{"id":1633,"date":"2006-02-13T13:14:55","date_gmt":"2006-02-13T12:14:55","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ein-kontrabassist-spielt-selten-allein\/"},"modified":"2023-12-18T08:49:06","modified_gmt":"2023-12-18T07:49:06","slug":"ein-kontrabassist-spielt-selten-allein","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ein-kontrabassist-spielt-selten-allein\/","title":{"rendered":"Ein Kontrabassist spielt selten allein"},"content":{"rendered":"<p>Eine Podcast-Serie von <a href=\"http:\/\/www.friedrich-witt.de\/\" target=\"_BLANK\" rel=\"noopener\">Friedrich Witt,<\/a> der 40 Jahre lang bei den Berliner Philharmonikern den Kontrabass strich. <\/p>\n<p>Prima, dass es so etwas auch mal im Bereich der \u00e4lteren Musik gibt. Sch\u00f6n gemacht mit auch Musik drin. Wirklich fein. (Seite wurde allerdings bei nicht im Firefox angezeigt, wei\u00df der Geier warum.)<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Kontrabassist%20spielt%20selten%20allein https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-kontrabassist-spielt-selten-allein%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ein%20Kontrabassist%20spielt%20selten%20allein https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-kontrabassist-spielt-selten-allein%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Prima, dass es so etwas auch mal im Bereich der \u00e4lteren Musik gibt. Sch\u00f6n gemacht mit auch Musik drin. Wirklich fein. (Seite wurde allerdings bei nicht im Firefox angezeigt, wei\u00df der Geier warum.)<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Kontrabassist%20spielt%20selten%20allein https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-kontrabassist-spielt-selten-allein%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ein%20Kontrabassist%20spielt%20selten%20allein https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-kontrabassist-spielt-selten-allein%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1647,"url":"https:\/\/www.kritische-masse.de\/logbuch\/boot\/","url_meta":{"origin":1633,"position":0},"title":"Boot","author":"huflaikhan","date":"23. Februar 2006","format":false,"excerpt":"\u201eNicht Du stehst unter meinem Einflu\u00df, sondern ich unter Deinem,\u201c soll Dimitri Schostakowitsch \u00fcber sie gesagt haben. Galina Ustwolskaja ist bald 90 Jahre und einfach eine der au\u00dferordentlichsten Komponistinnen auf diesem Planeten. Radikale Sch\u00f6nhiet in der Schroffheit. Man erschrickt leicht bei dieser Musik, ist gefangen genommen von den absurden Wechseln\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/boot\/#comments"},"img":{"alt_text":"schiff3.jpg","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/02\/schiff3.jpg?fit=500%2C375&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8447,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musikfoerderung-kreative-loesungen-sind-gefragt\/","url_meta":{"origin":1633,"position":1},"title":"Musikf\u00f6rderung: Kreative L\u00f6sungen sind gefragt","author":"der huflaikhan","date":"7. Juli 2014","format":false,"excerpt":"\u00dcberall wird gespart. Des Jammerns ist kein Ende. \u00dcberall? Nein, heute wurde gemeldet, dass die Ausgaben des Verteidigungsministerium f\u00fcr R\u00fcstungsforschung sich in den letzten Jahren verdoppelt h\u00e4tten. Keine besonders gro\u00dfe Summe. Ein paar lausige Millionen, die an den Unis zur Erforschung von geheimen Dingen ausgegeben worden sind. Um was es\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":395,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kein-wort-zum-film-der-die-gemueter-erhitzt\/","url_meta":{"origin":1633,"position":2},"title":"Kein Wort zum Film, der die Gem\u00fcter erhitzt \u2026","author":"huflaikhan","date":"20. M\u00e4rz 2004","format":false,"excerpt":"... denn er ist es nicht wert. Keine Namen, kein Titel, keine Analyse angeblicher Authentizit\u00e4t von Zeitlupeneffekten. Film ist Film, Oper ist Oper. Langweilig. Dagegen einmal wieder in eine Bach-Kantate hineingeh\u00f6rt und folgenden Text gefunden \u201cIch hatte viel Bek\u00fcmmernis\u201d BWV 21. 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Man findet eine ausf\u00fchrliche Stellungnahme von Hofrat Dr. Hermann Becke, seines Zeichens Universit\u00e4tsdirektor und Vizerektor f\u00fcr Ressourcenmanagement und Infrastruktur an Universit\u00e4t f\u00fcr Musik\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":92,"url":"https:\/\/www.kritische-masse.de\/logbuch\/harmonie-als-kind-der-schande\/","url_meta":{"origin":1633,"position":4},"title":"Harmonie als Kind der Schande","author":"huflaikhan","date":"1. Juni 1998","format":false,"excerpt":"Die umtriebigen Grazer Wertungsforscher laden allj\u00e4hrlich zu thematischen Symposien ein, die alle irgendwie mit Musik zu tun haben. Hinter dem poetischen Titel verbirgt sich jedoch erbitterte Theorie. Zw\u00f6lf Aufs\u00e4tze umkreisen die \u201eDialektik des Harmonischen\u201c ohne sie zu greifen. 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