{"id":187,"date":"2003-07-23T08:11:00","date_gmt":"2003-07-23T07:11:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/maestro-turntables-blue-note-trip\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"maestro-turntables-blue-note-trip","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/maestro-turntables-blue-note-trip\/","title":{"rendered":"Maestro Turntables: Blue Note Trip"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"186\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-cool-oder-uncool\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?fit=145%2C146&amp;ssl=1\" data-orig-size=\"145,146\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cool oder uncool\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?fit=145%2C146&amp;ssl=1\" class=\" alignright size-full wp-image-186\" hspace=\"5\" align=\"right\" alt=\"Cool oder uncool\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?resize=145%2C146&#038;ssl=1\" width=\"145\" height=\"146\" \/>Ganz l&auml;ssig ist zwar diese Doppel-CD, die einige hippe Tracks von Donald Byrd &uuml;ber Buddy Rich und Horace Silver bis Gary Bartz vereinigt. Alles das ist h&uuml;bsch an der Schnur aufgeperlt und loungt sich gar nicht mal ungekonnt &uuml;ber insgesamt gut 140 Minuten durch. Aber f&uuml;r wen ist eine solche CD eigentlich gemacht? F&uuml;r im Zwielicht zwinkernde Bars, f&uuml;rs angenervte Autofahrten oder als Begleitmusik zum Fensterputzen? Wohl f&uuml;r alles zusammen, m&ouml;glicherweise passt dazu auch ein gekonnt dressierter Blattsalat.<br \/>\n<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"186\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-cool-oder-uncool\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?fit=145%2C146&amp;ssl=1\" data-orig-size=\"145,146\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cool oder uncool\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?fit=145%2C146&amp;ssl=1\" class=\" alignright size-full wp-image-186\" hspace=\"5\" align=\"right\" alt=\"Cool oder uncool\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?resize=145%2C146&#038;ssl=1\" width=\"145\" height=\"146\" \/>Ganz l&auml;ssig ist zwar diese Doppel-CD, die einige hippe Tracks von Donald Byrd &uuml;ber Buddy Rich und Horace Silver bis Gary Bartz vereinigt. Alles das ist h&uuml;bsch an der Schnur aufgeperlt und loungt sich gar nicht mal ungekonnt &uuml;ber insgesamt gut 140 Minuten durch. Aber f&uuml;r wen ist eine solche CD eigentlich gemacht? F&uuml;r im Zwielicht zwinkernde Bars, f&uuml;rs angenervte Autofahrten oder als Begleitmusik zum Fensterputzen? Wohl f&uuml;r alles zusammen, m&ouml;glicherweise passt dazu auch ein gekonnt dressierter Blattsalat. Mit den &bdquo;Smiling Faces&ldquo; von Bobbi Humphrey startet die zweite CD und zeigt damit gewiss an, welche h&uuml;bschen Tracks hier mitunter versammelt sind wie auch Nancy Wilsons wunderbares &bdquo;Lush Life&rdquo;. Doch den Eindruck einer Jazzploitation wird man nicht wirklich los. Ach ja, ein Tipp f&uuml;r Djs, es gibt diese Sammlung auch als insgesamt vier Vinylscheiben. Arbeit kann man sich dann am Selbermixen sparen. <i> <\/i><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Maestro%20Turntables%3A%20Blue%20Note%20Trip https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F07%2Fmaestro-turntables-blue-note-trip%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Maestro%20Turntables%3A%20Blue%20Note%20Trip https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F07%2Fmaestro-turntables-blue-note-trip%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Alles das ist h&uuml;bsch an der Schnur aufgeperlt und loungt sich gar nicht mal ungekonnt &uuml;ber insgesamt gut 140 Minuten durch. Aber f&uuml;r wen ist eine solche CD eigentlich gemacht? F&uuml;r im [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Maestro%20Turntables%3A%20Blue%20Note%20Trip https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F07%2Fmaestro-turntables-blue-note-trip%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":398,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/der-pc-ist-keine-vervielfaeltigungstechnologie\/","url_meta":{"origin":187,"position":0},"title":"\u0084Der PC ist keine Vervielf\u00e4ltigungstechnologie\u0093","author":"huflaikhan","date":"24. M\u00e4rz 2004","format":false,"excerpt":"Das Institut f\u00fcr