{"id":179,"date":"2003-06-19T10:29:06","date_gmt":"2003-06-19T09:29:06","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/brueckner-bukowski\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"brueckner-bukowski","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/brueckner-bukowski\/","title":{"rendered":"Br\u00fcckner Bukowski"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"178\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?fit=150%2C150&amp;ssl=1\" data-orig-size=\"150,150\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?fit=150%2C150&amp;ssl=1\" class=\" alignright size-full wp-image-178\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Cover\" width=\"150\" height=\"150\" \/>&ldquo;Explizit Lyrik: Christian Br&uuml;ckner liest Charles Bukowski&rdquo;: eine H&ouml;rbuch-CD?<br \/>\n<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"178\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?fit=150%2C150&amp;ssl=1\" data-orig-size=\"150,150\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?fit=150%2C150&amp;ssl=1\" class=\" alignright size-full wp-image-178\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/06\/20030619-cd-buckowski.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Cover\" width=\"150\" height=\"150\" \/>&ldquo;Explizit Lyrik: Christian Br&uuml;ckner liest Charles Bukowski&rdquo;: eine H&ouml;rbuch-CD? Irgendwie ja und irgendwie nein. Christian Br&uuml;ckner ist die Synchronstimme von Harvey Keitel, Robert de Niro und Marlon Brando und au&szlig;erdem ein gesuchter H&ouml;rspielmann. Die Stimme und sein Sprechen sind gewiss eine passende deutsche Synchronisation der schmackigen Worte von Charles Bukowski. Es passt, ganz einfach, es passt. Dazu gesellt sich ein Jazzquartett um den Sohn von Christian Br&uuml;ckner: Kai Br&uuml;ckner, Jan von Klewitz, Johannes Gunkel und Jochen Kr&auml;mer bereiten einen bunten Mix dazu zu, der schwer amerikanische neonbeleuchtete Jazz-Einsamkeiten evoziert.<\/p>\n<p>Die N&auml;he zur puren Genreparodie ist zwar da, doch das bricht sich in einer beinahe erbrochenen digitalen Pr&auml;zision [meint: das klingt wie &bdquo;verschissene Unterhosen&quot; (Bukowski) der Marke  Calvin Klein]. Alles wie ein chromgl&auml;nzender Grauschleier, wenn sie wissen, was ich meine. Nein? Dann hilft nur reinh&ouml;ren. <\/p>\n<p> <i>Br&uuml;ckner Bukowski, musikalisch inszeniert von Yakou Tribe, <br \/> [Hazelwood \/ Deutsche Grammophon 067 284-2]<\/i><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Br%C3%BCckner%20Bukowski https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F06%2Fbrueckner-bukowski%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 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So wie ich beim Fernsehen, wenn jemand in schwindelerrregender H\u00f6he steht, ganz tief in meinem K\u00f6rper eine Art Zuckung sp\u00fcre, die mich beklemmt, so kommen bei bestimmten Musikst\u00fccken eigenartige Gef\u00fchle auf. So gestern abend. Zur Dienstarbeit habe ich meine Musikbbliothek durchforstet. Bruckner\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Tunnelblick der Gef\u00fchle. 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Was man sagt, bezeugt,\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"mahler brahms reger bruckner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8505,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/tunnelblick-der-gefuehle-hoeren-und-erinnern\/","url_meta":{"origin":179,"position":5},"title":"Tunnelblick der Gef\u00fchle \u2013 H\u00f6ren und Erinnern","author":"der huflaikhan","date":"29. November 2014","format":false,"excerpt":"An sich habe ich ja professionell mit Musik zu tun. Das hei\u00dft, ich besch\u00e4ftige mich auf die eine oder andere Art mit ihr. Fr\u00fcher auch durch Selbermusizieren und -komponieren, jetzt mehr theoretisch und eher mit den Rahmenbedingungen. 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