern war taktlos zu Gast beim Giesinger Plattenlabel \u201cTrikont\u201d. Die verlegen wirklich gute, sch\u00f6ne und radikale Musik. Mein erstes Trikont-Produkt war 1984 \u201cMit gelben Birnen\u201d vom \u201cErsten sogenannten linksradikalen Blasorchester\u201d, erstanden in einem Plattenladen in Braunschweig (der auch gut mit Albert Ayler best\u00fcckt war), unmittelbar nachdem man mich durch die\u2026","rel":"","context":"In \"Anspruch und Wirklichkeit\"","block_context":{"text":"Anspruch und Wirklichkeit","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/anspruchundwirklichkeit\/"},"img":{"alt_text":"Denis Riegger und Hans S\u00f6llner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/09\/20040902-takt80-musik.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/153\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}