{"id":2419,"date":"2008-05-14T03:40:01","date_gmt":"2008-05-14T02:40:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/dieser-link-geht-die-musikwoche\/"},"modified":"2023-12-18T08:48:16","modified_gmt":"2023-12-18T07:48:16","slug":"dieser-link-geht-die-musikwoche","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/dieser-link-geht-die-musikwoche\/","title":{"rendered":"Dieser Link geht an die Musikwoche"},"content":{"rendered":"<blockquote><p><span class=\"start-tag\">META<\/span><span class=\"attribute-name\"> NAME<\/span>=<span class=\"attribute-value\">keywords <\/span><span class=\"attribute-name\">CONTENT<\/span>=<span class=\"attribute-value\">&#8220;Ariola, BMG, Columbia, DA ARIS, Adressen, Ansprechpartner, Ariola, B-2-B, B2B, BMG, Backgrounds, Branchen News, Branchen-Informationen, Branchen-Infos, Branchen-News, Branchendienst, Branchengeburtstage,<strong> Branchenprofi<\/strong>, Branchen\u00fcbersicht, CD, CD-Markt, CDs, Charts, Chartsermittlungen, Columbia, Connected, Content, Content-Provider, Content-Providing, Contraire, DA Music, Datenbank, Duplizierer\/Kopierwerke, E-Commerce, EDV-Branchenl\u00f6sungen, EFA Medien, EFA, EMI, Einkaufskooperationen,Electrola, Elektrofachhandel, Entertainment Media Verlag, Entertainment-Branche, Entertainment-Daily, Entertainment-News, Entertainment-Portal, Entertainment-Profi, Entertainmentbranche, Epic, Fachinformationen, Fachmagazin, Fachpublikationen, Fachzeitschrift, Firmen, Firmennews,Gro\u00dfhandel, Indigo, Infoletter, Institute, Intercord, Internetdienstleister, Jive, Jobs,Karussell, Koch, Konzert-\/Tourneeveranstalter, K\u00fcnstleragenturen, Label, Labels, Ladenbauer\/Einrichter, Licensing-biz, LicensingMarkt, Lizenzen, Lizenzhalter, Lizenzhandel, Lizenzhandel, Lizenznehmer, Logic, Mailorder, Markt\u00fcbersicht, Medien, Medienbranche, Medienkonzerne, Merchandising, Mercury, Messe, Motor Music, Music, Musicbiz, Musik, Musik-Charts, MusikWoche, musikwoche.de, Musikbranche, Musikcharts, Musikclip-Produktionen, Musikmarkt, Musikproduktionen, Musikverlage, Musikvertrieb, Musikwoche heute, Newsletter, Organisationen, PR-\/Werbeagenturen, People, Personen, Plattenfirmen, Polydor, Presse, Presseservice, Promotionagenturen, Properties, R+F-Handel, Rackjobber, Radio, SMIS, Schallplatten, Sony Music Entertainment, Sony Music, Sony, Specials, Termine, Titel, Titeldatenbank, Titelinformationen, Tonstudios, Tontr\u00e4ger, Tontr\u00e4gerbranche, Tontr\u00e4gerfirma, Tontr\u00e4gerfirmen, Tontr\u00e4gerhandel, Tontr\u00e4gerh\u00e4ndler, Tontr\u00e4gervertrieb, Universal, V2, Verb\u00e4nde, Vertriebe\/Distributoren Verzeichnis, Virgin, WEA, Warner, Who-is-Who, Zomba, aktuell, eastwest, edel, \u00f6ffentlich-rechtlich&#8221;<\/span><\/p><\/blockquote>\n<p>Ein Branchendienst im Dienst der Branche einfach. Und dass die das so einfach mit fremden Firmennamen machen d\u00fcrfen, ist schon einigerma\u00dfen ulkig oder entlarvend oder beides oder nichts davon.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Dieser%20Link%20geht%20an%20die%20Musikwoche https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdieser-link-geht-die-musikwoche%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 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Entertainment Media Verlag, Entertainment-Branche, Entertainment-Daily, Entertainment-News, Entertainment-Portal, Entertainment-Profi, Entertainmentbranche, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Dieser%20Link%20geht%20an%20die%20Musikwoche https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdieser-link-geht-die-musikwoche%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 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Wegwerfgesellschaft","author":"der huflaikhan","date":"7. Januar 2021","format":false,"excerpt":"Eine seltsame Zeit. Wie jede Zeit, genau