{"id":2183,"date":"2007-04-24T12:09:56","date_gmt":"2007-04-24T11:09:56","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/pentalogy-very-best-mardi-grasbb-1999-2004\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"pentalogy-very-best-mardi-grasbb-1999-2004","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/04\/pentalogy-very-best-mardi-grasbb-1999-2004\/","title":{"rendered":"Pentalogy &#8211; (the very best of) Mardi Gras.bb 1999-2004"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" vspace=\"3\" hspace=\"3\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/04\/mardi.jpg?w=1200\" title=\"Best of\" alt=\"Best of\" \/>Ist es wirklich schon so weit? Best-Of-Platten von Gruppen, die nur wenige Lenze z&auml;hlen. Macht man da nicht besser zun&auml;chst eine Gesamtausgabe, weil man doch nichts ausw&auml;hlen kann aus lauter unterschiedslos guten St&uuml;cken? Nee. Warum auch? F&uuml;r die gut einst&uuml;ndige Compilation-CD Pentalogy &ndash; The Very Best Of Mardi Gras.bb 1999&ndash;2004&quot; wurden nun sechzehn Highlights aus den ersten f&uuml;nf CDs der Band ausgew&auml;hlt.<\/p>\n<p><!--more--><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" vspace=\"3\" hspace=\"3\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/04\/mardi.jpg?w=1200\" title=\"Best of\" alt=\"Best of\" \/>Ist es wirklich schon so weit? Best-Of-Platten von Gruppen, die nur wenige Lenze z&auml;hlen. Macht man da nicht besser zun&auml;chst eine Gesamtausgabe, weil man doch nichts ausw&auml;hlen kann aus lauter unterschiedslos guten St&uuml;cken? Nee. Warum auch? F&uuml;r die gut einst&uuml;ndige Compilation-CD Pentalogy &ndash; The Very Best Of Mardi Gras.bb 1999&ndash;2004&quot; wurden nun sechzehn Highlights aus den ersten f&uuml;nf CDs der Band ausgew&auml;hlt.<\/p>\n<p>Diese Auswahl der Mardi Gras.bb-St&uuml;cke ist traumwandlerisch sicher und richtig. Die s&uuml;&szlig;esten (Psychoflute) und saftigsten (Bye Bye Babylon), die robustesten (Hop Sing Song), groovendsten (Moto Boat) und differenziertesten (Down, down, down) St&uuml;cke sind hier vereinigt und die restlichen Knaller auch &ndash; die F&uuml;ller der anderen Platten fehlen.<\/p>\n<p>Voll der Dschungel (Jungle Telegraph), voll die Buntheit (Dark Days), voll das Grelle, Heftige (Let it Shine), das Subtile (Dreamtime in Memphis) der musikalischen Grundfarben auslotend, nein ausw&auml;lzend.<\/p>\n<p>Man kann die Platte eigentlich nur &uuml;ber sich mit dem breitesten H&uuml;ftschwung ergehen lassen, den man sich durch die Gegend leiern kann, wenn man mit einem Alligator Arm in Arm durch die Welt tanzt. &Uuml;brigens, wem das zu wenig ist, der kann dann auch die Neue nehmen, die an die bessere fr&uuml;he Zeit ankn&uuml;pft: <em>&bdquo;The Unvealing Of The Exile Itch&ldquo;<\/em> (Hazelwood HAZ 043\/044 &ndash; zusammen mit der DVD eines Live-Auftritts, leider mit etwas eigenartiger Film&auml;sthetik, so wackelm&auml;&szlig;ig).<\/p>\n<blockquote>\n<p><em>Pentalogy &#8211; (the very best of) Mardi Gras.bb 1999-2004<br \/> Hazelwood, Emarcy 06025 1725910 <\/em>[<a href=\"http:\/\/www.jazzzeitung.de\/jazz\/2007\/02\/rezi-cd.shtml\" target=\"_blank\" rel=\"noopener\">Jazzzeitung 2\/2007<\/a>]<em><br \/> <\/em><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Pentalogy%20%E2%80%93%20%28the%20very%20best%20of%29%20Mardi%20Gras.bb%201999-2004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F04%2Fpentalogy-very-best-mardi-grasbb-1999-2004%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Pentalogy%20%E2%80%93%20%28the%20very%20best%20of%29%20Mardi%20Gras.bb%201999-2004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F04%2Fpentalogy-very-best-mardi-grasbb-1999-2004%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Best-Of-Platten von Gruppen, die nur wenige Lenze z&auml;hlen. Macht man da nicht besser zun&auml;chst eine Gesamtausgabe, weil man doch nichts ausw&auml;hlen kann aus lauter unterschiedslos guten St&uuml;cken? Nee. Warum auch? F&uuml;r