{"id":2213,"date":"2007-06-09T03:19:19","date_gmt":"2007-06-09T02:19:19","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/rez-silje-nergaard-darkness-out-of-blue\/"},"modified":"2023-12-18T08:48:39","modified_gmt":"2023-12-18T07:48:39","slug":"rez-silje-nergaard-darkness-out-of-blue","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/06\/rez-silje-nergaard-darkness-out-of-blue\/","title":{"rendered":"[Rez] Silje Nergaard: Darkness Out Of Blue"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/06\/cover-002.jpg?w=1200\" alt=\"Silje Neegaard\" \/>Ganz ein anderes Kaliber als <a href=\"http:\/\/www.urteilskraft.de\/kritik\/2007\/06\/05\/rez-malene-mortensen-malene\/\" target=\"_blank\" rel=\"noopener\">Malene<\/a>. Allein wie sie die Tonrepetitionen auf dem ersten St\u00fcck Paper Boats zu gestalten wei\u00df \u2013 da ist hindertfach mehr Gewicht an Stimme drin. Eine Jazzplatte mit Frau, mit etwas charakteristischer Stimme. Diese nordischen Stimmwunder k\u00f6nnen einem ja wirklich mal langsam \u00fcber werden. Aber gelungener ist die Platte vor allem wegen der eindrucksvollen Arrangements. Obwohl hier alles viel dichter gewebt ist als beispielsweise bei ihrer Kollegin Malene, ist doch mehr Freiraum. Mehr Differenz in der Stimme. Mehr Musik.<\/p>\n<p><!--break--><\/p>\n<p>Gleichwohl ist die Platte, wie es sich geh\u00f6rt sentimental, emotional por\u00f6s. Aber man h\u00f6rt eben deshalb etwas zu. Mit der Freiheit eines freien Jazz hat das wenig zu, noch weniger als bei Malene. Aber was machts. Es hat mood, dieses Album, harmonisch und songtechnisch. Doch nur bis zu einem gewissen Ma\u00dfe. Auch dies keine Platte f\u00fcr die Ewigkeit, eher f\u00fcr den Moment.<\/p>\n<blockquote><p><em>Silje Nergaard: Darkness Out Of Blue<br \/>\nEmarcy [<a href=\"http:\/\/www.siljenergaard.com\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>]<br \/>\n<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Ganz ein anderes Kaliber als Malene. Allein wie sie die Tonrepetitionen auf dem ersten St\u00fcck Paper Boats zu gestalten wei\u00df \u2013 da ist hindertfach mehr Gewicht an Stimme drin. Eine Jazzplatte mit Frau, mit etwas charakteristischer Stimme. Diese nordischen Stimmwunder k\u00f6nnen einem ja wirklich mal langsam \u00fcber werden. Aber gelungener ist die Platte vor allem [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"","_metis_text_length":971,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-2213","post","type-post","status-publish","format-standard","hentry","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[],"desktop_mode_attached_media":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categor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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":671,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/1956-der-coole-jazz-lennie-tristano-line-up\/","url_meta":{"origin":2213,"position":0},"title":"1956 \u2013 Der coole Jazz: Lennie Tristano: Line Up","author":"huflaikhan","date":"9. August 2004","format":false,"excerpt":"Im Musikunterricht waren wir gemeinsam in einer Klasse, w\u00e4hrend die anderen Kinder bunte Bilder malen oder klebten oder schnitten, kneteten. Man nannte das in unserer fortschrittlichen Lernanstalt \u00fcbrigens \u201eVisuelle Kommunikation\u201d. Wenigstens lie\u00df man den Begriff der Kreativit\u00e4t damals komischerweise weg. Also Roger und ich und noch ein paar wenige waren\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8480,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/09\/leere-worte-kreativitaet-die-kanzlerin\/","url_meta":{"origin":2213,"position":1},"title":"Leere Worte: Kreativit\u00e4t (Die Kanzlerin)","author":"der huflaikhan","date":"11. September 2014","format":false,"excerpt":"Es kommt selten genug vor, dass sich die oberste Kulturh\u00fcterin, die