{"id":176,"date":"2003-06-18T21:00:01","date_gmt":"2003-06-18T20:00:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/johann-sebastian-bach-goldberg-variationen\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"johann-sebastian-bach-goldberg-variationen","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/johann-sebastian-bach-goldberg-variationen\/","title":{"rendered":"Johann Sebastian Bach: Goldberg-Variationen"},"content":{"rendered":"<div class=\"rightbox\"><%image(20030618-ensemble-resonanz.jpg|200|196|goldberg-variationen)%><\/div>\n<p>Goldberg-Variationen? Ja. Aber in einer Version f\u00fcr Streichorchester &#8211; und zwar einem sehr guten und programatisch Avancierten: dem <a href=\"http:\/\/www.ensembleresonanz.de\" target=\"_blank\" rel=\"noopener\">Ensemble Resonanz<\/a>, welches in Hamburg ans\u00e4ssig ist. Die haben die Bearbeitung von Dmitry Sitkovetsky nochmals \u00fcberarbeitet. Heraus gekommen ist eine sehr lebendige und gut klingende Musik, die mit den Mitteln der Instrumentierung eine ganz eigenartige Farbe dem St\u00fcck verleiht. Allein, es scheint etwas sehr viel Hall hineingegeben. Gut: Diese Aufnahme macht einem irgendwie n\u00e4mlich leicht: Man kann sie kennerisch h\u00f6ren mit allen kompositorischen Finessen, ebenso aber an sich vorbeiziehen lassen. In beiden F\u00e4llen ist die Aufnahme wirkungsvoll.<\/p>\n<p><i>Johann Sebastian Bach: Goldberg-Variationen BWV 988, Bearbeitung f\u00fcr Streichorchester nach Dimitry Sitkovetzky, [Ambitus &#8211; amb 96 840]<\/i><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Johann%20Sebastian%20Bach%3A%20Goldberg-Variationen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fjohann-sebastian-bach-goldberg-variationen%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Johann%20Sebastian%20Bach%3A%20Goldberg-Variationen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fjohann-sebastian-bach-goldberg-variationen%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ja. Aber in einer Version f\u00fcr Streichorchester &#8211; und zwar einem sehr guten und programatisch Avancierten: dem Ensemble Resonanz, welches in Hamburg ans\u00e4ssig ist. Die haben die Bearbeitung von Dmitry Sitkovetsky nochmals \u00fcberarbeitet. Heraus gekommen ist eine sehr lebendige und gut klingende Musik, die mit den Mitteln der Instrumentierung eine ganz eigenartige Farbe dem [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Johann%20Sebastian%20Bach%3A%20Goldberg-Variationen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fjohann-sebastian-bach-goldberg-variationen%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Johann%20Sebastian%20Bach%3A%20Goldberg-Variationen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fjohann-sebastian-bach-goldberg-variationen%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8491,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/09\/spy-spy-spotify-das-musikalische-elend-der-amerikanischen-elite\/","url_meta":{"origin":176,"position":0},"title":"Spy, spy, spotispy! Das musikalische Elend der amerikanischen Elite","author":"der huflaikhan","date":"25. September 2014","format":false,"excerpt":"Durch die gro\u00dfe Durchdringung des Musikstreamingdienstes \u201eSpotify\u201c im amerikanischen Haushalt, nat\u00fcrlich insbesondere bei Studenten, kann man sich durch deren statistische Ergebnisse einige R\u00fcckschl\u00fcsse \u00fcber das musikalische Konsumverhalten der dortigen alten Jugend erlauben. Genau das hat \u201eSpotify\u201c jetzt gemacht. How students listen? (Mit den Ohren und dem gro\u00dfen grauen Teil dazwischen,\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Goldberg an der Uni","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/09\/cornell_uni.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/09\/cornell_uni.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/09\/cornell_uni.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":175,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/taktlos-66-kulturgeflenne\/","url_meta":{"origin":176,"position":1},"title":"Taktlos 66 \u2013 Kulturgeflenne","author":"huflaikhan","date":"18. Juni 2003","format":false,"excerpt":"Unser sch\u00f6nes deutsches Land befindet sich auf dem Weg in eine wirtschaftliche und kulturelle Rezession. Das sind gute Zeiten f\u00fcr ein Gejammere \u00fcber diese Zust\u00e4nde, vor allem auch im Bereich der Kultur. Und \u00fcber was da alles gewehklagt wird: Von der versauten Bildung der Kinder und Jugendlichen, von dem Niedergang\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":832,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/10\/bach-so-ist-mein-jesus-nun-gefangen\/","url_meta":{"origin":176,"position":2},"title":"Bach \u0096 \u0084So ist mein Jesus nun gefangen\u0093","author":"huflaikhan","date":"15. Oktober 2004","format":false,"excerpt":"Leicht kann ein Name wie Johann Sebastian Bach verschrecken. Weil man ihn gerne musikalisch in so gro\u00dfe H\u00f6he setzt, dass die Musik nicht wieder herunterfindet, oder weil man den per\u00fcckigen Mann mit seiner Musik einfach als altes Zeug abtut. Kommt dann noch ein religi\u00f6ser Stoff hinzu \u2014 man ist doch\u2026","rel":"","context":"In \"Bach\"","block_context":{"text":"Bach","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bach\/"},"img":{"alt_text":"Ausschnitt Bach","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041015-bach-haltet-detail.jpg?fit=500%2C534&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2281,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/das-bach-problem\/","url_meta":{"origin":176,"position":3},"title":"Das Bach-Problem","author":"hufi","date":"7. September 2007","format":false,"excerpt":"F\u00fcr die aktuelle Ausgabe von taktlos, dem musikmagazin des bayerischen rundfunks und der neuen musikzeitung, wurde ich um eine Stellungnahme zur Zukunft des Komponisten Johann Sebastian Bach gebeten. Das Ergebnis ist ern\u00fcchternd. (K\u00f6nnte man sagen, zu Bach oder zum Beitrag selbst, stimmt schon.) So wie Stuttgart, also die Stadt. Man\u2026","rel":"","context":"In \"Johann Sebastian Bach\"","block_context":{"text":"Johann Sebastian Bach","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/johannsebastianbach\/"},"img":{"alt_text":"urteilskraft-4745","src":"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/09\/urteilskraft-4745.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":323,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/notengeruch-und-modernisierung\/","url_meta":{"origin":176,"position":4},"title":"Notengeruch und Modernisierung","author":"huflaikhan","date":"7. Februar 2004","format":false,"excerpt":"Musik: Johann Sebastian Bach: Nun komm\u0091 der Heiden Heiland (Lipatti 1950) Autor: Es ist so sch\u00f6n, dass sich manches nicht \u00e4ndert. Der modrige Geruch von zerfallendem Papier, langsames Nachdunkeln, das Absplittern von Altkopien neuer Musik. Kurz das Leben von Notentexten in allen Formaten und in allen Preislagen. Ach Faksimile, oh\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":785,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/der-ganze-bach\/","url_meta":{"origin":176,"position":5},"title":"Der ganze Bach","author":"huflaikhan","date":"26. September 2004","format":false,"excerpt":"Kein Platz f\u00fcr Werbung, an sich, aber das muss man einfach sagen. Den ganzen Bach gibts auf CD (auf 171 CDs) f\u00fcr wirklich g\u00fcnstige 129,99 Euro bei jpc. Johann Sebastian Bach - The complete Works Auf 171 CDs sind die gr\u00f6\u00dften und bekanntesten Interpreten vertreten, wie z.B. Juliane Banse, Christine\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/der-ganze-bach\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=176"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/176\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}