{"id":1584,"date":"2006-01-13T18:11:01","date_gmt":"2006-01-13T17:11:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/autofahrer-kunst\/"},"modified":"2023-12-18T08:49:07","modified_gmt":"2023-12-18T07:49:07","slug":"autofahrer-kunst","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/autofahrer-kunst\/","title":{"rendered":"Autofahrer! ::: Kunst"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1583\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/autofahrer-kunst\/attachment-schneefahrer\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060113-schnee-auto.jpg?fit=500%2C363&amp;ssl=1\" data-orig-size=\"500,363\" data-comments-opened=\"0\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8382,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kunst-und-mensch-bildkritik-2\/","url_meta":{"origin":1584,"position":0},"title":"Kunst und Mensch (Bildkritik)","author":"der huflaikhan","date":"2. Juni 2012","format":false,"excerpt":"Brummbrummbrumm. Der\u00a0Jazz geht um. Ich habe lange\u00a0nachdenken m\u00fcssen, bis mir der tiefgreifendere Sinn dieses\u00a0B\u00fchnenaufbaus aufgefallen ist. Es handelt sich um eine aufgekl\u00e4rte Veranstaltung. Als Besucher wird man nicht bevormundet, welche B\u00fchnen man sein Augenmerk schenken m\u00f6chte. Links die stillgestellte Variante, die gez\u00e4hmte Vision einer Welt der Mobilit\u00e4t, der Freiheit schlechthin:\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Jazz- oder Auto-Festival. Foto: Quelle neue musikzeitung (Spahrbier)","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/06\/elbjazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/06\/elbjazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/06\/elbjazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/06\/elbjazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2170,"url":"https:\/\/www.kritische-masse.de\/logbuch\/piraten-wer-seid-ihr\/","url_meta":{"origin":1584,"position":1},"title":"Piraten, wer seid ihr?","author":"huflaikhan","date":"29. M\u00e4rz 2007","format":false,"excerpt":"\"Internetpiraterie ist kein Kavaliersdelikt,\" meint seit 10 Tagen der Deutsche Kulturrat. Das passt recht gut zu den Einlassungen von gestern (Wissen und wissen). Serres und der Kulturrat haben ein unterschiedliches Verst\u00e4ndnis dessen, was sie unter Piraten verstehen. Serres sieht in ihnen welche, die sich Dinge zueignen m\u00fcssen, weil sie unfrei\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/piraten-wer-seid-ihr\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3051,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kunst-und-mensch-bildkritik\/","url_meta":{"origin":1584,"position":2},"title":"Kunst und Mensch (Bildkritik)","author":"huflaikhan","date":"2. Juni 2012","format":false,"excerpt":"Brummbrummbrumm. Der\u00a0Jazz geht um. Ich habe lange\u00a0nachdenken m\u00fcssen, bis mir der tiefgreifendere Sinn dieses\u00a0B\u00fchnenaufbaus aufgefallen ist. Es handelt sich um eine aufgekl\u00e4rte Veranstaltung. Als Besucher wird man nicht bevormundet, welche B\u00fchnen man sein Augenmerk schenken m\u00f6chte. Links die stillgestellte Variante, die gez\u00e4hmte Vision einer Welt der Mobilit\u00e4t, der Freiheit schlechthin:\u2026","rel":"","context":"In \"Bildkritik\"","block_context":{"text":"Bildkritik","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bildkritik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9131,"url":"https:\/\/www.kritische-masse.de\/logbuch\/autobahn-serie-musikleben-und-sterben\/","url_meta":{"origin":1584,"position":3},"title":"Autobahn-Serie \/ Musikleben und -sterben \/","author":"der huflaikhan","date":"12. Februar 2024","format":false,"excerpt":"Der Fonds experimentelles Musiktheater sieht sich K\u00fcrzungsvorhaben gegen\u00fcber und bat daher um Statements, die die Bedeutung des FexM aufzeigen. Johannes Kreidler auf Kulturtechno: Der Fonds experimentelles Musiktheater leistet etwas \u2013 leider! \u2013 Einmaliges in Deutschland, er installiert systematisch neue Musiktheaterwerke an den B\u00fchnen des Landes. Eine wunderbare Idee. (Wer kam\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Auf der Autobahn 2021. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8825,"url":"https:\/\/www.kritische-masse.de\/logbuch\/corona-pandemie-2020-kulturelles-operationsfeld-von-kunst-und-gesellschaft\/","url_meta":{"origin":1584,"position":4},"title":"Corona-Pandemie 2020 \u2013 Kulturelles Operationsfeld von Kunst und Gesellschaft","author":"der huflaikhan","date":"27. Juli 2020","format":false,"excerpt":"Es passiert ja irgendwie nie nicht Nichts. Und irgendwas passiert immer. Ich habe mir in den letzten Tagen aus Gr\u00fcnden den Verlauf der Coronavirus-Pandemie seit Anfang M\u00e4rz noch einmal vor Augen gef\u00fchrt. Welche Themen standen wann im Zentrum der \u00f6ffentlichen Aufmerksamkeit. Wann ging es um Geld, wann um Gesundheit, wann\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Streichquartett. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/geige03-neu.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":8930,"url":"https:\/\/www.kritische-masse.de\/logbuch\/facebook-ausraeumen-die-chlorreichen-sieben\/","url_meta":{"origin":1584,"position":5},"title":"Facebook ausr\u00e4umen \/ Die chlorreichen Sieben","author":"der huflaikhan","date":"5. Februar 2024","format":false,"excerpt":"Facebook ist zu r\u00e4umen nach allen Formen, die sich da ergeben. Aber auch alte Pr\u00e4senzen sind aufzugeben. In den letzten Jahren habe unter anderem podcastle.info schlecht gepflegt \u2013 sollte man eine \u00dcbersicht zu den Podcasts aus dem Bereich der \u201eernsten\u201c Musik werden, also jenseits der ganzen Gesch\u00fctze der Kulturindustrie. podcastle.info\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Die chorreichen Sieben. 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