{"id":1973,"date":"2006-12-21T21:21:44","date_gmt":"2006-12-21T20:21:44","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/peintures-musique-et-poesies-russian-ensamble-balalaika\/"},"modified":"2023-12-18T08:48:40","modified_gmt":"2023-12-18T07:48:40","slug":"peintures-musique-et-poesies-russian-ensamble-balalaika","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/12\/peintures-musique-et-poesies-russian-ensamble-balalaika\/","title":{"rendered":"peintures musique et po\u00e9sies : Russian Ensamble Balalaika"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=peintures%20musique%20et%20po%C3%A9sies%20%3A%20Russian%20Ensamble%20Balalaika https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F12%2Fpeintures-musique-et-poesies-russian-ensamble-balalaika%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=peintures%20musique%20et%20po%C3%A9sies%20%3A%20Russian%20Ensamble%20Balalaika https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F12%2Fpeintures-musique-et-poesies-russian-ensamble-balalaika%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Irgendwie kann einem schon irgendwie danach sein. Irgendwie.<\/p>\n<blockquote>\n<div>&bdquo;Russian Ensamble Balalaika&ldquo;<\/p>\n<p> <a href=\"http:\/\/peinturesetpoesies.blog50.com\/archive\/2006\/12\/13\/russian-ensamble-balalaika.html\">peintures musique et po&eacute;sies : Russian Ensamble Balalaika<\/a><\/div>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=peintures%20musique%20et%20po%C3%A9sies%20%3A%20Russian%20Ensamble%20Balalaika https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F12%2Fpeintures-musique-et-poesies-russian-ensamble-balalaika%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=peintures%20musique%20et%20po%C3%A9sies%20%3A%20Russian%20Ensamble%20Balalaika https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2006%2F12%2Fpeintures-musique-et-poesies-russian-ensamble-balalaika%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Zu den Komponisten z\u00e4hlen Aram Khatschturian\u2026","rel":"","context":"In \"Klavierduo\"","block_context":{"text":"Klavierduo","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/klavierduo\/"},"img":{"alt_text":"Russian & Armenian Music","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8517,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/hinhoeren-und-weglaufen-die-sog-neusser-marketing-schule\/","url_meta":{"origin":1973,"position":1},"title":"Hinh\u00f6ren und weglaufen \u2013 die sog. Neusser Marketing-Schule","author":"der huflaikhan","date":"20. November 2014","format":false,"excerpt":"Die Deutsche Kammerphilharmonie Neuss (dkn) macht was her mit ihrer Klassiklounge. Hinh\u00f6ren und weg sein. Was sich die Werbeleute dabei aber gedacht haben, ist fast nicht mehr nachzuvollziehen. Muss man vielleicht ja auch nicht, da haben einfach ein paar Strategen ein paar Bananen zu viel gegessen, scheint mir. Beitrag von\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Grunewald Bar","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/02\/20050223-grunewald-bar.jpg?fit=500%2C298&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":274,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/11\/mardi-grasbb-heat\/","url_meta":{"origin":1973,"position":2},"title":"Mardi Gras.bb: Heat","author":"huflaikhan","date":"13. November 2003","format":false,"excerpt":"Mardi Gras.bb haben schon ein paar h\u00fcbsche saftige Platten zusammengebracht. Die neue mit dem reizenden Cover verspricht laut Titel \"Hitze\u201d. Doch das will dieses Mal nicht so recht klappen. Das erste St\u00fcck ist noch extrem s\u00fcffig und in der Rhythmus-Programmierung zusammen mit dem realen Klang satt. Ja, this ist heat,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":919,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/klassische-neue-musik-unbeherrschbar\/","url_meta":{"origin":1973,"position":3},"title":"Klassische neue Musik \u0096 unbeherrschbar","author":"huflaikhan","date":"25. November 2004","format":false,"excerpt":"Semmel fragt in einem Kommentar nach dem Begriff der \u201eneuen Musik\u201c. E-Musik (klassisch) oder Hiphop (?)? In der so genannten E-Musik freilich geht es nicht deshalb immer schon um Geblase und Gestreiche. Es kommen dagegen immer h\u00e4ufiger auch \u201emodernste\u201c Apparaturen zum Einsatz. Bei der Veranstaltung 2001 der projektgruppe neue musik\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Musikroboter Baginsky","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041125-musikroboter.jpg?fit=500%2C338&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8292,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/klassische-neue-musik-unbeherrschbar-2\/","url_meta":{"origin":1973,"position":4},"title":"Klassische neue Musik \u2013 unbeherrschbar","author":"der huflaikhan","date":"25. November 2004","format":false,"excerpt":"Semmel fragt in einem Kommentar nach dem Begriff der \u201eneuen Musik\u201c. E-Musik (klassisch) oder Hiphop (?)? In der so genannten E-Musik freilich geht es nicht deshalb immer schon um Geblase und Gestreiche. Es kommen dagegen immer h\u00e4ufiger auch \u201emodernste\u201c Apparaturen zum Einsatz. Bei der Veranstaltung 2001 der projektgruppe neue musik\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Beispiel 1: Nicolas Anatol Baginsky: Aglaopheme (1999\/200) f\u00fcr Slide-Guitarren-Roboter. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/20041125-musikroboter.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":247,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/pierre-schaeffer-l-uvre-musicale\/","url_meta":{"origin":1973,"position":5},"title":"Pierre Schaeffer: L\u0091\u008civre musicale","author":"huflaikhan","date":"12. September 2003","format":false,"excerpt":"Pierre Schaeffer ist ein Pionier in der Musik des 20. Jahrhunderts gewesen. Unmittelbar nach dem zweiten Weltkrieg begr\u00fcndete er \u0096 sp\u00e4ter mit Pierre Henry \u0096 den Club d\u0091Essai innerhalb des nationalen franz\u00f6sischen Rundfunks. Damals als der Rundfunk noch ein technisches und \u00e4sthetisches Experimentierfeld war, arbeitete Schaeffer an der Montage und\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/"},"img":{"alt_text":"Pierre Schaeffer - Pionier","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030912-2003-schaeffer.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=1973"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1973\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=1973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=1973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=1973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}