{"id":1547,"date":"2005-12-05T01:00:00","date_gmt":"2005-12-05T00:00:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/bill-frisell-eastwest\/"},"modified":"2023-12-18T08:49:08","modified_gmt":"2023-12-18T07:49:08","slug":"bill-frisell-eastwest","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/bill-frisell-eastwest\/","title":{"rendered":"Bill Frisell: East\/West"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Bill%20Frisell%3A%20East%2FWest https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2005%2F12%2Fbill-frisell-eastwest%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Ich mag den Klang seiner Gitarre, seine unspektakul\u00e4re Art, die T\u00f6ne herauszukizzeln, die Art der Arrangements. Ich mag das seit Gary Larsons &#8222;Tales from the Far Side&#8220; (einem Trickfilm, zu dem Frisell Musik beisteuerte; Video leider verliehen und nie wieder gesehen*) und auch seit den diversen Coverversionen von Popsongs.<br \/>\n<!--break--><br \/>\nEast\/West, im Trio mit Tony Scherr (West) und Viktor Krauss (East) bass, acoustic guitar und Kenny Wollesen drums, sind zwei CDs mit Live-Mitschnitten aus dem Village Vanguard (New York) und dem Yoshi&#8217;s (Oakland, CA). Die Musik flutet da gar manchmal ziellos herum, treibt auf sich selbst  zum Beispiel im St\u00fcck Ron Carter [CD 2, Track 4]. Das ist alles eine im angenehmen Sinn sch\u00f6ne Versenkungsmusik. Ich muss zugeben, dass mir \u00fcberhaupt nicht klar wird, wie das St\u00fcck in sich gestrickt ist, wie es zum etwas rockigen Part gelangt. Man wird da einfach mitgezogen.<\/p>\n<p>Die meisten anderen St\u00fccke sind bew\u00e4hrt und durchsichtiger, gleichwohl voller elektrischer Zartheit. Frisell jedenfalls kann ich mir immer wieder antun. Sch\u00f6ne Musik. <\/p>\n<p><b>Bill Frisell: East\/West, <\/b><br \/>\nNonesuch 7559 79863 2 | <a href=\"http:\/\/www.billfrisell.de\/wiz\/ww_View.jsp?aid=3274&amp;spid=2550\">Website<\/a><\/p>\n<p><code>*) Leider hat der, dem ich es verliehen, es weiter verliehen, sich mit dem verstritten und so bekam ich ersatzweise einen Schnaps, was soll man machen. Sich \u00e4rgern hat keinen Sinn, weg ist weg. <\/code><br \/>\n<!--more--><br \/>\nIch mag den Klang seiner Gitarre, seine unspektakul\u00e4re Art, die T\u00f6ne herauszukizzeln, die Art der Arrangements. Ich mag das seit Gary Larsons &#8222;Tales from the Far Side&#8220; (einem Trickfilm, zu dem Frisell Musik beisteuerte; Video leider verliehen und nie wieder gesehen*) und auch seit den diversen Coverversionen von Popsongs.<br \/>\n<!--break--><br \/>\nEast\/West, im Trio mit Tony Scherr (West) und Viktor Krauss (East) bass, acoustic guitar und Kenny Wollesen drums, sind zwei CDs mit Live-Mitschnitten aus dem Village Vanguard (New York) und dem Yoshi&#8217;s (Oakland, CA). Die Musik flutet da gar manchmal ziellos herum, treibt auf sich selbst  zum Beispiel im St\u00fcck Ron Carter [CD 2, Track 4]. Das ist alles eine im angenehmen Sinn sch\u00f6ne Versenkungsmusik. Ich muss zugeben, dass mir \u00fcberhaupt nicht klar wird, wie das St\u00fcck in sich gestrickt ist, wie es zum etwas rockigen Part gelangt. Man wird da einfach mitgezogen.<\/p>\n<p>Die meisten anderen St\u00fccke sind bew\u00e4hrt und durchsichtiger, gleichwohl voller elektrischer Zartheit. Frisell jedenfalls kann ich mir immer wieder antun. Sch\u00f6ne Musik. <\/p>\n<p><b>Bill Frisell: East\/West, <\/b><br \/>\nNonesuch 7559 79863 2 | <a href=\"http:\/\/www.billfrisell.de\/wiz\/ww_View.jsp?aid=3274&amp;spid=2550\">Website<\/a><\/p>\n<p><code>*) Leider hat der, dem ich es verliehen, es weiter verliehen, sich mit dem verstritten und so bekam ich ersatzweise einen Schnaps, was soll man machen. 