{"id":162,"date":"2003-05-09T16:37:57","date_gmt":"2003-05-09T15:37:57","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/logo-fuer-derecmusikklassik\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"logo-fuer-derecmusikklassik","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/logo-fuer-derecmusikklassik\/","title":{"rendered":"Logo f\u00fcr de.rec.musik.klassik"},"content":{"rendered":"
<%image(20030509-drmk.gif|229|86|Logo de.rec.musik.klassik)%><\/div>\n

Die Newsgroup de.rec.musik.klassik hat ein kleines Logo von mir geschenkt bekommen. Die aktuelle Adresse ist: www.drmk-faq.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Die Newsgroup de.rec.musik.klassik hat ein kleines Logo von mir geschenkt bekommen. Die aktuelle Adresse ist: 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ist keine Sprache\u00ab","author":"huflaikhan","date":"17. Mai 2004","format":false,"excerpt":"Endlich wieder die Signatur in der Newsgroup de.rec.musik.klassik eingesetzt: Musik ist keine Sprache. Jedes Musikst\u00fcck ist eine Art Felsblock in einer komplexen Form mit Schrammen und Mustern, die darauf und darein geritzt sind und die ein Mensch auf tausend verschiedene Weisen entziffern k\u00f6nnen, ohne dass eine dieser Weisen die beste\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":208,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/hey-wa-s-n-eigentlich-hip\/","url_meta":{"origin":162,"position":1},"title":"Hey, wa\u2019s\u2019n eigentlich HIP?","author":"huflaikhan","date":"29. Juli 2003","format":false,"excerpt":"Was ist HIP? Nur nicht \u00fcberraschen lassen, auch in der so genannten E-Musik gibt es die Hipness. 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Johann Sebastian Bach - The complete Works Auf 171 CDs sind die gr\u00f6\u00dften und bekanntesten Interpreten vertreten, wie z.B. Juliane Banse, Christine\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/der-ganze-bach\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":342,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/rekursive-sozialisation\/","url_meta":{"origin":162,"position":3},"title":"Rekursive Sozialisation","author":"huflaikhan","date":"20. Februar 2004","format":false,"excerpt":"In der Newsgroup de.rec.musik.klassik gerade eine kleine Diskussion zur Frage nach der Charakteristik von Tonarten. Enrico hat einen Ansatz zur Erkl\u00e4rung gebracht, wenn er schreibt: \"Man kann aber nat\u00fcrlich daran gehen, die musikalische Sozialisation, und sei es eine bewusst erlernte, quasi rekursiv mit einzubeziehen und dann funktioniert 'Ges-Dur = Nachklang\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":908,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/musik-der-ungerechtigkeit\/","url_meta":{"origin":162,"position":4},"title":"Musik der Ungerechtigkeit","author":"huflaikhan","date":"21. November 2004","format":false,"excerpt":"Wenn ich nicht wenigstens gelegentlich noch in die newsgroup de.rec.musik.klassik hineinschauen w\u00fcrde, w\u00e4re mir entgangen, dass die alte Fregatte Condoleeezzza Rice eben mal mit Yo-Yo Ma eine Brahms-Violinsonate gespielt h\u00e4tte. Das ist zwar nun auch schon alter Tobak, n\u00e4mlich von 2002, aber man fragt sich doch, wie das zusammen geht.\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/musik-der-ungerechtigkeit\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":840,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/10\/kompositorische-innovationen-1979\/","url_meta":{"origin":162,"position":5},"title":"Kompositorische Innovationen 1979","author":"huflaikhan","date":"18. Oktober 2004","format":false,"excerpt":"Eben ausf\u00fchrlich mit P.B. telefoniert \u00fcber Reger, Bach, Beethoven und allerlei. Dabei fiel dann das Wort von kompositorischen Innovationen. Irgendwer meinte in der Newsgroup de.rec.musik.klassik Beethoven sei nicht innovativ gewesen. Das ist auch egal, ob ja, ob nein. Der Begriff der Innovation trifft nichts Wesentliches im Fach der Komposition. 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