{"id":2212,"date":"2007-06-05T03:07:40","date_gmt":"2007-06-05T02:07:40","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/rez-malene-mortensen-malene\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"rez-malene-mortensen-malene","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/rez-malene-mortensen-malene\/","title":{"rendered":"[Rez] Malene Mortensen: Malene"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/06\/cover-009.jpg?w=1200\" alt=\"Malene\" align=\"right\" \/>Was um Himmels WILLEN ist da dem Art Director eingefallen. Medizinisches K\u00f6rperteilbeschauen? Klappt man das Cover auf fallen einem Gesicht, Hand, Kniebein und Beinteile wie lackiert in die Augen. Und wem geht es da noch um die Musik. Wenn die wenigstens ein anderes Bild b\u00f6te. Es ist fatal, eine an sich gut ausgebildete Musikerin wird so lange musikalisch &#8211; ach, was musikalisch &#8211; kaputt weichgesp\u00fclt mit Songs, die tausendfach durchgenudelt sind. Zu den Gatsmusiker z\u00e4hlen durchaus Gr\u00f6\u00dfen wie Chris Potter oder Mike Stern.<\/p>\n<p><!--break-->Gut,  mit all dem Musikerschmutz aus den Castingshows hat das nichts zu tun; aber auch nichts mit Blues, der da mitspielt. Aber dar\u00fcber hinaus. Cocktailkirschenmusik. Daf\u00fcr gibt es einen Markt, aber der ist eng. Sehr eng und sehr trostlos. Mehr will ich dazu gar nicht sagen.<\/p>\n<blockquote><p><em>Malene Mortensen: Malene<br \/>\nSTUCD 06172 [<a href=\"http:\/\/www.malenemortensen.com\/\" target=\"_blank\" rel=\"noopener\">H\u00f6rbeispiele\/Website<\/a>]<\/em><\/p><\/blockquote>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Malene%20Mortensen%3A%20Malene https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frez-malene-mortensen-malene%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=%5BRez%5D%20Malene%20Mortensen%3A%20Malene https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frez-malene-mortensen-malene%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Medizinisches K\u00f6rperteilbeschauen? Klappt man das Cover auf fallen einem Gesicht, Hand, Kniebein und Beinteile wie lackiert in die Augen. Und wem geht es da noch um die Musik. Wenn die wenigstens ein anderes Bild b\u00f6te. Es ist fatal, eine an sich gut ausgebildete Musikerin wird [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Malene%20Mortensen%3A%20Malene https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frez-malene-mortensen-malene%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":51,"url":"https:\/\/www.kritische-masse.de\/logbuch\/in-den-welten-und-vor-allem-dazwischen\/","url_meta":{"origin":2212,"position":0},"title":"In den Welten und vor allem dazwischen","author":"huflaikhan","date":"2. November 2000","format":false,"excerpt":"Der Zitherspieler Robert Zollitsch kennt keine Ber\u00fchrungs\u00e4ngste Als ich Robert Zollitsch das erste Mal traf, war es auf dem internationalen Folk- und Tanzfestival in Rudolstadt, da geh\u00f6rte er f\u00fcr mich wie so viele aus dieser Branche in die Ecke des naiven Exoten. Und dann spielte er auch noch Zither, ein\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8439,"url":"https:\/\/www.kritische-masse.de\/logbuch\/man-lasse-es-musik-regnen-pfifa-musikalisch-verbloedet\/","url_meta":{"origin":2212,"position":1},"title":"Man lasse es Musik regnen \u2026 \u2013 Wie die PFIFA uns musikalisch verbl\u00f6det","author":"der huflaikhan","date":"30. Juni 2014","format":false,"excerpt":"Wir wissen seit dem Outing von Theo Gei\u00dfler in der Zeitung \u201ePolitik & Kultur\u201c, wer folgenden PFIFA-Film verbockt hat. Er selbst n\u00e4mlich. Das erkl\u00e4rt fast alles, vor allem seine Vorreiter-Rolle beim Tippspiel. (Alte Nuss, wer h\u00e4tte das gedacht.) http:\/\/youtu.be\/CgRLqo-ZbuQ 53 Euro soll das Material f\u00fcr den Film gekostet haben. Aber\u2026","rel":"","context":"In &quot;Allgemein&quot;","block_context":{"text":"Allgemein","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/allgemein\/"},"img":{"alt_text":"Finale 2014-06-30 16-20-37","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/06\/Finale_2014-06-30_16-20-37.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2354,"url":"https:\/\/www.kritische-masse.de\/logbuch\/ramba-zamba\/","url_meta":{"origin":2212,"position":2},"title":"Ramba-Zamba","author":"hufi","date":"20. Dezember 2007","format":false,"excerpt":"Es f\u00e4llt sichtlich schwer, ruhig auf dem Stuhl zu sitzen, wo im Musikleben wieder einmal die K\u00f6ppe nur so durchgetauscht und eingewechselt werden. So wird Prof. Dr. Hans B\u00e4\u00dfler Kuratoriumspr\u00e4sident der Deutschen Phono-Akademie im Bundesverband der Musikindustrie (ehemals Phonoverb\u00e4nde). Begr\u00fcndet und begr\u00fc\u00dft wird B\u00e4\u00dfler mit dem Hinweis: Die Berufung B\u00e4\u00dflers\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":239,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musik-hat-eine-grosse-zukunft-keine\/","url_meta":{"origin":2212,"position":3},"title":"Musik hat eine gro\u00dfe Zukunft &#8211; keine?","author":"huflaikhan","date":"5. September 2003","format":false,"excerpt":"Das jedenfalls meinte Gerd Gebhardt auf der vergangenen Internationalen Funkaustellung. In einer KeyNote versuchte er das auch zu begr\u00fcnden. Wenn man seine Ausf\u00fchrungen ernst nehmen m\u00f6chte - und dies muss man wohl auch, denn er ist Vorsitzender eines gro\u00dfen Verbandes \u0096 dann steht eine vollkommene Austauschaktion bevor. Gebhardt sagt: Musik\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8583,"url":"https:\/\/www.kritische-masse.de\/logbuch\/anonyme-orffianer-und-der-wahre-gipfel-des-kagelismus\/","url_meta":{"origin":2212,"position":4},"title":"Anonyme Orffianer und der wahre Gipfel des Kagelismus","author":"der huflaikhan","date":"18. August 2015","format":false,"excerpt":"Wir m\u00fcssen \u00fcber ein ernstes Problem in unserem Musikleben sprechen: Die musikalische Sozialisation. Es gibt ja immer noch Gehirnforscher, die meinen, mit Musik lebe es sich besser. Musik sei wirklich gut und wichtig, st\u00e4rke dies und st\u00e4rke das. Sport, Tanzen, Malen und Dichten geh\u00f6rten auch dahin. Wohin es aber kommen\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QPYB5hwcQ6Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8491,"url":"https:\/\/www.kritische-masse.de\/logbuch\/spy-spy-spotify-das-musikalische-elend-der-amerikanischen-elite\/","url_meta":{"origin":2212,"position":5},"title":"Spy, spy, spotispy! Das musikalische Elend der amerikanischen Elite","author":"der huflaikhan","date":"25. September 2014","format":false,"excerpt":"Durch die gro\u00dfe Durchdringung des Musikstreamingdienstes \u201eSpotify\u201c im amerikanischen Haushalt, nat\u00fcrlich insbesondere bei Studenten, kann man sich durch deren statistische Ergebnisse einige R\u00fcckschl\u00fcsse \u00fcber das musikalische Konsumverhalten der dortigen alten Jugend erlauben. Genau das hat \u201eSpotify\u201c jetzt gemacht. How students listen? 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