{"id":1712,"date":"2006-05-05T08:34:00","date_gmt":"2006-05-05T07:34:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/noch-ein-fund\/"},"modified":"2023-12-18T08:49:05","modified_gmt":"2023-12-18T07:49:05","slug":"noch-ein-fund","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/05\/noch-ein-fund\/","title":{"rendered":"Noch ein Fund"},"content":{"rendered":"<p>Das <a href=\"http:\/\/www.celluloidorchester.de\/cellu.htm\" target=\"_BLANK\" rel=\"noopener\">Celluloid-Orchestra<\/a> mit dem <a href=\"http:\/\/www.schueckens.net\/\" target=\"_BLANK\" rel=\"noopener\">Rainald<\/a> mit <a href=\"http:\/\/www.celluloidorchester.de\/sound\/Langstrumpf.mp3\" target=\"_BLANK\" rel=\"noopener\">Pipi<\/a>. Sehr fein.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das Celluloid-Orchestra mit dem Rainald mit Pipi. 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Demn\u00e4chst beginnt meine Eigen\u00f6strogen-Behandlung. Immerfort muss ich weinen. Warum? Mir fehlt die innere Abfahrt. Am Himmel platzen die Sterne. Es gibt zu viel Celluloid auf der Erde. \"Schlafende Hormone soll man nicht wecken.\" \"Du sollst nicht\u2026","rel":"","context":"Mit 9 Kommentaren","block_context":{"text":"Mit 9 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/05\/pour-kalt-mamsell\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2288,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/foerdern-und-fordern\/","url_meta":{"origin":1712,"position":2},"title":"F\u00f6rdern und Fordern","author":"hufi","date":"18. September 2007","format":false,"excerpt":"Rainald mit einer h\u00f6rspielhaften Collage in Musik. Hartz Iv Menschenrechte \u00bb","rel":"","context":"In \"Hartz IV\"","block_context":{"text":"Hartz IV","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/hartziv-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":404,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/cecil-taylor-italian-instabile-orchestra-the-owner-of-the-river-bank\/","url_meta":{"origin":1712,"position":3},"title":"Cecil Taylor &#038; Italian Instabile Orchestra: The Owner Of The River Bank","author":"huflaikhan","date":"10. April 2004","format":false,"excerpt":"Eine Monsterscheibe mit Monstermusik. Auf sieben in einander \u00fcbergehende Tracks h\u00f6rt man hier ein extrem impulsive, kratzstarke, energiereiche Musik. 18 Musik & Cecil Taylor bringen die Musik richtiggehend zum Kochen. Als Resultat hat man eine in dieser Form lange nicht mehr geh\u00f6rte Free-Music-Explosion, einen musikalischer Schrei. Bei insgesamt 19 Musikern,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8543,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/detroit-ist-das-dortmund-deutschlands\/","url_meta":{"origin":1712,"position":4},"title":"Detroit ist das Dortmund Deutschlands?","author":"der huflaikhan","date":"1. Juni 2015","format":false,"excerpt":"Durch einen Zufall in ein Live-Konzert im Netz mit dem Detroit Symphony Orchestra (Tosca) hineingeh\u00f6rt. Hier also ein Community Supported Orchestra und weiter \u201eYour DSO: the most accessible orchestra on the planet..\u201c https:\/\/twitter.com\/DetroitSymphony\/status\/602855643930763267 In einer Stadt, die bessere Tage gesehen, deren Verfall noch fotografisch morbide Sch\u00f6nheit erzeugt \u2013 oder eben\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/W7P_G4hJGW4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":437,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/simon-rattles-schoenberg-berg-und-webern\/","url_meta":{"origin":1712,"position":5},"title":"Simon Rattles Sch\u00f6nberg, Berg und Webern","author":"huflaikhan","date":"13. Mai 2004","format":false,"excerpt":"Heute habe ich zur Ausleihe eine CD mit den Orchesterst\u00fccken op.16 von Sch\u00f6nberg, den Orchesterst\u00fccken op.6 von Webern und Alban Bergs Symphonischen St\u00fccke aus der Oper \u201cLulu\u201d erhalten. Das City Of Birmingham Symphony Orchestra spielt dort unter der Leitung von Simon Rattle (Aufnahme von 1989 bei EMI). Der erste Eindruck\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1712"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1712\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}