{"id":2413,"date":"2008-05-02T19:15:39","date_gmt":"2008-05-02T18:15:39","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/sinnfrage\/"},"modified":"2023-12-18T08:48:16","modified_gmt":"2023-12-18T07:48:16","slug":"sinnfrage","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/sinnfrage\/","title":{"rendered":"Sinnfrage"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2008\/05\/imgp4312.jpg\" title=\"Ausblick\" class=\"thickbox\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"125\" hspace=\"5\" height=\"83\" align=\"right\" alt=\"Ausblick\" src=\"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2008\/05\/imgp4312.jpg?resize=125%2C83\" \/><\/a> Kann man eigentlich zu <span style=\"text-decoration: line-through;\">Konsum<\/span> <span style=\"text-decoration: line-through;\">Kultur<\/span> Konsum zwingen? Wie sieht es aus mit dem Risiko der Konsumkarrieren? Wenn mich nicht alles t&auml;uscht, ist nach Menger <fn>Pierre-Michel Menger, Kunst und Brot. Die Metamorphosen des Arbeitnehmers, Konstanz 2006.<\/fn> die Technik der kulturellen Karrieren paradigmatisch f&uuml;r die gew&uuml;nschte Wirtschaftsform.  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Wie sieht es aus mit dem Risiko der Konsumkarrieren? Wenn mich nicht alles t&auml;uscht, ist nach Menger Pierre-Michel Menger, Kunst und Brot. Die Metamorphosen des Arbeitnehmers, Konstanz 2006. die Technik der kulturellen Karrieren paradigmatisch f&uuml;r die gew&uuml;nschte Wirtschaftsform. Ist gelungene Kultur am Ende die Perfektion dessen, was [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sinnfrage https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fsinnfrage%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 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(\u2026) Denn die Fatigue ist ein unterschwelliger Protest, der sich gegen die eigene Person wendet und sich in ihrem eigenen K\u00f6rper \u201everk\u00f6rpert\u201c, weil dieser unter bestimmten Bedingungen das Einzige ist, woran sich das enteignete Individuum noch halten kann. (\u2026) \u201eDas ist absolut klassisch\u201c, kommentiert\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"M\u00fcdes Haus. 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