genommen. Wann denn war es bei Ihnen einmal zufriedenstellend ruhig \u00fcber ein paar Tage? Seltsam ber\u00fchrend die Information aus dem dpa-Ticker: \u201cWegen des verl\u00e4ngerten Lockdowns wird sich nach Sch\u00e4tzungen der Handelsverb\u00e4nde Textil (BTE), Schuhe (BDSE) und Lederwaren (BLE) im station\u00e4ren Handel bis Ende\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8681,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musik-und-gewalt-geschlagener-schlager\/","url_meta":{"origin":2419,"position":1},"title":"Musik und Gewalt \u2013 Geschlagener Schlager","author":"der huflaikhan","date":"4. September 2016","format":false,"excerpt":"Der Schlager kommt vom Schlag, dem Beat. Schlagermusik ist Beatmusic. Soweit alles richtig. K\u00fcnstlich hochgekocht wird das Ph\u00e4nomen aber nun beim MDR. Der brachte eine Sendung mit dem Titel: Vanessa Mai - Mein Herz schl\u00e4gt Schlager Das ist in jeder Hinsicht ungeb\u00fchrlich. 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Juli 2004","format":false,"excerpt":"Der Verband unabh\u00e4ngiger Tontr\u00e4gerunternehmen (VUT) sieht die Fusion von Sony und BMG nicht einheitlich. W\u00e4hrend Othmar Schreckeneder (Schneeball Musik) auf diese Weise einen Platz f\u00fcr regionale K\u00fcnstlerf\u00f6rderung sieht, weil die Konkurrenz der Majors also praktisch wegf\u00e4llt, sieht der Justiziar des VUT vor allem Probleme bei der zunehmenden Vermischung von \u201ckreativen\u2026","rel":"","context":"In \"BMG\"","block_context":{"text":"BMG","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bmg\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1756,"url":"https:\/\/www.kritische-masse.de\/logbuch\/konzentration-im-musikmarkt-impala-warnt\/","url_meta":{"origin":2419,"position":3},"title":"Konzentration im Musikmarkt, IMPALA warnt","author":"huflaikhan","date":"31. Mai 2006","format":false,"excerpt":"Die Impala (der internationale Wirtschaftsverband, der die Interessen unabh\u00e4ngiger Plattenfirmen und Musikverlage vertritt), warnt vor einer Fusion von Warner und EMI und bef\u00fcrchtet ein Ausbluten der Musikindustriemusik. \u201eEine m\u00f6gliche EMI\/Warner-Fusion wird dazu f\u00fchren, dass wieder Tausende von Acts fallen gelassen werden. Das auf dem Markt verf\u00fcgbare Musikrepertoire wird dadurch weiter\u2026","rel":"","context":"In \"Fusionen\"","block_context":{"text":"Fusionen","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/fusionen\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":938,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-horror-musik-schau-i-unsre-welt\/","url_meta":{"origin":2419,"position":4},"title":"Kinder-Horror-Musik-Schau I \u0096 Unsre Welt","author":"huflaikhan","date":"4. Dezember 2004","format":false,"excerpt":"Weil ich bei der pepa von den Ehren des Kommentars zu einem selbst\u00e4ndigen Beitrag gekommen bin, will ich mal nachlegen mit den obskuren musikalischen Verkrampfungen der sogenannten Kindermusik. Auf Platz 1 der Hitparade steht da das St\u00fcckerl \u201eUnsere Welt\u201c, gesungen von einer armen gequ\u00e4lten Gesine auf der Platte \u201eDie RTL-Kinderhitparade\u201c\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-horror-musik-schau-i-unsre-welt\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":180,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kundenschutz\/","url_meta":{"origin":2419,"position":5},"title":"Kundenschutz","author":"huflaikhan","date":"8. Juli 2003","format":false,"excerpt":"Auf dem besten Weg sich vor Kunden zu sch\u00fctzen, sind einige Plattenlabels. Neuerdings h\u00e4lt auch im Jazz- und sogenannten E-Musik-Sektor ein technisches Verfahren Einzug, welches das Kopieren von CDs unm\u00f6glich machen m\u00f6chte. Gute Idee, denken wohl die Verbreiter solcher CDs. 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