{"id":1708,"date":"2006-05-02T22:01:00","date_gmt":"2006-05-02T21:01:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/taktlos-100-aus-kreuth\/"},"modified":"2023-12-18T08:49:05","modified_gmt":"2023-12-18T07:49:05","slug":"taktlos-100-aus-kreuth","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-100-aus-kreuth\/","title":{"rendered":"taktlos 100 aus Kreuth"},"content":{"rendered":"<p>Heute, Bayern2Radio, 21:30 bis 22:30. Oder im <a href=\"http:\/\/www.br-online.de\/bayern2radio\/live.shtml\" target=\"_BLANK\" rel=\"noopener\">Internet streamen<\/a>.<\/p>\n<blockquote><p><b>Musikvermittlung &#8212; Ein Kurz-Schluss?<\/b><br \/>\n&#8222;Au\u00dfen Hui \u0096 innen Pfui?&#8220; \u0096 Musik-Vermittlung zwischen PISA und F\u00f6deralismus-Reform. Die Ganztags-Schule solls bringen: Viel Zeit f\u00fcr Musisches am Nachmittag. Aber: Wo kommen die qualifizierten Angebote her? Wo die qualifizierten Lehrkr\u00e4fte? Vielleicht von den Musikschulen, die eh schlie\u00dfen m\u00fcssen, weil keine Zeit mehr f\u00fcr sie \u00fcbrig bleibt?<br \/>\nWelche Rolle kann in diesem Kontext der \u00f6ffentlich-rechtliche Rundfunk spielen? Antworten liefern Hans B\u00e4\u00dfler (Deutscher Musikrat), Gitta Connemann (MdB), Heinz-Rudolf Kunze (Dichter und S\u00e4nger) sowie J\u00fcrgen Seeger (Bayern4Klassik) am 3. Mai um 21.30 Uhr live aus Kreuth bei der 100. Ausgabe von taktlos auf Bayern2Radio und weltweit als Live-Stream im Internet.<br \/>\n<a href=\"http:\/\/www.nmz.de\/taktlos\/\" target=\"_BLANK\" rel=\"noopener\">taktlos<\/a> kl\u00e4rt auf<\/p><\/blockquote>\n<p>\nMeinen Senf dazu findet man in anderer Form unter dem Titel: <a href=\"http:\/\/www.nmz.de\/nmz\/2006\/05\/leiter-hufner.shtml\" target=\"_BLANK\" rel=\"noopener\">&#8222;Wenn der Mensch sie will, kommt auch die Kunst. 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Oder im Internet streamen. Musikvermittlung &#8212; Ein Kurz-Schluss? &#8222;Au\u00dfen Hui \u0096 innen Pfui?&#8220; \u0096 Musik-Vermittlung zwischen PISA und F\u00f6deralismus-Reform. Die Ganztags-Schule solls bringen: Viel Zeit f\u00fcr Musisches am Nachmittag. Aber: Wo kommen die qualifizierten Angebote her? Wo die qualifizierten Lehrkr\u00e4fte? Vielleicht von den Musikschulen, die eh schlie\u00dfen m\u00fcssen, weil keine [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=taktlos%20100%20aus%20Kreuth https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Ftaktlos-100-aus-kreuth%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1268,"url":"https:\/\/www.kritische-masse.de\/logbuch\/100-jahre-musikbibliothek-muenchen\/","url_meta":{"origin":1708,"position":0},"title":"100 Jahre Musikbibliothek M\u00fcnchen","author":"huflaikhan","date":"8. Juni 2005","format":false,"excerpt":"taktlos. Das Musikmagazin der neuen musikzeitung und des Bayerischen Rundfunks Ausgabe 90 - 100 Jahre Musikbibliothek M\u00fcnchen [jetzt online] 8.6.2005 \/ Bayern2Radio, 21:30 bis 22:30 Uhr Live aus der Musikbibliothek M\u00fcnchen Der Trugschluss: Welke Notenbl\u00e4tter, verstaubte Folianten, finstre Kammern, schrullige Kunden. Musikbibliotheken stehen nicht gerade im Ruf extremen Innovationspotentials. Die\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1177,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-89-kunst-statt-braun\/","url_meta":{"origin":1708,"position":1},"title":"taktlos 89 &#8211; Kunst statt Braun","author":"huflaikhan","date":"3. Mai 2005","format":false,"excerpt":"4. Mai 2005 \/ 21:30 bis 22:30 Uhr Live aus der Hochschule f\u00fcr Musik und Theater, M\u00fcnchen Moderation: Theo Gei\u00dfler 4. Mai 2005 \/ 21:30 bis 22:30 Uhr Live aus der Hochschule f\u00fcr Musik und Theater, M\u00fcnchen