Rechtsfragen der freien und Open Source Software (ifrOSS) hat sich zu einem Teil der Realisierung einer Verg\u00fcten nach \u00a7 54 UrhG ge\u00e4u\u00dfert. Wenn ich das richtig verstanden habe, spricht sich ifrOSS weiterhin f\u00fcr eine Verg\u00fctung auf Leermedien aus, m\u00f6chte jedoch nicht das PCs und die darin verbauten\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":308,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/01\/kid-koala-some-my-best-friends-are-djs\/","url_meta":{"origin":187,"position":1},"title":"Kid Koala &#8211; Some of my best friends are djs","author":"huflaikhan","date":"12. Januar 2004","format":false,"excerpt":"Turntablism einer ganz k\u00fcnstlichen Art. Der \u201eMeister\u201d selbst macht sich schon bei der Verpackung einen Riesenspa\u00df, wenn er gro\u00df ins Innencover hineinschreibt: \u201cfree comic book + cd with this travel size chess game.\u201d Und dann vergisst er noch, dass ein Filmchen mit auf die CD gebrannt ist. Also: Neben dem\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8570,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/cd-cover-kritik-helmut-lachenmanns-gefuehle\/","url_meta":{"origin":187,"position":2},"title":"CD-Cover-Kritik: Helmut Lachenmanns Gef\u00fchle","author":"der huflaikhan","date":"11. Juni 2015","format":false,"excerpt":"Neulich unterzog ich ein CD-Cover der Deutschen Grammophon einer Kritik. Auf Twitter bekam ich bald einen Hinweis, dass gerade auch bei Neuer Musik einige CD-Cover einigerma\u00dfen eigenartig, fragw\u00fcrdig, beziehungsweise misslungen seien. Nun komme ich selbst selten in den Genuss Neue Musik von der CD zu h\u00f6ren. Ich finde, da geh\u00f6rt\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Direkt vom Erzeuger.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/06\/lachenmann-mode.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":241,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/bittova-vaclavek-bile-inferno\/","url_meta":{"origin":187,"position":3},"title":"bittov\u00e1 \/ v\u00e1clavek: b\u00edl\u00e9 inferno","author":"huflaikhan","date":"7. September 2003","format":false,"excerpt":"Eine Doppel-CD von 1997. Iva Bittova geh\u00f6rt zu den ganz \u00fcberragenden Musikern aus Tschechien. Ob als Sologeigerin mit ihrem ganzen K\u00f6rper und ihrer Stimme, ob in alten Aufnahmen mit der Gruppe \"Dunaj\u201d. Sie l\u00e4sst die Musik changieren zwischen Tradition, Jazz und Pop. Mit dieser CD musiziert sie im kammermusikalischen Rahmen.\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/"},"img":{"alt_text":"Bile inferno","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-bittova.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2418,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/05\/auferstehung-der-musikindustrie\/","url_meta":{"origin":187,"position":4},"title":"Auferstehung der Musikindustrie","author":"hufi","date":"13. Mai 2008","format":false,"excerpt":"Musikindustrie. Kein Anschluss unter dieser Nummer. Sie sendet nur. Vor wenigen Tagen habe ich eine CD nach Bestellung erhalten, die den Titel \"Starke Stimmen gegen Rechts - DEMO TAPE\" tr\u00e4gt. Diese CD wird nicht verkauft, sondern verteilt. Man sie bestellen und bekommt sie gegebenenfalls im Klassensatz geliefert. Unter den vertretenen\u2026","rel":"","context":"In \"Bl\u00f6dsinn\"","block_context":{"text":"Bl\u00f6dsinn","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bldsinn\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":257,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/meissner-jazz-starships\/","url_meta":{"origin":187,"position":5},"title":"Meissner: Jazz for Starships","author":"huflaikhan","date":"25. September 2003","format":false,"excerpt":"Der Alt-Saxophonist Dirk Meissner wagt gewisserma\u00dfen k\u00fchn den Vorspruch zur CD: \u0084Maybe that\u0091s the future of jazzmusic: the music you\u0091ll hear, when you drive slowly in your starship, cheerfull looking out of the window.\u0093 Da kann sich der Rezensent nicht ganz verkneifen, dass er beim H\u00f6ren gelegentlich den Eindruck gewann,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-blue-note.jpg?fit=145%2C146&ssl=1","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=187"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/186"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}