{"id":2150,"date":"2007-02-10T15:19:14","date_gmt":"2007-02-10T14:19:14","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/impressum-0\/"},"modified":"2023-12-18T08:48:40","modified_gmt":"2023-12-18T07:48:40","slug":"impressum-0","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/impressum-0\/","title":{"rendered":"impressum"},"content":{"rendered":"<p><strong>dr. martin hufner<\/strong><br \/>\nvon-der-tann-str. 38<br \/>\n93047 regensburg<br \/>\ntel: 0941 \/ 799 599 2<br \/>\nmail: hufner@kultur-kritik.de<br \/>\ninternet: http:\/\/www.kritische-masse.de<\/p>\n<p>Inhaltlich Verantwortlicher gem\u00e4\u00df \u00a7 6 MDStV: Dr. Martin Hufner<\/p>\n<p>Martin Hufner: Musikwissenschaftler, Journalist und alles m\u00f6gliche andere. Ansonsten meistens ein braver Mensch.<\/p>\n<ul>\n<li> Geb. 1964, aufgewachsen in Tinnen und Wolfsburg.<\/li>\n<li> Studium der Musikwissenschaften, Philosophie und Psychologie in Gie\u00dfen. Abschluss: Magister 1989, Promotion 1994 (\u201eAdornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik\u201c &#8211; <a href=\"http:\/\/www.nmz-shop.de\/shop\/1\/show,220807.html\" target=\"_BLANK\" rel=\"noopener\">kann man noch kaufen f\u00fcr schlappe 9 Euro bei ConBrio, echt<\/a>).<\/li>\n<p><!--more--><br \/>\n<strong>dr. martin hufner<\/strong><br \/>\nvon-der-tann-str. 38<br \/>\n93047 regensburg<br \/>\ntel: 0941 \/ 799 599 2<br \/>\nmail: hufner@kultur-kritik.de<br \/>\ninternet: http:\/\/www.kritische-masse.de<\/p>\n<p>Inhaltlich Verantwortlicher gem\u00e4\u00df \u00a7 6 MDStV: Dr. Martin Hufner<\/p>\n<p>Martin Hufner: Musikwissenschaftler, Journalist und alles m\u00f6gliche andere. Ansonsten meistens ein braver Mensch.<\/p>\n<ul>\n<li> Geb. 1964, aufgewachsen in Tinnen und Wolfsburg.<\/li>\n<li> Studium der Musikwissenschaften, Philosophie und Psychologie in Gie\u00dfen. Abschluss: Magister 1989, Promotion 1994 (\u201eAdornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik\u201c &#8211; <a href=\"http:\/\/www.nmz-shop.de\/shop\/1\/show,220807.html\" target=\"_BLANK\" rel=\"noopener\">kann man noch kaufen f\u00fcr schlappe 9 Euro bei ConBrio, echt<\/a>).<\/li>\n<li> Von 1994-1995 Lektor bei der <a href=\"http:\/\/www.conbrio.de\/\" target=\"_blank\" rel=\"noopener\">ConBrio Verlagsgesellschaft<\/a>.<\/li>\n<li> Dann arbeitslos f\u00fcr sieben Monate, danach selbstst\u00e4ndig t\u00e4tig als <a href=\"http:\/\/www.conbrio.de\/\" target=\"_blank\" rel=\"noopener\">Lektor<\/a>, <a href=\"http:\/\/www.nmz.de\/\" target=\"_blank\" rel=\"noopener\">Internetredakteur<\/a>, <a href=\"http:\/\/www.contrapunktonline.de\/\" target=\"_blank\" rel=\"noopener\">zeitweilig auch als Rundfunk-Regisseur<\/a>.<\/li>\n<li>Schreibt zur freien \u00dcbernahme f\u00fcr die <a href=\"http:\/\/www.berlinergazette.de\/\" target=\"_blank\" rel=\"noopener\">Berliner Gazette<\/a>! Vor allem aber f\u00fcr: <a href=\"http:\/\/www.nmz.de\" target=\"_blank\" rel=\"noopener\">neue musikzeitung<\/a>, <a href=\"http:\/\/www.jazzzeitung.de\" target=\"_blank\" rel=\"noopener\">jazzzeitung<\/a>, <a href=\"http:\/\/www.operundtanz.de\" target=\"_blank\" rel=\"noopener\">oper&amp;tanz<\/a>, dauerkommentator f\u00fcr <a href=\"http:\/\/www.nmz.de\/taktlos\/\" target=\"_blank\" rel=\"noopener\">taktlos<\/a>.<\/li>\n<li>Lebt derzeit in Regensburg und Berlin.<\/li>\n<\/ul>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=impressum https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fimpressum-0%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=impressum https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fimpressum-0%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ansonsten meistens ein braver Mensch. Geb. 1964, aufgewachsen in Tinnen und Wolfsburg. Studium der Musikwissenschaften, Philosophie und Psychologie in Gie\u00dfen. Abschluss: [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=impressum https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fimpressum-0%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":9773,"url":"https:\/\/www.kritische-masse.de\/logbuch\/egoschooter-egosearcher-hauptsache-ego\/","url_meta":{"origin":2150,"position":0},"title":"Egoschooter: Egosearcher \u2013 Hauptsache EGO","author":"der huflaikhan","date":"7. Juni 2024","format":false,"excerpt":"Was perplexity.ai alles \u00fcber mich wei\u00df, wei\u00df es von mir. Wer ist Martin Hufner? Martin Hufner ist ein vielseitiger deutscher Journalist, Musikwissenschaftler, Fotograf und Berater, der in verschiedenen Bereichen der Musikkultur