{"id":1759,"date":"2006-06-02T08:08:43","date_gmt":"2006-06-02T07:08:43","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/raubkopierer-fernsehen\/"},"modified":"2023-12-18T08:49:04","modified_gmt":"2023-12-18T07:49:04","slug":"raubkopierer-fernsehen","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/06\/raubkopierer-fernsehen\/","title":{"rendered":"Raubkopierer-Fernsehen"},"content":{"rendered":"<p><a href=\"http:\/\/www.irights.info\/index.php?id=81&amp;tx_ttnews%5Btt_news%5D=188&amp;cHash=2a769d808c\" target=\"_BLANK\" rel=\"noopener\">iRights.info<\/a> weist auf eine neue Kampagne der &#8222;Zukunft Kino Marketing GmbH (ZKM)&#8220; hin, die mit ihrem neuesten Filmchen sich in die Schlag-Zeilen bringen will. <a href=\"http:\/\/www.hartabergerecht.de\/index.php?id=28\" target=\"_BLANK\" rel=\"noopener\">&#8222;Die muss man sehen,&#8220;<\/a> meint die ZKM. <\/p>\n<p>Ich finde das Teil furchtbar. Kopfball, weder die Metaphern stimmen, noch die Fakten (h\u00f6chstens grobschnittartig). Ich sch\u00e4tze mal, die Macher finden das sehr originell, vielleicht sogar surrealistisch. Die ZKM wurde angeblich &#8222;ins Leben gerufen, um Branchenkampagnen zur Erh\u00f6hung des Filmbesuchs in Deutschland zu entwickeln und durchzuf\u00fchren.&#8220; Da bin ich aber dankbar. Wie w\u00e4re es denn mal mit guten Filmen?<\/p>\n<p>Mich w\u00fcrde hier konkret interessieren, welche Werbeagentur sich dieses einfallen lie\u00df oder dies durchgef\u00fchrt hat. <\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Raubkopierer-Fernsehen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F06%2Fraubkopierer-fernsehen%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Raubkopierer-Fernsehen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F06%2Fraubkopierer-fernsehen%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>iRights.info weist auf eine neue Kampagne der &#8222;Zukunft Kino Marketing GmbH (ZKM)&#8220; hin, die mit ihrem neuesten Filmchen sich in die Schlag-Zeilen bringen will. &#8222;Die muss man sehen,&#8220; meint die ZKM. Ich finde das Teil furchtbar. Kopfball, weder die Metaphern stimmen, noch die Fakten (h\u00f6chstens grobschnittartig). Ich sch\u00e4tze mal, die Macher finden das sehr originell, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Raubkopierer-Fernsehen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F06%2Fraubkopierer-fernsehen%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":409,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/verbindungshilfe-fuer-p2p-unernst\/","url_meta":{"origin":1759,"position":0},"title":"Verbindungshilfe f\u00fcr p2p &#8211; unernst","author":"huflaikhan","date":"13. April 2004","format":false,"excerpt":"meinen \u201cdie\u201d: Intro Wie gelang ich an Filme, Spiele, MP3\u00b4s und Programme ? Hier erf\u00e4hrst du es ! Was findest du hier ? P2P steht f\u00fcr Peer to(2) Peer (Filesharing) ! Filesharing ist heutzutage unumg\u00e4nglich, um stets an neue \u00bb Filme, \u00bb Lieder, \u00bb Programme oder auch \u00bb Erotik zu\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":84,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1998\/06\/komposition-und-film\/","url_meta":{"origin":1759,"position":1},"title":"Komposition und Film","author":"huflaikhan","date":"15. Juni 1998","format":false,"excerpt":"\u201eComposing for the Films: Adorno, Eisler and the sociology of music\"(Historical Journal of Film, Radio and Television, Vol.18, No.4, 1998I. Komposition f\u00fcr den Film \u2013 Entstehung, \u00c4sthetik, SoziologieWenn man verallgemeinernd annimmt, da\u00df mit bestimmten historischen Situationen zugleich deren Analysen vom Verfall betroffen sind, so wird auch ein altes Buch veralten.