{"id":1569,"date":"2006-01-02T06:58:00","date_gmt":"2006-01-02T05:58:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/the-bad-plus-suspicious-activity-0\/"},"modified":"2023-12-18T08:49:07","modified_gmt":"2023-12-18T07:49:07","slug":"the-bad-plus-suspicious-activity-0","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/the-bad-plus-suspicious-activity-0\/","title":{"rendered":"The Bad Plus, Suspicious Activity"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=The%20Bad%20Plus%2C%20Suspicious%20Activity https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fthe-bad-plus-suspicious-activity-0%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Zun\u00e4chst so etwas wie ein Geheimtipp f\u00fcr Jazzh\u00f6rer, die auch unter den Sternen von Nirwana und Aphex Twin aufwuchsen, hat das Trio nun eine doch sehr klare und individuelle Klangsprache entwickelt. Artifiziell einerseits, knackig-gefetzt andererseits. Artifiziell ganz sicher Track 1 &#8222;Prehensile Dream&#8220;, ein St\u00fcck, das wie aus der Ferne Bach und Debussy einschmelzt, \u00e4therisch und zur Mitte hin exzessiv krachig. Track 3 &#8222;Let Our Garden Grow&#8220; ist eine Unisono-Et\u00fcde aus, wie es scheint, Kindergartenmusikmaterial, die in ein funkendes &#8222;The empire strikes back&#8220; \u00fcbergeht.<br \/>\n<!--break--><br \/>\nDie CD insgesamt wirkt konzeptionell, durchkomponiert in einem durchaus strengen musikalischen Sinne:Das Musizieren als (Jazz)Trio scheint insgesamt selbst zu einer &#8222;suspicious activity&#8220; zu gravitieren. Eine Erh\u00f6hung geradezu unversch\u00e4mtester Art, n\u00e4mlich selbstverst\u00e4ndlich und ohne jene kurvige Wehleidigkeit wie die des Rezensenten. Ach, einfach dem saftig-rauschenden Bass in Track 9 &#8222;Chariots Of Fire&#8220; nachlaufen, -tanzen, -schleichen, -horchen und dann bei &#8222;Forces&#8220; ersch\u00f6pft wegnicken.<br \/>\n<cite><b>The Bad Plus, Suspicious Activity<\/b><br \/>\nSonyBMG 82876 74188 2<\/cite><br \/>\n<!--more--><br \/>\nDas Klaviertrio mit Reid Anderson (b), Ethan Iverson (p) und David King (dm) legt schon die dritte Platte in schnelle Abfolge vor. Zun\u00e4chst so etwas wie ein Geheimtipp f\u00fcr Jazzh\u00f6rer, die auch unter den Sternen von Nirwana und Aphex Twin aufwuchsen, hat das Trio nun eine doch sehr klare und individuelle Klangsprache entwickelt. Artifiziell einerseits, knackig-gefetzt andererseits. Artifiziell ganz sicher Track 1 &#8222;Prehensile Dream&#8220;, ein St\u00fcck, das wie aus der Ferne Bach und Debussy einschmelzt, \u00e4therisch und zur Mitte hin exzessiv krachig. Track 3 &#8222;Let Our Garden Grow&#8220; ist eine Unisono-Et\u00fcde aus, wie es scheint, Kindergartenmusikmaterial, die in ein funkendes &#8222;The empire strikes back&#8220; \u00fcbergeht.<br \/>\n<!--break--><br \/>\nDie CD insgesamt wirkt konzeptionell, durchkomponiert in einem durchaus strengen musikalischen Sinne:Das Musizieren als (Jazz)Trio scheint insgesamt selbst zu einer &#8222;suspicious activity&#8220; zu gravitieren. Eine Erh\u00f6hung geradezu unversch\u00e4mtester Art, n\u00e4mlich selbstverst\u00e4ndlich und ohne jene kurvige Wehleidigkeit wie die des Rezensenten. Ach, einfach dem saftig-rauschenden Bass in Track 9 &#8222;Chariots Of Fire&#8220; nachlaufen, -tanzen, -schleichen, -horchen und dann bei &#8222;Forces&#8220; ersch\u00f6pft wegnicken.