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Mai 2013","format":false,"excerpt":"\u00dcber Kritiker und Fotografen. \u00dcber kritisierende Fotografen und fotografierende Kritiker. \u00dcber die Manipulation durch \u201eobjektive\u201c Daten. \u00dcber die Selbstmanipulation durchs Schielen auf die Resonanz. Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache.\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. 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Mai 2013","format":false,"excerpt":"Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache. Das ist in anderen Bereichen der Kunst nicht anders. Kritik geh\u00f6rt zur Kunst. Martin Gommel f\u00fchrt dabei einen Haufen von \u201ekritischen Bemerkungen\u201c an, die\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. 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