{"id":177,"date":"2003-06-19T10:25:14","date_gmt":"2003-06-19T09:25:14","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/keith-jarrett-gary-peacock-jack-dejohnette-it\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"keith-jarrett-gary-peacock-jack-dejohnette-it","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/keith-jarrett-gary-peacock-jack-dejohnette-it\/","title":{"rendered":"Keith Jarrett, Gary Peacock, Jack deJohnette: up for it"},"content":{"rendered":"<p>Das Trio setzt Standards: Musik an einem lauen Sommerabend, unspektakul\u00e4r, aber ganz klar im Hier und Jetzt. Das kann gl\u00fccklich machen wie Nudeln, aber niemals abh\u00e4ngig.<br \/>\n<cite><i>Keith Jarrett, Gary Peacock, Jack deJohnette: up for it &#8211; Live in Juan-les-Pins, France. July 2002 [ECM1860]<\/i><\/cite><\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Keith%20Jarrett%2C%20Gary%20Peacock%2C%20Jack%20deJohnette%3A%20up%20for%20it https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fkeith-jarrett-gary-peacock-jack-dejohnette-it%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fkeith-jarrett-gary-peacock-jack-dejohnette-it%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; 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Das kann gl\u00fccklich machen wie Nudeln, aber niemals abh\u00e4ngig. Keith Jarrett, Gary Peacock, Jack deJohnette: up for it &#8211; Live in Juan-les-Pins, France. July 2002 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Hier und Jetzt. Das kann gl\u00fccklich machen wie Nudeln, aber niemals abh\u00e4ngig. Keith Jarrett, Gary Peacock, Jack deJohnette: up for it &#8211; Live in Juan-les-Pins, France. 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Oktober 2009","format":false,"excerpt":"Pl\u00f6tzlich, im Hintergrund lief das Keith Jarrett Trio mit Peacock und deJohnette aus dem Jahr 1988, war es irgendwie klar. Jazzstandards mit fotografischen Mitteln machen: Here: Someday My Prince Will Come","rel":"","context":"In \"Jazz\"","block_context":{"text":"Jazz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/jazz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1595,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/the-out-towners\/","url_meta":{"origin":177,"position":1},"title":"The Out-of-Towners","author":"huflaikhan","date":"20. Januar 2006","format":false,"excerpt":"I Can't Believe That You're In Love With Me - spielt das Trio Jarrett, Peacock und DeJohnette. Gut.","rel":"","context":"In \"Keith Jarrett\"","block_context":{"text":"Keith Jarrett","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/keithjarrett\/"},"img":{"alt_text":"M\u00fcnchen","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060120-towners.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1553,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/bekenntnis-zu-jarrett\/","url_meta":{"origin":177,"position":2},"title":"Bekenntnis (zu Jarrett)","author":"huflaikhan","date":"12. Dezember 2005","format":false,"excerpt":"Manchmal sch\u00e4mt man sich, dass man \u201eMusikwissenschaft\u201c studiert hat, aber auch ohne w\u00e4re es das Gleiche. Da h\u00f6rt man Musik, mit der \u00e4u\u00dfersten Anspannung und auch mit einer tiefen Durchl\u00e4ssigkeit. Zu meinen Favoriten f\u00fcr eine derartige Musik geh\u00f6rt Keith Jarrett. Erst dieses Jahr habe ich mir nach gro\u00dfem Zaudern das\u2026","rel":"","context":"Mit 5 Kommentaren","block_context":{"text":"Mit 5 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/bekenntnis-zu-jarrett\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1559,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/eingekochte-improvisation-keith-jarrett-radiance\/","url_meta":{"origin":177,"position":3},"title":"Eingekochte Improvisation: Keith Jarrett: Radiance","author":"huflaikhan","date":"21. Dezember 2005","format":false,"excerpt":"Eine Musikt\u00fcr geht auf, ganz sachte, ganz vorsichtig. Die Kl\u00e4nge eines Klaviers ziehen an einem vorbei. Man stellt sich in den Strom der T\u00f6ne, l\u00e4sst sich mitgehen, eine Reise in aller musikalischen Konsequenz und dennoch unbestimmt. 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