die gut einst&uuml;ndige Compilation-CD Pentalogy &ndash; The Very Best Of Mardi Gras.bb 1999&ndash;2004&quot; wurden nun sechzehn Highlights aus [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Pentalogy%20%E2%80%93%20%28the%20very%20best%20of%29%20Mardi%20Gras.bb%201999-2004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F04%2Fpentalogy-very-best-mardi-grasbb-1999-2004%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":702,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/mardi-grasbb-29-moonglow\/","url_meta":{"origin":2183,"position":0},"title":"Mardi Gras.bb: 29 Moonglow","author":"huflaikhan","date":"21. August 2004","format":false,"excerpt":"Die neue von Mardi Gras.bb ist ein schwieriges Kind. Waren fr\u00fchere Platten dieser Band richtig pr\u00e4chtig angereichert, mit Spritz und Sprutz, ist dieses Werk schon sehr knapp geschn\u00fcrt. Die 14 Musiker der Kapelle schwingen sich nicht auf zum Supersound, zur Klangbr\u00fche. Alles wird eingedampft und geradezu kammermusikalisch. Das muss ja\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":274,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/11\/mardi-grasbb-heat\/","url_meta":{"origin":2183,"position":1},"title":"Mardi Gras.bb: Heat","author":"huflaikhan","date":"13. November 2003","format":false,"excerpt":"Mardi Gras.bb haben schon ein paar h\u00fcbsche saftige Platten zusammengebracht. Die neue mit dem reizenden Cover verspricht laut Titel \"Hitze\u201d. Doch das will dieses Mal nicht so recht klappen. Das erste St\u00fcck ist noch extrem s\u00fcffig und in der Rhythmus-Programmierung zusammen mit dem realen Klang satt. Ja, this ist heat,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1378,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/mardi-grasbb-introducing-the-mighty-three\/","url_meta":{"origin":2183,"position":2},"title":"Mardi Gras.bb introducing The Mighty Three","author":"huflaikhan","date":"24. August 2005","format":false,"excerpt":"Leider stapeln sich die CDs aus dem Hause Hazelwood bei mir. Geh\u00f6rt habe ich sie alle, aber es fehlte an Motivation zur Besprechung. Nun, die Ohren zu und Nase auf, das Hirn brummt, da ist Zeit f\u00fcr Hazelwood und andere. Die beiden letzten Platten sind bei mir ja etwas schlecht\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"The Mighty Three","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/08\/20050823-mardigrabb-mighty.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":366,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/rez-house-williams-revolutionist\/","url_meta":{"origin":2183,"position":3},"title":"[Rez] House Williams: Revolutionist","author":"huflaikhan","date":"3. M\u00e4rz 2004","format":false,"excerpt":"F\u00e4ngt an wie ein St\u00fcck von Lou Reed und John Cale. Hometown ist wie Smalltown in den Songs for Drella. Ich sch\u00e4tze, diese N\u00e4he war nicht zuf\u00e4llig, nur das Home=Main \u0096 Town ist. Frankfurt eben, irgendwie auch eine Kleinstadt, vielleicht die gr\u00f6\u00dfte deutsche. 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Meine Ehe wurde nach 20 jahren geschieden.\" Sicher\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3294,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/gesellschaftsl-rm-die-dauercholerische-gesellschaft\/","url_meta":{"origin":2183,"position":5},"title":"Gesellschaftsl\u00e4rm &#8211; die dauercholerische Gesellschaft","author":"huflaikhan","date":"23. Dezember 2013","format":false,"excerpt":"Zum soeben gesagten muss man das folgende erg\u00e4nzen: Es hei\u00dft ja, eine der wichtigstens W\u00e4hrungen gesellschaftlicher Art sei die der Aufmerksamkeit. Nur wer Aufmerksamkeit erhascht, wird bemerkt und wahrgenommen. Nicht so unwahr das Ganze. Doch hat es seine ganz pr\u00e4zise Grenze. Wo alles schon \u00fcberlaut ist und \u00fcberhell, h\u00f6rt man\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Kletten an der Sonne. 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