{"id":2198,"date":"2007-05-17T07:12:27","date_gmt":"2007-05-17T06:12:27","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/hinweis-auf-geniales-ron-foto\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"hinweis-auf-geniales-ron-foto","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/05\/hinweis-auf-geniales-ron-foto\/","title":{"rendered":"Hinweis auf Geniales: Ron Foto"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/05\/ronfoto.jpg?w=1200\" alt=\"Ron Foto - Krieg in der Stadt\" align=\"right\" \/>Es ist nicht unbedingt meine Art, auf etwas zu verweisen, was sich im Netz so tut, weil ich an sich denke, das kennt doch sowieso jeder. Gerade bei so Sachen, die zwei  Jahre alt sind und aus M\u00fcnchen. Kennt wer Zokko? Ron Foto?<\/p>\n<p>Also letzter hat mit einem h\u00fcbschen kurzen <a href=\"http:\/\/trueteam.kammerl.de\/zokko\/?p=98\" target=\"_blank\" rel=\"noopener\">Video zum &#8220;Krieg in der Stadt&#8221;<\/a> etwas wahrlich kunstvolles vollbracht. In einem Aufwasch s\u00e4mtliche Klischees best\u00e4tigt und verworfen. 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Gerade bei so Sachen, die zwei Jahre alt sind und aus M\u00fcnchen. Kennt wer Zokko? Ron Foto? Also letzter hat mit einem h\u00fcbschen kurzen Video zum &#8220;Krieg in der [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Hinweis%20auf%20Geniales%3A%20Ron%20Foto https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F05%2Fhinweis-auf-geniales-ron-foto%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1547,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/bill-frisell-eastwest\/","url_meta":{"origin":2198,"position":0},"title":"Bill Frisell: East\/West","author":"huflaikhan","date":"5. Dezember 2005","format":false,"excerpt":"Ich mag den Klang seiner Gitarre, seine unspektakul\u00e4re Art, die T\u00f6ne herauszukizzeln, die Art der Arrangements. Ich mag das seit Gary Larsons \u201eTales from the Far Side\u201c (einem Trickfilm, zu dem Frisell Musik beisteuerte; Video leider verliehen und nie wieder gesehen*) und auch seit den diversen Coverversionen von Popsongs. East\/West,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/eric-dolphy-the-drive-bedrich-smetana-dalibor\/","url_meta":{"origin":2198,"position":1},"title":"Eric Dolphy: The Drive \/\/ Bedrich Smetana: Dalibor","author":"huflaikhan","date":"22. Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. Nicht ganz so harmonisch kompliziert, daf\u00fcr im Chrous mit kontrapunktischen Elementen, chromatische Linie in den Nebenstimmen. Wirkt dadurch sofort sehr substanzhaltig\u2026","rel":"","context":"In \"Bedrich Smetana\"","block_context":{"text":"Bedrich Smetana","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bedrichsmetana\/"},"img":{"alt_text":"Altes Bild von 1992 - Aus dem Berlin Mix von Christian Marclay","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2168,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/03\/noch-etwas-pause\/","url_meta":{"origin":2198,"position":2},"title":"Noch etwas Pause","author":"huflaikhan","date":"21. M\u00e4rz 2007","format":false,"excerpt":"Mit den Anspr\u00fcchen sinkt die Auflage. Jetzt geht nicht mehr \"einfach mal was raushauen.\" Das geht in der kritischen masse weiter. Wo man findet, was man nicht sucht. Hier sucht man nicht einmal und findet dann gleich gar nichts. Das Lebenstempo hat woanders seinen Platz. Die Aktualit\u00e4tsnorm kennt bessere Pl\u00e4tze.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6819,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/01\/die-tsuki-die-demokratie-die-schlagzeilendegeneratoren-des-rbb\/","url_meta":{"origin":2198,"position":3},"title":"Die Tsuki, die Demokratie, die Schlagzeilendegeneratoren des rbb","author":"der huflaikhan","date":"26. Januar 2024","format":false,"excerpt":"Tsuki hatte 1. Geburtstag +++ rbb schwurbelt sich Schlagzeilen zusammen +++ Facebook leerr\u00e4umen +++ Muflons gr\u00fc\u00dfen +++ Demo f\u00fcr Demokratie und Vielfalt in Kleinmachnow","rel":"","context":"In &quot;die St\u00e4dte&quot;","block_context":{"text":"die St\u00e4dte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diestdte\/"},"img":{"alt_text":"https:\/\/kleinmachnow4future.de\/","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/kleinmachnow.webp?fit=1024%2C1024&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/kleinmachnow.webp?fit=1024%2C1024&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/kleinmachnow.webp?fit=1024%2C1024&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/kleinmachnow.webp?fit=1024%2C1024&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3230,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/06\/ruhest-rung-denn-gute-luft-ist-besser-als-gutes-denken\/","url_meta":{"origin":2198,"position":4},"title":"Ruhest\u00f6rung \u2013 denn gute Luft ist besser als gutes Denken","author":"huflaikhan","date":"30. Juni 2013","format":false,"excerpt":"Im Anflug der Suche nach historischer Substanz, Buch von Habermas bestellt. Beiligend eine DVD mit dem Film Ruhest\u00f6rung. Die Tage nach dem Schah-Besuch, als Benno Ohnesorg von einem Polizisten t\u00f6dlich verletzt wurde. Blick in zahlreiche Diskussionsvorlesungen. H\u00f6rs\u00e4le voll. Es wird geraucht. Wer wichtig ist, raucht erst recht. War sehr erstaunt\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Auf der Treppe allein. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/06\/treppe-0377-1.jpg?fit=600%2C250&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/06\/treppe-0377-1.jpg?fit=600%2C250&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/06\/treppe-0377-1.jpg?fit=600%2C250&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":8880,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/06\/das-bauchgefuehl-und-der-schlagersaenger\/","url_meta":{"origin":2198,"position":5},"title":"Das Bauchgef\u00fchl und der Schlagers\u00e4nger","author":"der huflaikhan","date":"14. Juni 2023","format":false,"excerpt":"Heinz Rudolf Kunze will nicht zu den Arroganten geh\u00f6ren, die von zu oder \u00fcber die AfD-W\u00e4hler (ungegendert) \u201esagen, \u201adie k\u00f6nnen mich alle mal, denen weine ich keine Tr\u00e4ne nach\u2018\u201c (Quelle) \u2013 er geh\u00f6rt zu der anderen Fraktion der arroganten Unarroganten. Denn unarrogant ist er, weil er seinem Bauchgef\u00fchl vollstes Vertrauen\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Die Kunst, kein Haus zu bauen. 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