{"id":2223,"date":"2007-06-18T03:52:55","date_gmt":"2007-06-18T02:52:55","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/rez-per-sjoedin-gentle-thoughts\/"},"modified":"2023-12-18T08:48:38","modified_gmt":"2023-12-18T07:48:38","slug":"rez-per-sjoedin-gentle-thoughts","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/06\/rez-per-sjoedin-gentle-thoughts\/","title":{"rendered":"[Rez] Per Sj\u00f6din: Gentle Thoughts"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Per%20Sj%C3%B6din%3A%20Gentle%20Thoughts https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-per-sjoedin-gentle-thoughts%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Es gibt Strophe, es gibt Improvisation. Es klingt wie aus einer vergangenen Zeit eben, hier die die fr\u00fchen 60er ohne den Impulsklang, der anzeigt, dass man auf etwas neues aus ist oder zu etwas neuem hinwill oder gar Aufbruch. Per Sj\u00f6din ist Gitarrist, er spielt mit einer Genauigkeit und Selbstverst\u00e4ndlichkeit im Trio mit Schlagzeug und Hammondorgel &#8211; gelegentlich treten Trompete und Saxophon hinzu. Das allein ist eine feine Mixtur genug.<\/p>\n<p align=\"left\"><!--break--> Die Frage ist nur, ist dies auch wirklich genug? Ist es nicht im schlechtesten Fall einfach ein recht ordentliches Nebenwerk &#8211; eine Tagesbegleitmusik. Der Klang der Hammondorgel ist zudem ohrhistorisch geradezu dazu pr\u00e4destiniert, das im Background-Sound zu belassen.<\/p>\n<p align=\"left\">Das alles ist mithin solide gemacht und freundlicherweise, wie im St\u00fcck 5 &#8220;Make Me A Pallet On The Floor&#8221; durchaus mit Untert\u00f6nen, die anzeigen, dass man durchaus sich in sich selbst zu distanzieren versteht. Oder bei Nummer 6 &#8220;My One And Only Love&#8221; ist die Sologitarre bestechende herzergreifend geradezu. Da horcht man dann auf. Das ist sehr sch\u00f6n.<\/p>\n<blockquote>\n<p align=\"left\"><em>Per Sj\u00f6din: Gentle Thoughts<br \/>\nLove Records [<a href=\"http:\/\/www.persjodin.com\/music.php\">H\u00f6rbeispiele<\/a>] <\/em><\/p>\n<\/blockquote>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=%5BRez%5D%20Per%20Sj%C3%B6din%3A%20Gentle%20Thoughts https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-per-sjoedin-gentle-thoughts%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=%5BRez%5D%20Per%20Sj%C3%B6din%3A%20Gentle%20Thoughts https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2007%2F06%2Frez-per-sjoedin-gentle-thoughts%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Mai 2004","format":false,"excerpt":"Geht ab wie bekloppt, die richtige Lautsst\u00e4rke vorrausgesetzt. Tolle Bl\u00e4sercombo plus Hammond-Sounds. Das Schlagzeug macht Druck und ist dennoch h\u00f6chst feingliedrig gestrickt. Bass dr\u00fcckt dazu, geht eben ab. Gleich der erste Track \u201eOn The Street Where I Live\u201d (gibts bei Hazelwood auch als mp3 zum kostenlosen Probeh\u00f6ren) macht das fest.\u2026","rel":"","context":"Mit 6 Kommentaren","block_context":{"text":"Mit 6 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/king-khan-the-shrines-mr-supernatural\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8258,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/lustvolles-an-der-bueckeburger-orgel-in-der-stadtkirche\/","url_meta":{"origin":2223,"position":1},"title":"Lustvolles an der B\u00fcckeburger Orgel in der Stadtkirche","author":"der huflaikhan","date":"22. Juni 2004","format":false,"excerpt":"Mit der Stadtkirche zu B\u00fcckeburg begann die unsere Orgelreise nach Hamburg und Umgebung. Auf dem Plan eine 1615 erbaute Orgel von Esajas Compenius. Die scheint auch ziemlich lange durchgehalten zu haben und ber\u00fchmt gewesen zu sein. Sie wurde bei einem Kirchenbrand 1962 allerdings zerst\u00f6rt. 1993 versuchte man den alten Zustand\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Orgel B\u00fcckeburg. Details","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/bueckeburg-dame1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":489,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/lustvolles-der-bueckeburger-orgel-der-stadtkirche\/","url_meta":{"origin":2223,"position":2},"title":"Lustvolles (?) an der B\u00fcckeburger Orgel in der Stadtkirche","author":"huflaikhan","date":"21. Juni 2004","format":false,"excerpt":"Mit der Stadtkirche zu B\u00fcckeburg begann die unsere Orgelreise nach Hamburg und Umgebung. Auf dem Plan eine 1615 erbaute Orgel von Esajas Compenius. Die scheint auch ziemlich lange durchgehalten zu haben und ber\u00fchmt gewesen zu sein. Sie wurde bei einem Kirchenbrand 1962 allerdings zerst\u00f6rt. 1993 versuchte man den alten Zustand\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"bueckeburg dame1","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/06\/bueckeburg-dame1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2371,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/02\/taktlos-119-schall-und-rauch\/","url_meta":{"origin":2223,"position":3},"title":"taktlos 119: schall und rauch","author":"hufi","date":"5. Februar 2008","format":false,"excerpt":"Am letzten Sonntag wurde aus dem Studio 9 des Bayerischen Rundfunks eine neue Ausgabe von taktlos gesendet. Es ging um Schall und Rauch und \u00fcber das bayerische Rauchverbot und die Zukunft des Jazz und so weiter. Um all das ging es und um Gesundheit und Nichtraucher und um heroische Zeiten\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/02\/taktlos-119-schall-und-rauch\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":366,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/rez-house-williams-revolutionist\/","url_meta":{"origin":2223,"position":4},"title":"[Rez] House Williams: Revolutionist","author":"huflaikhan","date":"3. M\u00e4rz 2004","format":false,"excerpt":"F\u00e4ngt an wie ein St\u00fcck von Lou Reed und John Cale. Hometown ist wie Smalltown in den Songs for Drella. Ich sch\u00e4tze, diese N\u00e4he war nicht zuf\u00e4llig, nur das Home=Main \u0096 Town ist. Frankfurt eben, irgendwie auch eine Kleinstadt, vielleicht die gr\u00f6\u00dfte deutsche. Die Musik auf dieser Scheibe grabbelt sich\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9163,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/orgellandschaften-normale-musik-stoppnvflatrate\/","url_meta":{"origin":2223,"position":5},"title":"Orgellandschaften \/ Normale Musik \/ #stoppnvflatrate","author":"der huflaikhan","date":"14. Februar 2024","format":false,"excerpt":"+++ Orgellandschaften musikalisch-filmisch +++ #stoppnvflatrate +++ Bad Communication +++ Bad Vibes +++ KI und die Langweile des \u201eNormalen\u201c +++ Serviervorschlag Klassik +++","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"nimm das klassik","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_14_nimm-das-klassik.jpg?fit=960%2C566&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2223"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2223\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}