t\u00e4tig ist. Geboren 1964 in M\u00fcnster\/Westfalen, wuchs er in Tinnen und Wolfsburg auf. Er studierte Musikwissenschaften, Philosophie und Psychologie\u2026","rel":"","context":"In &quot;Privates&quot;","block_context":{"text":"Privates","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/privates\/"},"img":{"alt_text":"Firefly Male mir ein Bild mit Martin Hufner als einem Musikjournalisten, der im Konzert sitzt","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8788,"url":"https:\/\/www.kritische-masse.de\/logbuch\/ulf-poschardt-die-welt-als-intellektuellenbefreite-zone\/","url_meta":{"origin":2150,"position":1},"title":"Ulf Poschardt: Die WELT als intellektuellenbefreite Zone","author":"der huflaikhan","date":"10. Dezember 2018","format":false,"excerpt":"Manchmal wei\u00df man nicht mehr, was den einen oder anderen Chefredakteur einer Zeitung umtreibt. Hier hat sich Ulf Poschardt im Zusammenhang mit den Ver\u00e4nderungen in der CDU weit aus dem Fenster gelehnt und zu bestimmen versucht, welcher Art und wessen Geistes die Intellektuellen oder K\u00fcnstler in diesem Land sind. Er\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Die subventionierte Kunst im bequemen Elfenbeinturm. So sieht es Ulf Poschardt. Foto: Martin Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/musik_hinter_glas_hufner-1024x678.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/musik_hinter_glas_hufner-1024x678.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/musik_hinter_glas_hufner-1024x678.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/12\/musik_hinter_glas_hufner-1024x678.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8342,"url":"https:\/\/www.kritische-masse.de\/logbuch\/neues-aus-dem-grand-tokio-hotel-abgrund-urheberrecht-als-musikalische-warenkunde\/","url_meta":{"origin":2150,"position":2},"title":"Neues aus dem Grand-Tokio-Hotel-Abgrund \u2013 Urheberrecht als musikalische Warenkunde","author":"der huflaikhan","date":"22. Juni 2008","format":false,"excerpt":"Das Gezerre um die angemessene Verg\u00fctung von urheberrechtlichen Leistungen will kein Ende nehmen. Seit einigen Jahren werden sogenannte K\u00f6rbe zum Urheberrecht gepackt. Teilweise sind Erg\u00e4nzungen und Korrekturen n\u00f6tig, weil es Auflagen der europ\u00e4ischen Kommission gibt, teilweise werden diese Anforderungen genutzt, um weitergehende neue Anspr\u00fcche zu begr\u00fcnden. Dieses tat zuletzt ein\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"20050207-ratung","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/05\/20050207-ratung.jpg?fit=500%2C291&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":508,"url":"https:\/\/www.kritische-masse.de\/logbuch\/stefanski-friends-der-ostdeutschen-galerie-regensburg\/","url_meta":{"origin":2150,"position":3},"title":"Stefanski &#038; Friends in der Ostdeutschen Galerie Regensburg","author":"huflaikhan","date":"3. Juli 2004","format":false,"excerpt":"Vor einiger Zeit angek\u00fcndigt, die Kritik des Konzerts mit Stefanski & Friends. Kann man jetzt in der Online-Ausgabe der Jazzzeitung nachlesen. Oder hier in der Kritischen Masse. Es war ein Abschiedskonzert. Pavel Liska verl\u00e4sst die Ostdeutsche Galerie Regensburg als wissenschaftlicher Direktor. Als Abschiedstrio fanden sich Stefanski & Friends ein, oder\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8381,"url":"https:\/\/www.kritische-masse.de\/logbuch\/selbsthilfe-fuer-promovierte-null-respekt-vor-dem-respekt\/","url_meta":{"origin":2150,"position":4},"title":"Selbsthilfe f\u00fcr Promovierte (Null Respekt vor dem Respekt)","author":"der huflaikhan","date":"29. April 2012","format":false,"excerpt":"I. Wenn mich nicht alles t\u00e4uscht, legt die Bundesregierung ein Programm auf, dass den Austieg aus der Promotion erleichtern soll. Immer h\u00e4ufiger kommt es ja zu Promotionsfehlern. Doktorarbeiten wurden abegschrieben, in wissenschaftlicher Hinsicht ungen\u00fcgend angelegt. Hier in Kleinmachnow um die Ecke hat gerade eine CDU-Fraktionsvorsitzender darum gebeten, dass man ihm\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Osten. 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Der SocialMediaMensch braucht auch seine Muckibude zum Abreagieren. Gestern habe ich auf die Fehlerhaftigkeit des Kulturpasses hingwiesen, weil er auch als Instrument zur F\u00f6rderung rechtsradikaler Haltungen dient, ideologisch\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"winterbild 2015. 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