\u2026","rel":"","context":"In &quot;Texte&quot;","block_context":{"text":"Texte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8885,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/06\/chamberlain-akerman-tillmanns-fischli-weiss-1996-kunstmuseum-wolfsburg\/","url_meta":{"origin":1759,"position":2},"title":"Chamberlain, Akerman, Tillmanns, Fischli &#038; Weiss [1996 \u2013 Kunstmuseum Wolfsburg]","author":"der huflaikhan","date":"16. Juni 2023","format":false,"excerpt":"Eigentlich gedacht f\u00fcr den Gie\u00dfener Anzeiger. Leider nie erschienen. Eine Antwort habe ich nicht erhalten. Aber so schlecht war das nun wirklich nicht. Fotos in Schwarz\/Weiss hatte ich auch dabei. Passagiere in fremden und bekannten Welten Zun\u00e4chst sieht es aus, als habe das Volkswagenwerk lauter bunte Polo Harlekin durch eine\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Ethische G\u00fclle in Wildbad Kreuth. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/guelle_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/guelle_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/guelle_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/guelle_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/guelle_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":10516,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/12\/noslapp-weihnachtsoratorium-schoenberg-als-herausforderung\/","url_meta":{"origin":1759,"position":3},"title":"Noslapp \u2013 Weihnachtsoratorium \u2013 Sch\u00f6nberg als Herausforderung","author":"der huflaikhan","date":"20. Dezember 2024","format":false,"excerpt":"Anlaufstelle gegen missbr\u00e4uchliche Abmahnungen: No slapp \u2013 Die Sch\u00f6nberg-Challenge von Christoph Becher rezensiert Holger Noltze \u2013 Faktencheck zum Weihnachtswunder der ARD \u2013 Mathis Ubben \u00fcber vorweihnachtliche Rituale \u2013 Radiokulturpreis der GEMA \u2013 Wer chattet mit Melody?","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Radiokulturpreis der GEMA","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Radiokulturpreis.png?fit=1200%2C604&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Radiokulturpreis.png?fit=1200%2C604&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Radiokulturpreis.png?fit=1200%2C604&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Radiokulturpreis.png?fit=1200%2C604&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Radiokulturpreis.png?fit=1200%2C604&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8736,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/10\/kulturinstitut-die-deutsche-phono-akademie\/","url_meta":{"origin":1759,"position":4},"title":"Kulturinstitut? Die Deutsche Phono-Akademie","author":"der huflaikhan","date":"22. Oktober 2017","format":false,"excerpt":"Gestern lief der gro\u00dfartige Film \u00fcber Anna-Lena Schnabel im TV. Zur Sprache kamen dabei eigenartigen Verh\u00e4ltnisse beim Zustandekommen des ECHO Jazz. Ich habe in der JazzZeitung.de einiges angedeutet: https:\/\/www.jazzzeitung.de\/cms\/2017\/10\/tv-tipp-der-preis-der-anna-lena-schnabel-3sat\/ Was man sich dabei immer vor Augen halten muss, ausgerichtet wird der ECHO Jazz von der Deutschen Phonoakademie. Nach eigenen Worten.\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":450,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/formel-1-entwicklung\/","url_meta":{"origin":1759,"position":5},"title":"Formel 1 &#8211; Entwicklung","author":"huflaikhan","date":"22. Mai 2004","format":false,"excerpt":"Manchmal ist man gar sehr betr\u00fcbt und denkt zur\u00fcck an die Jugendzeit. Zum Beispiel an die Zeit der ersten Fotos. Zun\u00e4chst mit so einem Quelle-Apparat mit schwerg\u00e4ngigem Ausl\u00f6ser. Der Film war noch in geschlossenen Kassetten. Kein Bild konnte was werden, denn so ein fetter grobmechanischer Ausl\u00f6ser, der l\u00e4sst nur Wackeln\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/formel-1-entwicklung\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1759"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1759\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}