{"id":2212,"date":"2007-06-05T03:07:40","date_gmt":"2007-06-05T02:07:40","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/rez-malene-mortensen-malene\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"rez-malene-mortensen-malene","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/06\/rez-malene-mortensen-malene\/","title":{"rendered":"[Rez] Malene Mortensen: Malene"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/06\/cover-009.jpg?w=1200\" alt=\"Malene\" align=\"right\" \/>Was um Himmels WILLEN ist da dem Art Director eingefallen. Medizinisches K\u00f6rperteilbeschauen? Klappt man das Cover auf fallen einem Gesicht, Hand, Kniebein und Beinteile wie lackiert in die Augen. Und wem geht es da noch um die Musik. Wenn die wenigstens ein anderes Bild b\u00f6te. Es ist fatal, eine an sich gut ausgebildete Musikerin wird so lange musikalisch &#8211; ach, was musikalisch &#8211; kaputt weichgesp\u00fclt mit Songs, die tausendfach durchgenudelt sind. Zu den Gatsmusiker z\u00e4hlen durchaus Gr\u00f6\u00dfen wie Chris Potter oder Mike Stern.<\/p>\n<p><!--break-->Gut,  mit all dem Musikerschmutz aus den Castingshows hat das nichts zu tun; aber auch nichts mit Blues, der da mitspielt. Aber dar\u00fcber hinaus. Cocktailkirschenmusik. Daf\u00fcr gibt es einen Markt, aber der ist eng. Sehr eng und sehr trostlos. Mehr will ich dazu gar nicht sagen.<\/p>\n<blockquote><p><em>Malene Mortensen: Malene<br \/>\nSTUCD 06172 [<a href=\"http:\/\/www.malenemortensen.com\/\" target=\"_blank\" rel=\"noopener\">H\u00f6rbeispiele\/Website<\/a>]<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Was um Himmels WILLEN ist da dem Art Director eingefallen. Medizinisches K\u00f6rperteilbeschauen? Klappt man das Cover auf fallen einem Gesicht, Hand, Kniebein und Beinteile wie lackiert in die Augen. Und wem geht es da noch um die Musik. Wenn die wenigstens ein anderes Bild b\u00f6te. Es ist fatal, eine an sich gut ausgebildete Musikerin wird 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Juni 2014","format":false,"excerpt":"Wir wissen seit dem Outing von Theo Gei\u00dfler in der Zeitung \u201ePolitik & Kultur\u201c, wer folgenden PFIFA-Film verbockt hat. Er selbst n\u00e4mlich. Das erkl\u00e4rt fast alles, vor allem seine Vorreiter-Rolle beim Tippspiel. (Alte Nuss, wer h\u00e4tte das gedacht.) http:\/\/youtu.be\/CgRLqo-ZbuQ 53 Euro soll das Material f\u00fcr den Film gekostet haben. Aber\u2026","rel":"","context":"In &quot;Allgemein&quot;","block_context":{"text":"Allgemein","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/allgemein\/"},"img":{"alt_text":"Finale 2014-06-30 16-20-37","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/06\/Finale_2014-06-30_16-20-37.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":51,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2000\/11\/in-den-welten-und-vor-allem-dazwischen\/","url_meta":{"origin":2212,"position":1},"title":"In den Welten und vor allem dazwischen","author":"huflaikhan","date":"2. November 2000","format":false,"excerpt":"Der Zitherspieler Robert Zollitsch kennt keine Ber\u00fchrungs\u00e4ngste Als ich Robert Zollitsch das erste Mal traf, war es auf dem internationalen Folk- und Tanzfestival in Rudolstadt, da geh\u00f6rte er f\u00fcr mich wie so viele aus dieser Branche in die Ecke des naiven Exoten. Und dann spielte er auch noch Zither, ein\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3280,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/musikalische-bildung-heute\/","url_meta":{"origin":2212,"position":2},"title":"Musikalische Bildung heute","author":"huflaikhan","date":"3. Dezember 2013","format":false,"excerpt":"Die Carl Bechstein Stiftung vermittelt Kindern und Jugendlichen den Spa\u00df am Klavierspielen. (Website der Stiftung) Was vermitteln wir heute? Spa\u00df an der Musik, Spa\u00df am Unsinn, Spa\u00df an der Philosophie, Spa\u00df am Bloggen, Spa\u00df am Mobben, Spa\u00df am Schubsen, Spa\u00df am Zimmeraufr\u00e4umen \u2026: Spa\u00dfspa\u00dfspa\u00df. 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Wohin es aber kommen\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QPYB5hwcQ6Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8661,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/alternativlos-in-deutschland\/","url_meta":{"origin":2212,"position":4},"title":"Das musikalische Materialerm\u00fcdungsinstitut in Teltow","author":"der huflaikhan","date":"18. Juli 2016","format":false,"excerpt":"Soll ich jetzt die Berufung auf die Professur f\u00fcr Weltallmusik an der\u00a0 Universit\u00e4t Gardelegen annehmen oder doch weiterhin Abteilungsleiter im Bereich Materialerm\u00fcdung am Bundesinstitut f\u00fcr Neue Musik in Teltow bleiben? Material-Yoga Ich meine, ist es wirklich das Ende meines musikalischen Lebens, Kompositionen von beispielsweise Moritz Eggert, Johannes Kreidler, Gordon Kampe\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8491,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/09\/spy-spy-spotify-das-musikalische-elend-der-amerikanischen-elite\/","url_meta":{"origin":2212,"position":5},"title":"Spy, spy, spotispy! Das musikalische Elend der amerikanischen Elite","author":"der huflaikhan","date":"25. 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