{"id":2189,"date":"2007-05-08T18:34:24","date_gmt":"2007-05-08T17:34:24","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/kleiner-scherz-am-rande\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"kleiner-scherz-am-rande","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/kleiner-scherz-am-rande\/","title":{"rendered":"Kleiner Scherz am Rande"},"content":{"rendered":"<p><a href=\"http:\/\/www.urteilskraft.de\/kritik\/2007\/05\/08\/kleiner-scherz-am-rande\/raf-modus\/\" rel=\"attachment wp-att-78 noopener\" title=\"RAF Modus\" target=\"_blank\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/05\/garten-1715.thumbnail.jpg?w=1200\" alt=\"RAF Modus\" align=\"right\" \/><\/a>Ich speichere meine Bilder immer im RAF-Modus. Um <a href=\"http:\/\/hubblesite.org\/newscenter\/archive\/releases\/1996\/23\" target=\"_blank\" rel=\"noopener\">Eta Carinae<\/a> soll es ja auch nicht so gut bestellt sein im \u00fcbrigen. <a href=\"http:\/\/de.wikipedia.org\/wiki\/Eta_Carinae\" target=\"_blank\" rel=\"noopener\">Man wartet auf den gro\u00dfen Knall<\/a>. Das kann jetzt nat\u00fcrlich alles mal wieder sehr missverst\u00e4ndlich aufgefasst werden, so terrormeneutisch. Keine Ahnung.<\/p>\n<p><!--more--><br \/>\n<a href=\"http:\/\/www.urteilskraft.de\/kritik\/2007\/05\/08\/kleiner-scherz-am-rande\/raf-modus\/\" rel=\"attachment wp-att-78 noopener\" title=\"RAF Modus\" target=\"_blank\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/05\/garten-1715.thumbnail.jpg?w=1200\" alt=\"RAF Modus\" align=\"right\" \/><\/a>Ich speichere meine Bilder immer im RAF-Modus. Um <a href=\"http:\/\/hubblesite.org\/newscenter\/archive\/releases\/1996\/23\" target=\"_blank\" rel=\"noopener\">Eta Carinae<\/a> soll es ja auch nicht so gut bestellt sein im \u00fcbrigen. <a href=\"http:\/\/de.wikipedia.org\/wiki\/Eta_Carinae\" target=\"_blank\" rel=\"noopener\">Man wartet auf den gro\u00dfen Knall<\/a>. Das kann jetzt nat\u00fcrlich alles mal wieder sehr missverst\u00e4ndlich aufgefasst werden, so terrormeneutisch. Keine Ahnung.<\/p>\n<p>Jetzt aber Ernst: Erinnert sei aber an Helmut Ridder, den gro\u00dfen Juristen aus Gie\u00dfen, der am 15. April im Alter von 87 Jahren verstarb. Und an Tony Scott, den au\u00dferordentlichen Klarinettisten, der in Rom 85j\u00e4hrig wurde. \u00dcber Tony Scott <a href=\"http:\/\/www.urteilskraft.de\/kritik\/2007\/05\/10\/zum-tony-scott\/\" target=\"_blank\" rel=\"noopener\">werde ich noch etwas zu sagen haben<\/a>.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kleiner%20Scherz%20am%20Rande https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkleiner-scherz-am-rande%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kleiner%20Scherz%20am%20Rande https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkleiner-scherz-am-rande%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Um Eta Carinae soll es ja auch nicht so gut bestellt sein im \u00fcbrigen. Man wartet auf den gro\u00dfen Knall. Das kann jetzt nat\u00fcrlich alles mal wieder sehr missverst\u00e4ndlich aufgefasst werden, so terrormeneutisch. Keine Ahnung.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kleiner%20Scherz%20am%20Rande https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkleiner-scherz-am-rande%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8558,"url":"https:\/\/www.kritische-masse.de\/logbuch\/logo-kritik-solistenensemble-kaleidoskop\/","url_meta":{"origin":2189,"position":0},"title":"Die LogoKritik: Solistenensemble Kaleidoskop","author":"der huflaikhan","date":"29. Mai 2015","format":false,"excerpt":"Das Solistenensemble Kaleidoskop ist daheim in Berlin. Sehr fantastische gute Musikerinnen, die eine Vielzahl verschiedener Genres bespielen. Von alter Musik bis zu aktueller. Es sind meistens ca. genau 15 Streicherinnen. Gastmusiker kommen gegebenenfalls hinzu. Existenz seit 2006. Gef\u00f6rdert vom Berliner Senat 2013\/2014. Aktuell ist die Basisf\u00f6rderung abgeschaltet. https:\/\/vimeo.com\/channels\/kaleidoskopmusik\/7944490 Angeblich sei\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Ensemble Kaleidoskop und Sch\u00e4uble. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/05\/kaleidoskop-300x199.