{"id":156,"date":"2003-05-08T10:08:26","date_gmt":"2003-05-08T09:08:26","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/anders-widmark-featuring-sara-isaksson\/"},"modified":"2023-12-18T08:50:13","modified_gmt":"2023-12-18T07:50:13","slug":"anders-widmark-featuring-sara-isaksson","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/anders-widmark-featuring-sara-isaksson\/","title":{"rendered":"Anders Widmark featuring Sara Isaksson"},"content":{"rendered":"<div class=\"rightbox\"><%image(20030509-cd-widmark.jpg|150|152|CD: Anders Widmark)%><\/div>\n<p>Diese Scheibe hat schon was, schwankt musikalische irgendwo zwischen einem vollen Jarrett-Klang im Klavier und Songkultur und Songstruktur, die fast aus der Country-Welt stammen k\u00f6nnte. Alles jedenfalls ziemlich entspannt &#8211; manchmal fast zu entspannt. Misslungen finde ich das vorletzte St\u00fcck &#8220;Kamala&#8217;s Longing&#8221; welches arg affig r\u00fcberkommt.<\/p>\n<p><i>Emarcy<\/i><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anders%20Widmark%20featuring%20Sara%20Isaksson https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fanders-widmark-featuring-sara-isaksson%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Anders%20Widmark%20featuring%20Sara%20Isaksson https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fanders-widmark-featuring-sara-isaksson%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Alles jedenfalls ziemlich entspannt &#8211; manchmal fast zu entspannt. Misslungen finde ich das vorletzte St\u00fcck &#8220;Kamala&#8217;s Longing&#8221; welches arg affig r\u00fcberkommt. Emarcy<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anders%20Widmark%20featuring%20Sara%20Isaksson https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fanders-widmark-featuring-sara-isaksson%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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Juli 2019","format":false,"excerpt":"Sounddesign ist wichtig. Sounddesign muss sein. Es ist eine exakte Technologie, die zudem ungeheuer kompliziert ist. Im Fersehen und Radio sind Ver\u00e4nderung zwar nicht h\u00e4ufig, aber durchaus durchdringend. So wie eben auch die Sendestationen (vor allem im \u00f6ffentlich-rechtlichen Rundfunk) dann ihren Stationsnamen \u00e4ndern, das Logo, die Webadresse. 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Mai 2004","format":false,"excerpt":"Jochen Rindt (alias Bruder A.) und mutig Emerson Fittipaldi (alias Bruder J.) entspannt im Kampf um den Sieg. Der kleine Huflaikhan kurz vor der Raserei.","rel":"","context":"Mit 5 Kommentaren","block_context":{"text":"Mit 5 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/formel-1-das-rennen\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":321,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-darmstaedter-begemann-this-road\/","url_meta":{"origin":156,"position":5},"title":"[Rez] Darmstaedter &#038; Begemann: This Road \u2026","author":"huflaikhan","date":"5. Februar 2004","format":false,"excerpt":"... Doesn't Lead To My House Anymore.\" Eine kurze CD mit 10 Nummern, die alle etwas die Luft der L\u00fcneburger Heide zu atmen scheinen. Beim ersten H\u00f6ren ein Schock: Der Bernd Begemann kann absolut kein englisch sprechen, geschweige denn singen. Warum macht der das? 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