{"id":157,"date":"2003-05-08T10:14:10","date_gmt":"2003-05-08T09:14:10","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ketil-bjornstad-the-nest\/"},"modified":"2023-12-18T08:50:13","modified_gmt":"2023-12-18T07:50:13","slug":"ketil-bjornstad-the-nest","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/ketil-bjornstad-the-nest\/","title":{"rendered":"Ketil Bjornstad: The Nest"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ketil%20Bjornstad%3A%20The%20Nest https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F05%2Fketil-bjornstad-the-nest%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><div class=\"rightbox\"><%image(20030509-cd-bjornstadt.jpg|150|151|CD: Ketil Bjornstadt)%><\/div>\n<p>Dies auch eine ziemlich ulkige Platte, die ganz heimlich tut und nach Dornr\u00f6schenschlaf klingt. Eine Musik voller Zartheit und wie ganz aus Watte. Irgendwie elektronisch und in der Stimme (Anneli Drecker) arg k\u00fcnstlich, aber nicht ohne Charme. Gerade das erste St\u00fcck ist von himmlischer Schlichtheit. Ich mag sowas ja sehr: Diese Form der Zur\u00fccknahme. Ich habe die Scheibe bestimmt zehnmal oder h\u00e4ufiger geh\u00f6rt. Sie macht Spa\u00df und ist doch nicht so ganz das Gelbe vom Ei, denn sie schl\u00e4gt ein wenig in Richtung Bugge Wesseltoft, bleibt aber konsequent davor h\u00e4ngen.<br \/>\n<br \/>\n<i>Emarcy<\/i><\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ketil%20Bjornstad%3A%20The%20Nest https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F05%2Fketil-bjornstad-the-nest%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ketil%20Bjornstad%3A%20The%20Nest https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F05%2Fketil-bjornstad-the-nest%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Eine Musik voller Zartheit und wie ganz aus Watte. Irgendwie elektronisch und in der Stimme (Anneli Drecker) arg k\u00fcnstlich, aber nicht ohne Charme. Gerade das erste St\u00fcck ist von himmlischer Schlichtheit. Ich mag sowas ja sehr: Diese Form der Zur\u00fccknahme. 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Wenn man gut singen kann, singt man ein Lied, wenn man weniger gut singen kann, singt man ein Chanson, wenn man gar nicht singen kann, singt man\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":991,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/when-jesus-calls\/","url_meta":{"origin":157,"position":2},"title":"When Jesus calls","author":"huflaikhan","date":"1. Januar 2005","format":false,"excerpt":"Das neue Jahr anarchisch beginnen. Am besten mit Joseph Spence. Und keine Sachen vornehmen. Niemals. Die Pl\u00e4ne sind verwunschen. \u201eWhen Jesus calls\u201c hei\u00dft dieses St\u00fcck mit der Pinder Familiy. Spence ist im Ba\u00df zu h\u00f6ren und an der Gitarre zu h\u00f6ren. Die drei Stimmen dazu mit Spence zusammen ergeben eine\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/when-jesus-calls\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2835,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/tunneblick-der-gef-hle\/","url_meta":{"origin":157,"position":3},"title":"Tunnelblick der Gef\u00fchle","author":"huflaikhan","date":"29. November 2014","format":false,"excerpt":"Nun gibt es da eine sehr merkw\u00fcrdige Erscheinung. So wie ich beim Fernsehen, wenn jemand in schwindelerrregender H\u00f6he steht, ganz tief in meinem K\u00f6rper eine Art Zuckung sp\u00fcre, die mich beklemmt, so kommen bei bestimmten Musikst\u00fccken eigenartige Gef\u00fchle auf. So gestern abend. Zur Dienstarbeit habe ich meine Musikbbliothek durchforstet. Bruckner\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Tunnelblick der Gef\u00fchle. 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