{"id":1765,"date":"2006-06-09T20:41:09","date_gmt":"2006-06-09T19:41:09","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/eggert-komponierte-muenchen\/"},"modified":"2023-12-18T08:49:04","modified_gmt":"2023-12-18T07:49:04","slug":"eggert-komponierte-muenchen","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/06\/eggert-komponierte-muenchen\/","title":{"rendered":"Eggert komponierte M\u00fcnchen"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Eggert%20komponierte%20M%C3%BCnchen https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F06%2Feggert-komponierte-muenchen%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Nachdem ich mir gestern nacht noch drei Orchester anh\u00f6ren musste (wollte), die irgendwie von Beckmann mooderiert wurden und es furchtbar viel &#8222;Klassik&#8220; zu h\u00f6ren gab, lese ich nun, zu sp\u00e4t, dass es gute Musik nach 16:23 bei der Er\u00f6ffnungszeremonie von Moritz Eggert gegeben haben muss. 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zu h\u00f6ren gab, lese ich nun, zu sp\u00e4t, dass es gute Musik nach 16:23 bei der Er\u00f6ffnungszeremonie von Moritz Eggert gegeben haben muss. 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Kritik an Reformpl\u00e4nen von Moritz Eggert +++ Links statt Gelaber +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"\u00dcbrigens ist meine kritische masse eine Non-Prophet-Organisation Schlie\u00dflich gilt der Profit im eigenen Laden nichts","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2605,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/05\/das-ende-ist-der-anfang\/","url_meta":{"origin":1765,"position":3},"title":"Das Ende ist der Anfang","author":"huflaikhan","date":"6. Mai 2009","format":false,"excerpt":"Das Ende ist der Anfang - Moritz Eggert stellt den neuen \"Bad Blog of Musick\" und seine zwei Mitstreiter vor. Ein Anfang ist gemacht - jetzt seid ihr dran! [Bad Blog Of Musick]","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":15048,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/03\/ungemach-im-deutschen-komponistinnenverband-und-der-gema\/","url_meta":{"origin":1765,"position":4},"title":"Ungemach im Deutschen Komponist:innenverband und der GEMA","author":"der huflaikhan","date":"21. M\u00e4rz 2026","format":"link","excerpt":"Die Sache ist ebenso verfahren wie die Sache mit Weimer. Die GEMA-Reform 2026 zerreibt Nerven und lang gewachsenen Strukturen, die ja nicht immer nur schlecht sein m\u00fcssen. Es ist ja absolut unstrittig unter Langerfahrenen Beobachtern der GEMA, dass die Ideen der aktuellen Reformbem\u00fchungen nicht aus Gr\u00fcnden der Kulturliebe geschehen, w\u00e4re\u2026","rel":"","context":"In &quot;Amt f\u00fcr Vermassungsschutz&quot;","block_context":{"text":"Amt f\u00fcr Vermassungsschutz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/vermassungsschutz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8586,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/10\/kuechenmusik-das-unterschaetzte-genre\/","url_meta":{"origin":1765,"position":5},"title":"K\u00fcchenmusik \u2013 das untersch\u00e4tzte Genre","author":"der huflaikhan","date":"23. Oktober 2015","format":"video","excerpt":"https:\/\/youtu.be\/WPmJwFqV8Lg Es gibt ja Zeitschriften f\u00fcr alles! Landlust, Computertechnik, Dieselmotoren, Neue Musik oder Kirchenmusik. Aber nicht f\u00fcr K\u00fcchenmusik. Dabei ist dies ganz sicher ein Markt, der erschlossen werden m\u00fcsste. Denn eine K\u00fcche hat fast jeder. Und singen kann auch (fast) jeder. Die K\u00fcche ist das Zentrum des gesellschaftlichen Lebens, wie\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/WPmJwFqV8Lg\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1765"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1765\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}