{"id":1896,"date":"2006-09-28T13:15:00","date_gmt":"2006-09-28T12:15:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/idomeneo-iv-dampf\/"},"modified":"2023-12-18T08:48:41","modified_gmt":"2023-12-18T07:48:41","slug":"idomeneo-iv-dampf","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/idomeneo-iv-dampf\/","title":{"rendered":"Idomeneo IV &#8211; Dampf!"},"content":{"rendered":"<p>Absurd. Jetzt lese ich in der kassik-newsgroup:<\/p>\n<blockquote><p>Eine im Ausland lebende deutsche Theaterfreundin hat recht allgemeine Bedenken gegen die Inszenierung ge\u00e4u\u00dfert und an den Karikaturenstreit erinnert, so nun die Einlassung der Berliner Polizei. Das war der anonyme Anruf, der ja durchaus von einer der anonymen Damen etwas aus dem Merkerkreis h\u00e4tte kommen k\u00f6nnen.<\/p>\n<p>Dieser schwerwiegende Hinweis veranlasste das LKA ein Risiko mit unkalkulierbaren Ausgang zu konstatieren. Besser kann man doch eine Operninszenierung nicht beschreiben. Berlins Innensenator K\u00f6rting (SPD) gaukelte nun der Intendantin die Gefahr eines explodierenden Opernhauses vor, worauf Frau Harms ihre Macher-Qualit\u00e4ten zeigte und aus Sorge f\u00fcr Leib und Leben ihrer Mitarbeiter sich f\u00fcr die Absetzung der geplanten Vorstellungen entschied. <\/p><\/blockquote>\n<p>\nDampf!<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Idomeneo%20IV%20%E2%80%93%20Dampf%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fidomeneo-iv-dampf%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Idomeneo%20IV%20%E2%80%93%20Dampf%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fidomeneo-iv-dampf%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Jetzt lese ich in der kassik-newsgroup: Eine im Ausland lebende deutsche Theaterfreundin hat recht allgemeine Bedenken gegen die Inszenierung ge\u00e4u\u00dfert und an den Karikaturenstreit erinnert, so nun die Einlassung der Berliner Polizei. Das war der anonyme Anruf, der ja durchaus von einer der anonymen Damen etwas aus dem Merkerkreis h\u00e4tte kommen k\u00f6nnen. Dieser schwerwiegende [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Idomeneo%20IV%20%E2%80%93%20Dampf%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fidomeneo-iv-dampf%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2484,"url":"https:\/\/www.kritische-masse.de\/logbuch\/offene-kunst-verdampft-sich-durch-ihre-neugewonnene-bratwurstigkeit\/","url_meta":{"origin":1896,"position":0},"title":"Offene Kunst verdampft an sich durch ihre neugewonnene Bratwurstigkeit","author":"huflaikhan","date":"2. September 2008","format":false,"excerpt":"Zur Oper f\u00fcr alle in Berlin macht sich Uehling einige Gedanken, denen ich in fast allen Punkten zustimmen kann. Sein Kernsatz: F\u00fcr die Kultur sind solche abgespeckten Vermittlungsformen am Ende ruin\u00f6ser als geringere Saal-Auslastungen, und man meint die Folgen schon am Drum und Dran des Konzerts ablesen zu k\u00f6nnen. (Quelle:\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8363,"url":"https:\/\/www.kritische-masse.de\/logbuch\/offene-kunst-verdampft-an-sich-durch-ihre-neugewonnene-bratwurstigkeit\/","url_meta":{"origin":1896,"position":1},"title":"Offene Kunst verdampft an sich durch ihre neugewonnene Bratwurstigkeit","author":"der huflaikhan","date":"2. September 2008","format":false,"excerpt":"Das von mir hochgesch\u00e4tzte musikalische Feuilleton der Berliner Zeitung wartet in all den zahlreichen Besprechungen von musikalischen Ereignissen immer wieder einmal auch mit noch tiefergehenden Erl\u00e4uterungen auf. Peter Uehling und Wolfgang Fuhrmann sind wunderbar pr\u00e4zise in ihren Berichten und ich lese sie immer gern - weil ich die Konzerte leider\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Tasche