Bundeskanzlerin, zu Frage der Kulturpolitik oder -organisation \u00e4u\u00dfert. Umso hellh\u00f6riger wird man. Beim Sommerfest des vprt (Verband Privater Rundfunk und Medien e.V.) vorgestern in Berlin war es mal wieder so weit. Auf der Website des vprt kann man da\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":540,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/the-nels-cline-singers-the-giant-pin\/","url_meta":{"origin":2213,"position":2},"title":"The Nels Cline Singers: The Giant Pin","author":"huflaikhan","date":"13. Juli 2004","format":false,"excerpt":"Die singen doch gar nicht. - Dem Himmel sei Dank. Es handelt sich um ein sch\u00f6nes Trio aus E-Gitarre, akustischem Bass und Schlagzeug mit Electronics. Doch es klingt wie viel mehr, mal wie nach guter alter Trash-Zeit mit den Mitteln von den Pixies oder Sonic Youth; oder, wer sie noch\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Nels Cline Singers","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040713-cd-nels-cline-singers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8657,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/desolate-situation-der-selbstaendigen-kreativen\/","url_meta":{"origin":2213,"position":3},"title":"Desolate Situation der selbst\u00e4ndigen Kreativen","author":"der huflaikhan","date":"13. April 2016","format":false,"excerpt":"Gerade eben sorgte noch die gro\u00dfe Jazzstudie f\u00fcr Aufregung, in der sich zeigte, in welchen Einkommensverh\u00e4ltnissen die Musikerinnen so leben. Dabei gehts denen noch knusper! Also im Verh\u00e4ltnis. Schon letztes Jahr kam eine gro\u00dfe Musikwirtschaftsstudie heraus, die zu noch \u00fcbleren Ergebnissen gekommen ist. Hier die entsprechende Tabelle aus der Studie,\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Versicherte in der K\u00fcnstlersozialkasse im Bereich Musik Ende 2014","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/2015_Musikwirtschaftsstudie-14-1024x614.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2824,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/05\/radio-karriere\/","url_meta":{"origin":2213,"position":4},"title":"Radio-Karriere","author":"huflaikhan","date":"16. Mai 2014","format":false,"excerpt":"Seit ich auf der Welt bin, sind \u00fcber Kurzwelle, Mittelwelle und Ultrakurzwelle entscheidende Sozialisationsprozesse in Gang gesetzt worden. Das nicht nur im \u00fcbertragenen, sondern im ganz ernsten Sinne. Neue Musik seit ich 15\/16 Jahre war \u00fcber NDR und sp\u00e4ter HR. Danach nie wieder so ganz richtig, zumindest anders. Aufkl\u00e4rung \u00fcber\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Das Radio meiner Br\u00fcder\/Schwestern. Foto: Martin Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/05\/radio-alt.jpg?fit=861%2C612&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/05\/radio-alt.jpg?fit=861%2C612&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/05\/radio-alt.jpg?fit=861%2C612&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/05\/radio-alt.jpg?fit=861%2C612&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8473,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/09\/jazz-ist-philosophie\/","url_meta":{"origin":2213,"position":5},"title":"Jazz ist Philosophie","author":"der huflaikhan","date":"1. September 2014","format":false,"excerpt":"Darauf habe ich gewartet: nach der Philosophie der Fuge, der Philosophie des Grunge und den ganzen Philosophien der Musik jetzt also eine Philosophie der Jazz. Dabei wird mir doch jeder zustimmen, der einigerma\u00dfen seine f\u00fcnf Sinne beisammen hat: Jazz ist Philosophie! Mittagessen ist Philosophie. Philosophie ist \u2026, nein,\u00a0\u2026 doch, ist\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2213"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2213\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}