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Dazu geh\u00f6rt auch die des Klavierduos Reine Elisabeth mit den Pianisten Rolf Plagge und Wolfgang Manz. Sie spielen hier St\u00fccke ein, die bis auf eines nicht zum \u00fcblichen Repertoire geh\u00f6ren. Zu den Komponisten z\u00e4hlen Aram Khatschturian\u2026","rel":"","context":"In \"Klavierduo\"","block_context":{"text":"Klavierduo","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/klavierduo\/"},"img":{"alt_text":"Russian & Armenian Music","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1557,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/sonny-rollins-without-a-song-9-11-concert\/","url_meta":{"origin":1547,"position":2},"title":"Sonny Rollins, Without a Song (9-11 Concert)","author":"huflaikhan","date":"19. Dezember 2005","format":false,"excerpt":"Liegt bei mir seit Wochen rum. Nett gemacht das Rezensionsexmplar, handbeschriftet und vom Cover eine nette Schwarz\/Wei\u00df-Fotokopie. Dazu dann einige ebenso eilig mitgelieferten Waschzettel, die nat\u00fcrlich auch das \u201elegend\u00e4re\u201c Konzert, vier Tage nach dem 9.11.2001 in Boston, zum Gegenstand haben. Und die Musik ist furchtbar, wenn man sie von Anfang\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Rollins - without a Song","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/12\/20051218-rollins.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":766,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/nur-ein-bisschen-druck\/","url_meta":{"origin":1547,"position":3},"title":"Nur ein bisschen Druck","author":"huflaikhan","date":"21. September 2004","format":false,"excerpt":"Er geh\u00f6rt zu den besten Autoren, die in der DDR gelebt haben. Franz F\u00fchmann, ein guter Mann. Als Jugendlicher war er ganz der Nazi-Propaganda auf den Leim gegangen, umerzogen in sowjetischen Lagern mauserte er sich zum Verteidiger des Sozialismus. Ab den 60er Jahren wurde er freier und freier \u2014 er\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":49,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/1961-gyoergy-ligeti-atmospheres-fuer-grosses-orchester\/","url_meta":{"origin":1547,"position":4},"title":"1961 \u0096 Gy\u00f6rgy Ligeti: Atmosph\u00e8res f\u00fcr gro\u00dfes Orchester","author":"huflaikhan","date":"31. Mai 2003","format":false,"excerpt":"Sensationen in der LuftUlrich Dibelius, ein wachsamer Begleiter der neuen Musik seit den 50er Jahren erinnert sich an die erste Auff\u00fchrung von Gy\u00f6rgy Ligetis Atmosph\u00e8res: \u201eDie Urauff\u00fchrung ... bei den Donaueschinger Musiktagen trug alle Anzeichen des Sensationellen. Denn diesem Grad von ,Destruktion' nach zehn Jahren flei\u00dfiger Konstruktion [Dibelius meint damit\u2026","rel":"","context":"In &quot;Programmhefte&quot;","block_context":{"text":"Programmhefte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/programmhefte\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":976,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/bitten-der-kinder\/","url_meta":{"origin":1547,"position":5},"title":"Bitten der Kinder","author":"huflaikhan","date":"22. Dezember 2004","format":false,"excerpt":"Man ist schnell als Wessi-Tourist enttarnt. In Nauen (bei Berlin) durchstreifte ich den Ort, blickend nach rechts und links und in H\u00f6fe hinein. Trostlos damals 1993. Dann zwei Kinder in den neuen Uniformen des Westens. Sie wollten regelrecht foddefiert werden. Selbstbewusst irgendwie und auch versch\u00e4mt stehen sie da und schauen\u2026","rel":"","context":"Mit 10 Kommentaren","block_context":{"text":"Mit 10 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/bitten-der-kinder\/#comments"},"img":{"alt_text":"Kinder in Nauen","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/12\/20041218-nauen.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1547"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1547\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}