{"id":2213,"date":"2007-06-09T03:19:19","date_gmt":"2007-06-09T02:19:19","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/rez-silje-nergaard-darkness-out-of-blue\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"rez-silje-nergaard-darkness-out-of-blue","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/06\/rez-silje-nergaard-darkness-out-of-blue\/","title":{"rendered":"[Rez] Silje Nergaard: Darkness Out Of Blue"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Silje%20Nergaard%3A%20Darkness%20Out%20Of%20Blue https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-silje-nergaard-darkness-out-of-blue%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Allein wie sie die Tonrepetitionen auf dem ersten St\u00fcck Paper Boats zu gestalten wei\u00df \u2013 da ist hindertfach mehr Gewicht an Stimme drin. Eine Jazzplatte mit Frau, mit etwas charakteristischer Stimme. Diese nordischen Stimmwunder k\u00f6nnen einem ja wirklich mal langsam \u00fcber werden. Aber gelungener ist die Platte vor allem wegen der eindrucksvollen Arrangements. Obwohl hier alles viel dichter gewebt ist als beispielsweise bei ihrer Kollegin Malene, ist doch mehr Freiraum. Mehr Differenz in der Stimme. Mehr Musik.<\/p>\n<p><!--break--><\/p>\n<p>Gleichwohl ist die Platte, wie es sich geh\u00f6rt sentimental, emotional por\u00f6s. Aber man h\u00f6rt eben deshalb etwas zu. Mit der Freiheit eines freien Jazz hat das wenig zu, noch weniger als bei Malene. Aber was machts. Es hat mood, dieses Album, harmonisch und songtechnisch. Doch nur bis zu einem gewissen Ma\u00dfe. Auch dies keine Platte f\u00fcr die Ewigkeit, eher f\u00fcr den Moment.<\/p>\n<blockquote><p><em>Silje Nergaard: Darkness Out Of Blue<br \/>\nEmarcy [<a href=\"http:\/\/www.siljenergaard.com\/\">Website<\/a>]<br \/>\n<\/em><\/p><\/blockquote>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Silje%20Nergaard%3A%20Darkness%20Out%20Of%20Blue https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-silje-nergaard-darkness-out-of-blue%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=%5BRez%5D%20Silje%20Nergaard%3A%20Darkness%20Out%20Of%20Blue https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-silje-nergaard-darkness-out-of-blue%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Es handelt sich um ein sch\u00f6nes Trio aus E-Gitarre, akustischem Bass und Schlagzeug mit Electronics. Doch es klingt wie viel mehr, mal wie nach guter alter Trash-Zeit mit den Mitteln von den Pixies oder Sonic Youth; oder, wer sie noch\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Nels Cline Singers","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040713-cd-nels-cline-singers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8657,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/desolate-situation-der-selbstaendigen-kreativen\/","url_meta":{"origin":2213,"position":3},"title":"Desolate Situation der selbst\u00e4ndigen Kreativen","author":"der huflaikhan","date":"13. April 2016","format":false,"excerpt":"Gerade eben sorgte noch die gro\u00dfe Jazzstudie f\u00fcr Aufregung, in der sich zeigte, in welchen Einkommensverh\u00e4ltnissen die Musikerinnen so leben. Dabei gehts denen noch knusper! Also im Verh\u00e4ltnis. Schon letztes Jahr kam eine gro\u00dfe Musikwirtschaftsstudie heraus, die zu noch \u00fcbleren Ergebnissen gekommen ist. Hier die entsprechende Tabelle aus der Studie,\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Versicherte in der K\u00fcnstlersozialkasse im Bereich Musik Ende 2014","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2824,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/05\/radio-karriere\/","url_meta":{"origin":2213,"position":4},"title":"Radio-Karriere","author":"huflaikhan","date":"16. Mai 2014","format":false,"excerpt":"Seit ich auf der Welt bin, sind \u00fcber Kurzwelle, Mittelwelle und Ultrakurzwelle entscheidende Sozialisationsprozesse in Gang gesetzt worden. Das nicht nur im \u00fcbertragenen, sondern im ganz ernsten Sinne. Neue Musik seit ich 15\/16 Jahre war \u00fcber NDR und sp\u00e4ter HR. Danach nie wieder so ganz richtig, zumindest anders. Aufkl\u00e4rung \u00fcber\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Das Radio meiner Br\u00fcder\/Schwestern. 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