{"id":2087,"date":"2007-09-24T09:26:13","date_gmt":"2007-09-24T08:26:13","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/they-might-be-giants\/"},"modified":"2023-12-18T08:48:37","modified_gmt":"2023-12-18T07:48:37","slug":"they-might-be-giants","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/09\/they-might-be-giants\/","title":{"rendered":"They Might Be Giants"},"content":{"rendered":"<p>Wenn schon nicht viel los ist, so wenigstens weniges. The Shadow Government:<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/fpdownload.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=8,0,0,0\" width=\"424\" height=\"360\" id=\"dl_flvwidget\" align=\"middle\"><param name=\"movie\" value=\"http:\/\/cdn.channel.aol.com\/aolexd_widgets\/widget.swf\" \/><param name=\"FlashVars\" value=\"settings=56156&#038;pmms=1970005&#038;previewImage=http:\/\/www.aolcdn.com\/spinner-photos\/tmbg_02.jpg\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wenn schon nicht viel los ist, so wenigstens weniges. The Shadow 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M\u00e4rz 2005","format":false,"excerpt":"Eine neue CD aus dem Hause Hazelwood. Zwei Schauspieler des Berliner Staatstheaters hatten offenbar zu viel Zeit (oder auch zu wenig, es ist egal) und haben ein in der Tat ulkig-komplexes Album hingelegt. Ein Kunst-Album. Nicht nur das Cover (welches mich stark an die Residents erinnert), auch die Musik ist\u2026","rel":"","context":"In \"Hazelwood\"","block_context":{"text":"Hazelwood","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/hazelwood\/"},"img":{"alt_text":"The Complexity Of Lucy","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/03\/20050303-mom_record_lucy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1381,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/dm-bob-country-jam-burn-steer\/","url_meta":{"origin":2087,"position":1},"title":"DM Bob &#038; Country Jam: Burn Steer","author":"huflaikhan","date":"25. August 2005","format":false,"excerpt":"Ganz anders als Madi Gras.bb aus dem Hause Hazelwood, aber mindestens so garagig. Eine Musik f\u00fcr Menschen, die gerne abtauchen, also jetzt so mal ganz richtig, nicht so metaphysisch \u2014 abtauchen in den Dunst der hintersten Kneipe und die sich dann trauen, was sie nur mit mindestens 2,2 Promille auf\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/"},"img":{"alt_text":"DM Bob","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/08\/20050823-dmbob.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":540,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/the-nels-cline-singers-the-giant-pin\/","url_meta":{"origin":2087,"position":2},"title":"The Nels Cline Singers: The Giant Pin","author":"huflaikhan","date":"13. Juli 2004","format":false,"excerpt":"Die singen doch gar nicht. - Dem Himmel sei Dank. Es handelt sich um ein sch\u00f6nes Trio aus E-Gitarre, akustischem Bass und Schlagzeug mit Electronics. Doch es klingt wie viel mehr, mal wie nach guter alter Trash-Zeit mit den Mitteln von den Pixies oder Sonic Youth; oder, wer sie noch\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Nels Cline Singers","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040713-cd-nels-cline-singers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":343,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/giant-steps\/","url_meta":{"origin":2087,"position":3},"title":"Giant Steps","author":"huflaikhan","date":"21. Februar 2004","format":false,"excerpt":"hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1162,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/04\/kommentarfunktion-aus\/","url_meta":{"origin":2087,"position":4},"title":"Kommentarfunktion aus","author":"huflaikhan","date":"28. April 2005","format":false,"excerpt":"Aus einem mir selbst nicht ganz klaren Grund. Kommentarfunktion abgestellt bis auf weiteres. Ich habe festgestellt, dass ich h\u00e4ufig nur danach geschaut habe, ob jemand was kommentierte und nahm unkommentierte Artikel \u00fcbellaunig zur Kenntnis. Das hat ja keinen Sinn. Daher: Vorerst Schluss damit. Ach, Semmelchen, ich wusste, dass du es\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/eric-dolphy-the-drive-bedrich-smetana-dalibor\/","url_meta":{"origin":2087,"position":5},"title":"Eric Dolphy: The Drive \/\/ Bedrich Smetana: Dalibor","author":"huflaikhan","date":"22. Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. 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