{"id":1895,"date":"2006-09-27T12:39:54","date_gmt":"2006-09-27T11:39:54","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/idomeneo-iii\/"},"modified":"2023-12-18T08:48:41","modified_gmt":"2023-12-18T07:48:41","slug":"idomeneo-iii","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/idomeneo-iii\/","title":{"rendered":"Idomeneo III"},"content":{"rendered":"So sch\u00f6n, so einfach, so r\u00fchrend: Dieser Marsch aus dem dritten Akt des „Idomeneo“.
\n<%Podcast(http:\/\/www.kritische-masse.de\/logger\/dlcount.php?id=masse&url=http:\/\/www.kritische-masse.de\/blog\/media\/1\/idomeneo.mp3|Marcia aus dem dritten Akt, mono , mp3, ca. 2,30 Min., knapp 1,3 MB)%>
\nK\u00f6nnte ich mir stundenlang anh\u00f6ren. Habe ich heute stundenlang geh\u00f6rt. Bei all dem Trubel um die abgesetzte Inszenierung in Berlin, da vergisst man doch schnell, dass so ein Werk auch voller sch\u00f6nster Musik ist. So etwas k\u00f6nnte ich mir glatt zur eigenen Beerdigung w\u00fcnschen. Und bis heute kannte ich das St\u00fcck ja nicht einmal.<\/p>\n","protected":false},"excerpt":{"rendered":"
So sch\u00f6n, so einfach, so r\u00fchrend: Dieser Marsch aus dem dritten Akt des „Idomeneo“. K\u00f6nnte ich mir stundenlang anh\u00f6ren. Habe ich heute stundenlang geh\u00f6rt. Bei all dem Trubel um die abgesetzte Inszenierung in Berlin, da vergisst man doch schnell, dass so ein Werk auch voller sch\u00f6nster Musik ist. So etwas k\u00f6nnte ich mir glatt zur […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"","_metis_text_length":422,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-1895","post","type-post","status-publish","format-standard","hentry","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[],"desktop_mode_attached_media":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_nam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"],"featured_video":null,"jetpack-related-posts":[{"id":8529,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/01\/freiheit-ist-nicht-einfach-die-absetzung-einer-opern-inszenierung-2006\/","url_meta":{"origin":1895,"position":0},"title":"Freiheit ist nicht einfach \u2013 Die Absetzung einer Opern-Inszenierung 2006","author":"der huflaikhan","date":"14. Januar 2015","format":false,"excerpt":"Wie frei kann sich Kunst wirklich entfalten? Gro\u00dfe Einigkeit besteht in Presse und Kunst dar\u00fcber, dass man sich nicht vorschreiben lassen mag, wie man was zu tun habe. Satire darf angeblich alles, Kunst immerhin nahezu auch. Bei der Betrachtung fiel mir eine Begebenheit aus der j\u00fcngeren deutschen Vergangenheit ein. 2006\u2026","rel":"","context":"In "die Politik"","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Deutsche Oper Berlin at deutsche oper Twitter 2015 01 14 10 20 15","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1894,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/idomeneo-ii\/","url_meta":{"origin":1895,"position":1},"title":"Idomeneo II","author":"huflaikhan","date":"26. September 2006","format":false,"excerpt":"Nachtrag: Den Rest des Tages hatte ich verpasst. Es gibt ja fast niemanden, der sich nicht dazu ge\u00e4u\u00dfert h\u00e4tte. Die Zeitungen sind voll, selbst der Kulturstaatsminister Neumann stimmt in die Kritik mit ein. Das l\u00e4sst mich hellh\u00f6rig werden. Vor allem gegen\u00fcber der promten Betonung der sogenannten Kunstfreiheit. Ist die denn\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/idomeneo-ii\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1896,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/idomeneo-iv-dampf\/","url_meta":{"origin":1895,"position":2},"title":"Idomeneo IV – Dampf!","author":"huflaikhan","date":"28. September 2006","format":false,"excerpt":"Absurd. Jetzt lese ich in der kassik-newsgroup: Eine im Ausland lebende deutsche Theaterfreundin hat recht allgemeine Bedenken gegen die Inszenierung ge\u00e4u\u00dfert und an den Karikaturenstreit erinnert, so nun die Einlassung der Berliner Polizei. Das war der anonyme Anruf, der ja durchaus von einer der anonymen Damen etwas aus dem Merkerkreis\u2026","rel":"","context":"Mit 8 Kommentaren","block_context":{"text":"Mit 8 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/idomeneo-iv-dampf\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1893,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/09\/anschlaege-auf-die-deutsche-oper-berlin\/","url_meta":{"origin":1895,"position":3},"title":"Anschl\u00e4ge auf die Deutsche Oper Berlin?","author":"huflaikhan","date":"26. September 2006","format":false,"excerpt":"Die Absetzung der Oper \u201eIdomeneo\u201c in Berlin kritisieren der Deutsche Kulturrat und der Landesmusikrat Berlin. Was war geschehen. Nun, in einer Szene des Werkes, das Hans Neuenfels inszeniert hat, passiert folgendes - und das schon seit einiger Zeit eigentlich: In Neuenfels' Schlussszene betritt Idomeneo die B\u00fchne und hat in einem\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9708,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/05\/absage-wurde-abgesagt\/","url_meta":{"origin":1895,"position":4},"title":"Absage wurde abgesagt \u2026","author":"der huflaikhan","date":"17. Mai 2024","format":false,"excerpt":"Gestern hatte ich noch von einer Petition bez\u00fcglich Konzertabsage in Amsterdam berichtet. Gestern Abend h\u00e4tte ich bereits vermelden k\u00f6nnen, die Absage wurde abgesagt. Zumindest das zweite Konzert findet wie geplant statt. \u201eThe Jerusalem Quartet will perform this Saturday, May 18, 7pm at The Concertgebouw. The safety of staff, visitors and\u2026","rel":"","context":"In "Enzyklop\u00e4die der Kritischen Masse"","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"The Jungle Of Kleinmachnow. \u00a9 MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/05\/The-Jungle-Of-Kleinmachnow.-%C2%A9-MH.jpg?fit=960%2C960&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/05\/The-Jungle-Of-Kleinmachnow.-%C2%A9-MH.jpg?fit=960%2C960&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/05\/The-Jungle-Of-Kleinmachnow.-%C2%A9-MH.jpg?fit=960%2C960&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/05\/The-Jungle-Of-Kleinmachnow.-%C2%A9-MH.jpg?fit=960%2C960&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9697,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/05\/absagen-ist-keine-loesung\/","url_meta":{"origin":1895,"position":5},"title":"Absagen ist keine L\u00f6sung","author":"der huflaikhan","date":"16. Mai 2024","format":false,"excerpt":"Ein Konzert des Jerusalem String Quartet in Amsterdam ist abgesagt worden, weil man die Sicherheit von Musiker:innen, Mitarbeiter:innen und Besucher:innen nicht gew\u00e4hrleisten k\u00f6nne. Man bef\u00fcrchte Gewalt, so die Mitteilung der Veranstalter. Der Autoritarismus vermeintlicher Linker ist nicht ungef\u00e4hrlich \u2013 wie man hier an der erfolgreichen Verfolgung eines Musikerensembles in Amsterdam\u2026","rel":"","context":"In "Angriff auf \u2026"","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Deutsche Oper Berlin at deutsche oper Twitter 2015 01 14 10 20 15","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1895"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1895\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}