Moderation: Theo Gei\u00dflerM\u00fcnchens Hochschule f\u00fcr Musik und Theater fl\u00f6\u00dft ihrem Haus, dem ehemaligen\u2026","rel":"","context":"In \"Hans-J\u00fcrgen von Bose\"","block_context":{"text":"Hans-J\u00fcrgen von Bose","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/hans-jrgenvonbose\/"},"img":{"alt_text":"taktlos im Mai","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/05\/20050503-titel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1409,"url":"https:\/\/www.kritische-masse.de\/logbuch\/radio-tip-kini-contra-kini\/","url_meta":{"origin":1708,"position":2},"title":"Radio-Tip: Kini contra Kini","author":"huflaikhan","date":"6. September 2005","format":false,"excerpt":"In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend (7.9.2005) um den \u201eKini\u201c, nicht wahr. 21:30 bis 22:30, Bayern2Radio on air, Satellit und per Internet-Stream. In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/radio-tip-kini-contra-kini\/#comments"},"img":{"alt_text":"Kampf der Froschk\u00f6nige","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050906-titel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":515,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-79-zukunftsmusik-ii-musikstudium-fuer-taxifahrer\/","url_meta":{"origin":1708,"position":3},"title":"taktlos # 79 &#8211; Zukunftsmusik II: Musikstudium f\u00fcr Taxifahrer?","author":"huflaikhan","date":"6. Juli 2004","format":false,"excerpt":"\u0084Reifepr\u00fcfung = Taxifahrer\u0093 so lautet ein gefl\u00fcgeltes Wort unter Musikhochschulstudierenden in Deutschland. Dahinter steht eine allgemeine Ratlosigkeit der Studierenden, bez\u00fcglich ihrer Perspektiven und der beruflichen Zukunft von Musikern und Musikp\u00e4dagogen. Bilden die Musikhochschulen tats\u00e4chlich blindlings aus, in einen vollkommen \u00fcberf\u00fcllten Arbeitsmarkt? Entsprechen die Studieng\u00e4nge den Anforderungen einer ver\u00e4nderten kulturellen Landschaft?\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":426,"url":"https:\/\/www.kritische-masse.de\/logbuch\/nmz-mai-2004-jetzt-online\/","url_meta":{"origin":1708,"position":4},"title":"nmz Mai 2004 &#8211; jetzt online","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Die aktuelle Ausgabe der neuen musikzeitung ist gerade online gestellt worden. Heute daher besonders zu empfehlen: Nachschlag: Das Ende vom Wehklagen Janko R\u00f6ttgers \u00fcber das Wehe am Klagen der Phonoverb\u00e4nde Cluster: Erfolgsdruck Ich selbst \u00fcber Musik als Kunst unter Zuhilfenahme Kants St\u00fcckwerk. Hymne auf das Ende eines tragischen Tages Charles\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":64,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-98-du-blockfloete\/","url_meta":{"origin":1708,"position":5},"title":"taktlos 98: Du Blockfl\u00f6te","author":"huflaikhan","date":"1. M\u00e4rz 2006","format":false,"excerpt":"Heute, Bayern2Radio, 21:30 bis 22:30. Oder im Internet streamen. Heute, Bayern2Radio, 21:30 bis 22:30. Oder im Internet streamen.Verkannte Instrumente: \u201eDu Blockfl\u00f6te!\u201c Sie gilt als typisches Anf\u00e4nger-Instrument, im Schulklassen-Ensemble oft als Klang-Horror-Erzeuger. Beispielsweise Georg PhilippTelemann hat sie kompositorisch in den solistischen Adelsstand gehoben. \u201eDu Blockfl\u00f6te\u201c war ein Schimpfwort f\u00fcr angepasste DDR-Politiker.\u2026","rel":"","context":"In \"Blockfl\u00f6te\"","block_context":{"text":"Blockfl\u00f6te","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/blockflte\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1708"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1708\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}