{"id":1981,"date":"2006-12-27T22:38:17","date_gmt":"2006-12-27T21:38:17","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/adieu-mona-luzie\/"},"modified":"2023-12-18T08:48:40","modified_gmt":"2023-12-18T07:48:40","slug":"adieu-mona-luzie","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/12\/adieu-mona-luzie\/","title":{"rendered":"Adieu Mona Luzie"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1980\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2006\/12\/adieu-mona-luzie\/attachment-das-laecheln-der-luzie\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?fit=1024%2C768&amp;ssl=1\" data-orig-size=\"1024,768\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DMC-FZ20&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1126685877&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;9.9&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Das L\u00e4cheln der Luzie\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Das L\u00e4cheln der Luzie&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?fit=1024%2C768&amp;ssl=1\" class=\" size-full wp-image-1980\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?resize=1024%2C768&#038;ssl=1\" alt=\"Das L\u00e4cheln der Luzie\" title=\"Das L\u00e4cheln der Luzie\" width=\"1024\" height=\"768\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?resize=840%2C630&amp;ssl=1 840w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/2006-luzie.jpg?resize=440%2C330&amp;ssl=1 440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p> <a href=\"http:\/\/pepa.blogmich.de\/?p=897\" target=\"_BLANK\" rel=\"noopener\">\u0086 27.12.2006<\/a><\/p>\n<p>\u00a0<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1080,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/zwitscherei\/","url_meta":{"origin":1981,"position":0},"title":"Zwitscherei","author":"huflaikhan","date":"23. Februar 2005","format":false,"excerpt":"Wenn man eben lange Verschlusszeiten mag, also mal am Foddo. Und wenn man endlich auch hier mal Katzencontent erwartet, dann: Wenn man eben lange Verschlusszeiten mag, also mal am Foddo. Und wenn man endlich auch hier mal Katzencontent erwartet, dann: Die Dame soundso von Pissnelke. Na fein, vielleicht hilft ja\u2026","rel":"","context":"In \"Foto\"","block_context":{"text":"Foto","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/foto\/"},"img":{"alt_text":"Eisstadion","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/02\/20050223-eisstadion1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1370,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/vorbei\/","url_meta":{"origin":1981,"position":1},"title":"Vorbei","author":"huflaikhan","date":"16. August 2005","format":false,"excerpt":"Er ist aus dem Schlafmodus nicht mehr aufgewacht. Mein Monitor der Marke Belinea 106050, 20 Zoll. Er hat mir lange treu gedient, des tags und des nachts. Nun habe ich ihn gebettet auf das G\u00e4stebett. Adieu, mein Monitor, adieu. Flow my tears \u0085 Deinen Platz nimmt vor\u00fcbergehend mein Ersatzmonitor vom\u2026","rel":"","context":"Mit 11 Kommentaren","block_context":{"text":"Mit 11 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/vorbei\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1913,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/10\/um-240-grad-gedreht\/","url_meta":{"origin":1981,"position":2},"title":"Um 240 Grad gedreht \u0085","author":"huflaikhan","date":"19. Oktober 2006","format":false,"excerpt":"!~~1\/reichstag-bruecke-kompletto.jpg|Da sieht man mal, wie man dem Motiv folgt und damit ins Wasser steigt. Da kannste dir drehen und wenden. Besser w\u00e4r ein Stativ wohl.~~!\u0085 und doch nicht geklappt. Da sieht man mal, wie man dem Motiv folgt und damit ins Wasser steigt. Da kannste dir drehen und wenden. Besser\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":588,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/freunde-iv-spahlinger-schalz\/","url_meta":{"origin":1981,"position":3},"title":"Freunde IV (Spahlinger &#038; Schalz)","author":"huflaikhan","date":"23. Juli 2004","format":false,"excerpt":"Tagung der Projektgruppe Neue Musik Bremen 2001. Sonntag morgen. Kleine Diskussion in der noch fast leeren Galerie Rabus. Mathias Spahlinger (Komponist) und Nicolas Schalz (Musikwissenschaftler HfK Bremen) im interessierten Gespr\u00e4ch.Zu Spahlinger: Lernte ich \u00fcber das H\u00f6ren einer WDR-Sendung kennen. Ein St\u00fcck \u201eadieu m'amour\u201d - hommage \u00e0 Guillaume Dufay (1982\/83) f\u00fcr\u2026","rel":"","context":"In \"Mathias Spahlinger\"","block_context":{"text":"Mathias Spahlinger","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/mathiasspahlinger\/"},"img":{"alt_text":"Mathias Spahlinger und Nico Schalz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040723-spahlinger-schalz01.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8385,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/07\/sabotage-der-kultur-2\/","url_meta":{"origin":1981,"position":4},"title":"Sabotage der Kultur","author":"der huflaikhan","date":"12. Juli 2012","format":false,"excerpt":"Es ist sicher nicht ganz falsch, wenn man sich ab und zu einem \u00e4lteren Buch zuwendet. Mittelma\u00df und Wahn von Hans Magnus Enzensberger ist so ein altes Buch, das einem da in die H\u00e4nde fallen kann. Gleich im ersten Essay \u00fcber Ignoranz gibt es bemerkenswerte Beobachtungen der Zeit (vor dem\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Luzi im Waschbecken","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/02\/20050223-luzi2.jpg?fit=500%2C363&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6627,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/12\/makulatur\/","url_meta":{"origin":1981,"position":5},"title":"Makulatur","author":"der huflaikhan","date":"23. Dezember 2023","format":false,"excerpt":"Nach Sch\u00e4tzungen aus dem Jahr 2001 werden j\u00e4hrlich etwa 16 Millionen B\u00fccher makuliert. Jetzt geh\u00f6rt meine Dissertation auch dazu \u2013 ca. 250 Exemplare, eher noch mehr. ich habe mir noch f\u00fcnf Exemplare sichern d\u00fcrfen. So kanns gehen. Adieu. Bewerben muss ich mich damit nicht mehr. Der Inhalt ist an sich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Makulatur. 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