{"id":228,"date":"2003-08-22T10:03:24","date_gmt":"2003-08-22T09:03:24","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/kritische-musik-adorno-2003-ausser-betrieb\/"},"modified":"2023-12-18T08:50:12","modified_gmt":"2023-12-18T07:50:12","slug":"kritische-musik-adorno-2003-ausser-betrieb","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/08\/kritische-musik-adorno-2003-ausser-betrieb\/","title":{"rendered":"kritische musik: Adorno 2003 \u0096 au\u00dfer Betrieb"},"content":{"rendered":"<p>Unter dem Titel <a href=\"http:\/\/www.kritische-musik.de\/noframes\/adorno-ausser-betrieb.shtml\" target=\"_blank\" rel=\"noopener\">Adorno 2003 \u0096 au\u00dfer Betrieb<\/a> habe ich mich vor einiger Zeit mit dem Jubil\u00e4um Adornos (100. Geburtstag) befasst. Eigentlich geht es dieses Mal darum, zu zeigen, wie Adorno und auch Eisler eine gemeinsame Vergangenheit hatten &#8211; vor allem nach ihrer R\u00fcckkehr aus dem amerikanischen Exil: Beide sind scheitern gleicherma\u00dfen an den Folgen des \u201cKalten Krieges\u201d.<br \/> <b>Eisler<\/b>: \u201cHeute ist 1961. Ich gebe zu, ich bin besiegt worden.\u201d<br \/> <b>Adorno<\/b>: \u0084Strawinsky hat die musikalische Pflicht der Freiheit verleugnet, vielleicht unter der \u00dcbermacht objektiver Verzweiflung, aus dem gr\u00f6\u00dften Motiv also, einem, das Musik zw\u00e4nge zu verstummen.\u0093<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=kritische%20musik%3A%20Adorno%202003%20%C2%96%20au%C3%9Fer%20Betrieb https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F08%2Fkritische-musik-adorno-2003-ausser-betrieb%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=kritische%20musik%3A%20Adorno%202003%20%C2%96%20au%C3%9Fer%20Betrieb https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F08%2Fkritische-musik-adorno-2003-ausser-betrieb%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Geburtstag) befasst. Eigentlich geht es dieses Mal darum, zu zeigen, wie Adorno und auch Eisler eine gemeinsame Vergangenheit hatten &#8211; vor allem nach ihrer R\u00fcckkehr aus dem amerikanischen Exil: Beide sind scheitern gleicherma\u00dfen an den Folgen [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=kritische%20musik%3A%20Adorno%202003%20%C2%96%20au%C3%9Fer%20Betrieb https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F08%2Fkritische-musik-adorno-2003-ausser-betrieb%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":469,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/taktlos-64-chormusik-die-adorno-legende\/","url_meta":{"origin":228,"position":0},"title":"taktlos 64: chormusik &#8211; die adorno-legende","author":"huflaikhan","date":"6. Juni 2004","format":false,"excerpt":"Dummerweise ist mir ja einmal das Blog abhanden gekommen. Leider hats da auch Text verschmissen, auf die gelinkt worden ist. Diesen zum Beispiel: taktlos 64 \u0096 chormusik \u0096 martin hufner 4.4.2003 Musik: Eisler: Track 1 Anfang 0:00 bis 0:10 dann unter den Text blenden Sprecher: Die Chormusik in Deutschland hat\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1391,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/regen\/","url_meta":{"origin":228,"position":1},"title":"Regen","author":"huflaikhan","date":"2. September 2005","format":false,"excerpt":"Endlich, aber noch nicht fertig. Johannes C. Gall und andere haben es unternommen, einen Klassiker der Filmmusikgeschichte (in Theorie und Praxis) neu zug\u00e4nglich zu machen. Es handelt sich um das Rockefeller-Filmmusik-Projekt 1940-1942. Beteiligt waren unter anderem Hanns Eisler und Thedor W. Adorno. Den legend\u00e4ren \u201eRegen-Film\u201c machte Joris Ivens. Das also\u2026","rel":"","context":"In \"Hanns Eisler\"","block_context":{"text":"Hanns Eisler","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/hannseisler\/"},"img":{"alt_text":"Regen1","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050902-RegenBild7a.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8807,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/08\/sendungen-zu-adorno-in-kw-32-uebersicht-ueber-weniges-2\/","url_meta":{"origin":228,"position":2},"title":"Sendungen zu Adorno in KW 32 \u2013 \u00dcbersicht \u00fcber Weniges","author":"der huflaikhan","date":"5. August 2019","format":false,"excerpt":"Sicher bin ich der letzte, der Gedanktagen besonders viel abgewinnen kann. Gedenktage werfen ein Schlaglicht: Pl\u00f6tzlich sind sie da, dann sind sie auch schon wieder weg. Morgen j\u00e4hrt sich der 50. Todestag von Theodor W. Adorno. Es ist zu erwarten, dass wenigstens die Publizistik sich dazu in einigen Artikel \u00e4u\u00dfern\u2026","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8808,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/08\/sendungen-zu-adorno-in-kw-32-uebersicht-ueber-weniges\/","url_meta":{"origin":228,"position":3},"title":"Sendungen zu Adorno in KW 32 \u2013 \u00dcbersicht \u00fcber Weniges","author":"der huflaikhan","date":"5. August 2019","format":false,"excerpt":"Sicher bin ich der letzte, der Gedanktagen besonders viel abgewinnen kann. Gedenktage werfen ein Schlaglicht: Pl\u00f6tzlich sind sie da, dann sind sie auch schon wieder weg. Morgen j\u00e4hrt sich der 50. Todestag von Theodor W. Adorno. Es ist zu erwarten, dass wenigstens die Publizistik sich dazu in einigen Artikel \u00e4u\u00dfern\u2026","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":87,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1996\/07\/primaerquelle-der-geschichte\/","url_meta":{"origin":228,"position":4},"title":"Prim\u00e4rquelle der Geschichte","author":"huflaikhan","date":"1. Juli 1996","format":false,"excerpt":"Nun liegt er vor, der Briefwechsel zweier Pers\u00f6nlichkeiten, die auf ihre ganz eigene Weise das kulturelle Klima dieses Jahrhunderts mitbestimmten. Alban Berg, der Komponist und Adorno, der ich-wei\u00df-nicht-was-alles. Es ist ein Briefwechsel, bei dem Fragen der Beschaffung von Bleistiftanspitzern nur gelegentlich abgehandelt werden. 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