{"id":1606,"date":"2006-01-27T21:29:35","date_gmt":"2006-01-27T20:29:35","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/mozart-heute\/"},"modified":"2023-12-18T08:49:07","modified_gmt":"2023-12-18T07:49:07","slug":"mozart-heute","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-heute\/","title":{"rendered":"Mozart, heute!"},"content":{"rendered":"<p>Heute Mozart! <a href=\"http:\/\/www.mozartdisko.de\/film.html\" target=\"_BLANK\" rel=\"noopener\">Mozart-Disko!!<\/a><br \/>\n<cite> Die Musik von LET\u00b4S MOZART ist auf den Kammerton <a href=\"http:\/\/www.planetware.de\/audio\/T5S22123.wav\" target=\"_BLANK\" rel=\"noopener\">442,5 Hz<\/a> gestimmt &#8211; entsprechend der <a href=\"http:\/\/www.planetware.de\/tune_in\/Venus.html\" target=\"_BLANK\" rel=\"noopener\">32. Oktave des VENUS-Sonnenumlaufs<\/a>.<\/cite><br \/>\nDas ist eben entschieden zu hoch. <\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Mozart%2C%20heute%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fmozart-heute%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Mozart%2C%20heute%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fmozart-heute%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Mozart-Disko!! Die Musik von LET\u00b4S MOZART ist auf den Kammerton 442,5 Hz gestimmt &#8211; entsprechend der 32. Oktave des VENUS-Sonnenumlaufs. Das ist eben entschieden zu hoch.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Mozart%2C%20heute%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F01%2Fmozart-heute%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1592,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/heute-werde-ich-mal-beide-augen-zudruecken\/","url_meta":{"origin":1606,"position":0},"title":"Heute werde ich mal beide Augen zudr\u00fccken","author":"huflaikhan","date":"19. Januar 2006","format":false,"excerpt":"Als ich jung war, nannte man mich Mozart. Damals wollte ich jedoch immer Beethoven sein. Aber in der Klasse mich zu rufen, da war Mozart der schnellere Begriff. Unser \u201eMozart\u201c. Wenn die gewusst h\u00e4tten, was ich sp\u00e4ter erst wissen sollte, dass n\u00e4mlich Mozart ein toller Komponist gewesen war, einer, der\u2026","rel":"","context":"In \"Geburtstag\"","block_context":{"text":"Geburtstag","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/geburtstag\/"},"img":{"alt_text":"Der Schmunzler","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060119-zudruecken.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8317,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-irrtuemer-oder-mozarts-irrtuemer-2\/","url_meta":{"origin":1606,"position":1},"title":"Mozart Irrt\u00fcmer; oder: Mozarts Irrt\u00fcmer","author":"der huflaikhan","date":"20. Januar 2006","format":false,"excerpt":"Volker Hagedorn will in der ZEIT popul\u00e4ren Irrt\u00fcmern begegnen, die mit Mozart verbunden seien. Zum Beispiel: Mozarts Musik sei einfach: Mozart sei doch \u00bbeinfach\u00ab, meinen viele und pfeifen dazu die Kleine Nachtmusik. Dabei f\u00e4ngt die schon ziemlich durchtrieben an. Verschobene Betonungen, Kreiselbewegungen, Fragezeichen \u2013 man muss diese Musik nicht erst\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Reinigung. 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Zum Beispiel: Mozarts Musik sei einfach: Mozart sei doch \u00bbeinfach\u00ab, meinen viele und pfeifen dazu die Kleine Nachtmusik. Dabei f\u00e4ngt die schon ziemlich durchtrieben an. Verschobene Betonungen, Kreiselbewegungen, Fragezeichen \u0096 man muss diese Musik nicht erst\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/mozart-irrtuemer-oder-mozarts-irrtuemer\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8354,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/11\/das-mittelding-nach-w-a-mozart\/","url_meta":{"origin":1606,"position":3},"title":"Das Mittelding [nach W. A. Mozart]","author":"der huflaikhan","date":"20. November 2007","format":false,"excerpt":"Mozart und das Mittelding. :-) das mittelding \u2013 das wahre in allen sachen kennt und sch\u00e4tzt man izt nimmer \u2013 um beyfall zu erhalten mu\u00df man sachen schreiben die so verst\u00e4ndlich sind, da\u00df es ein fiacre nachsingen k\u00f6nnte, oder so unverst\u00e4ndlich \u2013 da\u00df [durchstrichen: sie] es ihnen, eben weil es\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Mozarts Ohr - Gew\u00f6hnliches Ohr.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr-1024x731.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr-1024x731.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr-1024x731.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/mozartsohr-1024x731.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2921,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/10\/schumann-goebbels-dolphy-und-mozart\/","url_meta":{"origin":1606,"position":4},"title":"Schumann, Goebbels, Dolphy und Mozart","author":"huflaikhan","date":"24. Oktober 2009","format":false,"excerpt":"Heute ein anderer Ritt, nachdem gestern noch das Balanescu Quartett mit seiner Kraftwerk-CD zum Abwaschen nachlegen musste. Gut der Zender kann mit der vierten Sinfonie von Schumann schon ganz sch\u00f6n langweilen und die Musik ist wirklich richtig nervend. Wenn einem nichts mehr einf\u00e4llt, wiederholt man sich einfach. Vivaldi kannte wenigstens\u2026","rel":"","context":"In \"Alfred Harth\"","block_context":{"text":"Alfred Harth","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/alfredharth\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8335,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/a-dur-2\/","url_meta":{"origin":1606,"position":5},"title":"A-Dur","author":"der huflaikhan","date":"2. Februar 2007","format":false,"excerpt":"Violinkonzert von Wolfgang Amadeus Mozart. Eigentlich wende ich mich doch selten der guten alten Musik zu. Denn sie ist gut, sie tut gut. Keine Ahnung, was in solcher Musik so sehr zu ber\u00fchren vermag. Nach nur wenigen T\u00f6nen scheint sich ein Zauber um einen zu legen, so wie in dem\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Mozart Violinkonzert","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/02\/2007-mozart1.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1606"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1606\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}