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/vergangenheit-unradierbar-evidenzaesthetische-urteilsbildung-innere-unsicherheit\/","url_meta":{"origin":2189,"position":1},"title":"Vergangenheit nicht radieren \/ Evidenz\u00e4sthetische Urteilsbildung \/ Innere Unsicherheit","author":"der huflaikhan","date":"6. M\u00e4rz 2024","format":false,"excerpt":"St\u00fcbgen will sie jagen +++ Eggert k\u00e4mpft f\u00fcr die Gegenwart +++ Kant k\u00e4mpft f\u00fcr die W\u00fcrde +++ Adorno k\u00e4mpft gegen das Faktenw\u00fcrfeln +++ Kinderlied und Protestsong +++ Chorleiter:innen-Honorare +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Der ideal Spaten.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_05_spaten.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_05_spaten.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_05_spaten.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_05_spaten.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_05_spaten.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":6702,"url":"https:\/\/www.kritische-masse.de\/logbuch\/urlaubsbibliothek-puenktchen-puenktchen-puenktchen-krise\/","url_meta":{"origin":2189,"position":2},"title":"Urlaubsbibliothek: P\u00fcnktchen P\u00fcnktchen P\u00fcnktchen &#038; Krise","author":"der huflaikhan","date":"5. 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Igor Levits Fantasien in der H\u00f6rBar analysiert.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Motto: Franz Werfels Abituriententag.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5411-scaled.jpg?fit=900%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5411-scaled.jpg?fit=900%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5411-scaled.jpg?fit=900%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5411-scaled.jpg?fit=900%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8824,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-muedigkeit-und-das-einschlafen-und-die-forschung-und-das-desinteresse\/","url_meta":{"origin":2189,"position":3},"title":"Die M\u00fcdigkeit und das Einschlafen und die Forschung und das Desinteresse","author":"der huflaikhan","date":"23. Juli 2020","format":false,"excerpt":"Die Meldung ist schon etwas \u00e4lter. Streaming-Dienste sitzen ja an der Quelle der Musiknutzung, mindestens bestimmter Gruppen von Menschen. Mit ein bisschen mehr Engagement k\u00f6nnten die auch ein bisschen Stimmungen abfangen. Vor einem Monat nun ging es darum, darzustellen, welche Musik zum Eischlaffen geh\u00f6rt werde. Zur Methodik gibt es nur\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"Mein linker, linker Platz ist frei, da w\u00fcnsch ich mir den ... herbei. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/facebook2018.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1049,"url":"https:\/\/www.kritische-masse.de\/logbuch\/pingeldingel\/","url_meta":{"origin":2189,"position":4},"title":"Pingeldingel","author":"huflaikhan","date":"8. Februar 2005","format":false,"excerpt":"Und nat\u00fcrlich dem Harry-Hufi-Tagesmax, weil er dann denkt Der bl\u00f6de Semmelarsch, der bl\u00f6de. Jezz macht der doch tats\u00e4chlich so 'nen Mist mit und zieht mich auch noch mit rein. semmels kolumne Vermaledeiter Weltenfurz. Nat\u00fcrlich halte ich von diesem Schrott nichts, war aber auch hochunzufrieden, dass sonst ja niemand an mich\u2026","rel":"","context":"Mit 7 Kommentaren","block_context":{"text":"Mit 7 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/pingeldingel\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8852,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kreative-in-artgerechter-haltung\/","url_meta":{"origin":2189,"position":5},"title":"Kreative in artgerechter Haltung","author":"der huflaikhan","date":"15. Dezember 2021","format":false,"excerpt":"Es ist sehr interessant, dass die Firma Apple beim Kauf ihrer Telefone angibt, welchen Anteil die Urheberrechtsabgabe am Kuafpreis hat. F\u00fcr ein aktuelles iPhone 13 Pro zum Preis von 1269,00 Euro (bei 256 GB Speicher) werden sage und schreibe satte f\u00fcnf Euro f\u00e4llig. Das entspricht aufgerundet 0,4% des Gesamt-Kaufpreises \u2013\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"opfer m\u00fcssen begracht werden. 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