<br \/>\n<cite><b>The Bad Plus, Suspicious Activity<\/b><br \/>\nSonyBMG 82876 74188 2<\/cite><\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=The%20Bad%20Plus%2C%20Suspicious%20Activity https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fthe-bad-plus-suspicious-activity-0%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=The%20Bad%20Plus%2C%20Suspicious%20Activity https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fthe-bad-plus-suspicious-activity-0%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Zun\u00e4chst so etwas wie ein Geheimtipp f\u00fcr Jazzh\u00f6rer, die auch unter den Sternen von Nirwana und Aphex Twin aufwuchsen, hat das Trio nun eine doch sehr klare und individuelle Klangsprache entwickelt. 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So geschehe es. Mit wenigen Kl\u00e4ngen wird man hineingerissen \u2013 bei dieser klassischen Klaviertrioformation \u2013 in einen Sog aus Nichts, aus geradezu nihilistischem Nichts. Wenn man denn einmal einen Preis vergeben wird f\u00fcr Weltvorhangsmusik, also\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/05\/rez-tord-gustavsen-trio-being-there\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":540,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/the-nels-cline-singers-the-giant-pin\/","url_meta":{"origin":1569,"position":2},"title":"The Nels Cline Singers: The Giant Pin","author":"huflaikhan","date":"13. Juli 2004","format":false,"excerpt":"Die singen doch gar nicht. - Dem Himmel sei Dank. Es handelt sich um ein sch\u00f6nes Trio aus E-Gitarre, akustischem Bass und Schlagzeug mit Electronics. Doch es klingt wie viel mehr, mal wie nach guter alter Trash-Zeit mit den Mitteln von den Pixies oder Sonic Youth; oder, wer sie noch\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Nels Cline Singers","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040713-cd-nels-cline-singers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":189,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/est-seven-days-falling\/","url_meta":{"origin":1569,"position":3},"title":"e.s.t.: Seven days of falling","author":"huflaikhan","date":"23. Juli 2003","format":false,"excerpt":"Postpopbop!Musik zwischen verzweifelten Balladen und trotziger Rotzn\u00e4sigkeit. Esbj\u00f6rn Svensson (Piano), Dan Berglund (Bass) and Magnus Ostrom (Schlagzeug) bewegen sich in einer voll emanzipierten Triobesetzung. Alle Instumente sind gleichgewichtig und ordnen sich in die ausgekl\u00fcgelten Arrangements ein.Neben einfachen Songstrukturen stehen da au\u00dferordentliche Klangmixturen, die im positiven Sinn nach Materialbeherrschung klingen. Auch\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Postbop","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-est.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2645,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/05\/lee-konitz-walter-lang-trio-somewhere-watch-over-me\/","url_meta":{"origin":1569,"position":4},"title":"Lee Konitz &#038; Walter Lang Trio: Someone to watch over me","author":"huflaikhan","date":"7. Mai 2012","format":false,"excerpt":"Hochaktive Gem\u00fctlichkeit!","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":508,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/stefanski-friends-der-ostdeutschen-galerie-regensburg\/","url_meta":{"origin":1569,"position":5},"title":"Stefanski &#038; Friends in der Ostdeutschen Galerie Regensburg","author":"huflaikhan","date":"3. Juli 2004","format":false,"excerpt":"Vor einiger Zeit angek\u00fcndigt, die Kritik des Konzerts mit Stefanski & Friends. Kann man jetzt in der Online-Ausgabe der Jazzzeitung nachlesen. Oder hier in der Kritischen Masse. Es war ein Abschiedskonzert. Pavel Liska verl\u00e4sst die Ostdeutsche Galerie Regensburg als wissenschaftlicher Direktor. 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