von Opa","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/10\/20041028-tasche.jpg?fit=500%2C395&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8595,"url":"https:\/\/www.kritische-masse.de\/logbuch\/verleih-uns-taeglich-firlefanz\/","url_meta":{"origin":1896,"position":2},"title":"Verleih\u2018 uns t\u00e4glich Firlefanz","author":"der huflaikhan","date":"25. September 2015","format":false,"excerpt":"Wenn man Werbung betreibt, will man eigentlich auch, dass sie irgendwo ankommt; also sicht- oder h\u00f6rbar ist, oder irgendwie sonst f\u00fchlbar. Ansonsten kann man es auch sein lassen. Nun haben die Opern in Berlin so eine Werbeaktion gestartet, die man kaum bemerkt. Fast hat es den Anschein, als ob den\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Plakataktion des Speersitz. Agentur: Speersitz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/09\/agenturwechsel-1024x683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/09\/agenturwechsel-1024x683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/09\/agenturwechsel-1024x683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8345,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vertreibung-durch-opernmusik-2\/","url_meta":{"origin":1896,"position":3},"title":"Vertreibung durch Opernmusik","author":"der huflaikhan","date":"4. August 2007","format":false,"excerpt":"Berlin. Wie schlecht es um die sog. Klassik-Welt bestellt ist, zeigt deren angebliche Wirkung auf, ich zitiere, \"Drogenh\u00e4ndler, Wohnungslose und andere\". Berlin will mit Musik Menschen verscheuchen. Aber nicht mit Heino und Moik, sondern mit Musik aus italienischen Opern, aber mit ohne Gesang. Das berichten sowohl Tagesspiegel und Berliner Zeitung.\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2255,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vertreibung-durch-opernmusik\/","url_meta":{"origin":1896,"position":4},"title":"Vertreibung durch Opernmusik","author":"hufi","date":"3. August 2007","format":false,"excerpt":"Berlin. Wie schlecht es um die sog. Klassik-Welt bestellt ist, zeigt deren angebliche Wirkung auf, ich zitiere, \"Drogenh\u00e4ndler, Wohnungslose und andere\". Berlin will mit Musik Menschen verscheuchen. Aber nicht mit Heino und Moik, sondern mit Musik aus italienischen Opern, aber mit ohne Gesang. Das berichten sowohl Tagesspiegel und Berliner Zeitung.Erfahrungen\u2026","rel":"","context":"Mit 10 Kommentaren","block_context":{"text":"Mit 10 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/vertreibung-durch-opernmusik\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8529,"url":"https:\/\/www.kritische-masse.de\/logbuch\/freiheit-ist-nicht-einfach-die-absetzung-einer-opern-inszenierung-2006\/","url_meta":{"origin":1896,"position":5},"title":"Freiheit ist nicht einfach \u2013 Die Absetzung einer Opern-Inszenierung 2006","author":"der huflaikhan","date":"14. Januar 2015","format":false,"excerpt":"Wie frei kann sich Kunst wirklich entfalten? Gro\u00dfe Einigkeit besteht in Presse und Kunst dar\u00fcber, dass man sich nicht vorschreiben lassen mag, wie man was zu tun habe. Satire darf angeblich alles, Kunst immerhin nahezu auch. Bei der Betrachtung fiel mir eine Begebenheit aus der j\u00fcngeren deutschen Vergangenheit ein. 2006\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-politik\/"},"img":{"alt_text":"Deutsche Oper Berlin at deutsche oper Twitter 2015 01 14 10 20 15","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/Deutsche_Oper_Berlin_at_deutsche_oper_-_Twitter_2015-01-14-10-20-15.webp?fit=945%2C367&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1896"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1896\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}