{"id":2458,"date":"2008-07-08T07:42:56","date_gmt":"2008-07-08T06:42:56","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/feriengruesse-aus-darmstadt\/"},"modified":"2023-12-18T08:48:15","modified_gmt":"2023-12-18T07:48:15","slug":"feriengruesse-aus-darmstadt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/feriengruesse-aus-darmstadt\/","title":{"rendered":"Feriengr\u00fc\u00dfe aus Darmstadt"},"content":{"rendered":"<p>Der Komponist und Journalist Arno L&uuml;cker ist bei den Ferienkursen f&uuml;r Neue Musik in Darmstadt zu Gast. Und er berichtet gerade tagesaktuell &uuml;ber das, was da passiert. F&uuml;r die Nichteingeweihten nicht nur ein interessanter Einblick in diese Szene, sondern auch f&uuml;r sonstige Berichte aus diesem Bereich, ein Genuss zum Lesen.<\/p>\n<p class=\"rteindent1\">Die Allgemeinplatz-Phobie verfolgt mich noch immer&hellip;<br \/> &ldquo;Ich m&ouml;chte eigentlich nicht viel zu meiner Musik sagen &#8211; sie spricht f&uuml;r sich selbst.&rdquo; (Falsch.) [<a href=\"http:\/\/www.nmz.de\/darmstadt\/2008\/07\/06\/2-tag-060708\/\" target=\"_blank\" rel=\"noopener\">link<\/a>]<\/p>\n<p><!--more--><\/p>\n<p>Der Komponist und Journalist Arno L&uuml;cker ist bei den Ferienkursen f&uuml;r Neue Musik in Darmstadt zu Gast. Und er berichtet gerade tagesaktuell &uuml;ber das, was da passiert. F&uuml;r die Nichteingeweihten nicht nur ein interessanter Einblick in diese Szene, sondern auch f&uuml;r sonstige Berichte aus diesem Bereich, ein Genuss zum Lesen.<\/p>\n<p class=\"rteindent1\">Die Allgemeinplatz-Phobie verfolgt mich noch immer&hellip;<br \/> &ldquo;Ich m&ouml;chte eigentlich nicht viel zu meiner Musik sagen &#8211; sie spricht f&uuml;r sich selbst.&rdquo; (Falsch.) [<a href=\"http:\/\/www.nmz.de\/darmstadt\/2008\/07\/06\/2-tag-060708\/\" target=\"_blank\" rel=\"noopener\">link<\/a>]<\/p>\n<p>Da nimmt er sch&ouml;n einige Allgemeinpl&auml;tze in diesem Bereich aufs Korn. Oder wenn er am dritten Tag &uuml;ber die Kommunikationskultur dieser Kurse spricht und zu einem Bielefelder Musikprojekt des Komponisten Manos Tsangaris kommentiert:<\/p>\n<p class=\"rteindent1\">Kunst sollte immer den Vortritt haben.[<a href=\"http:\/\/www.nmz.de\/darmstadt\/2008\/07\/07\/3-tag-kommunikation-findet-nicht-statt\/\" target=\"_blank\" rel=\"noopener\">link<\/a>]<\/p>\n<p>Mal sehen, ob sich die Angegriffenen irgendwann wehren werden.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Feriengr%C3%BC%C3%9Fe%20aus%20Darmstadt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F07%2Fferiengruesse-aus-darmstadt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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Und er berichtet gerade tagesaktuell &uuml;ber das, was da passiert. F&uuml;r die Nichteingeweihten nicht nur ein interessanter Einblick in diese Szene, sondern auch f&uuml;r sonstige Berichte aus diesem Bereich, ein Genuss zum Lesen. Die Allgemeinplatz-Phobie verfolgt mich noch [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Feriengr%C3%BC%C3%9Fe%20aus%20Darmstadt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F07%2Fferiengruesse-aus-darmstadt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juli 2008","format":false,"excerpt":"Es ist erstaunlich, wie sich manche Dinge wie von selbst einstellen, wenn die Zeit gekommen scheint. Nach Arno L\u00fccker (oder davor) hat auch Stefan Beyer eine Liveberichterstattung aus Darmstadt von den Ferienkursen f\u00fcr neue Musik eingerichtet.Eine nette Nebens\u00e4chlichkeit, beide stammen aus Braunschweig, was bislang nicht gerade als \"das\" Nest des\u2026","rel":"","context":"In \"Darmstadt\"","block_context":{"text":"Darmstadt","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/darmstadt\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2463,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/auslaufmodell-darmstadt\/","url_meta":{"origin":2458,"position":1},"title":"Auslaufmodell Darmstadt","author":"huflaikhan","date":"14. Juli 2008","format":false,"excerpt":"Wenn man einen Blick in die aktuellen Informationen aus der H\u00f6lle der Neuen Musik wirft, dann fragt man sich, warum eine Institution wie die Ferienkurse f\u00fcr Neue Musik in Darmstadt \u00fcberhaupt noch irgendeine Art von Bedeutung erzielen k\u00f6nnen. Wenn man dann, wie Theo Gei\u00dfler nachweist, einen Blick in die Historie\u2026","rel":"","context":"In \"Darmstadt\"","block_context":{"text":"Darmstadt","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/darmstadt\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2623,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/10\/wie-armselig-manchmal-welche-sind\/","url_meta":{"origin":2458,"position":2},"title":"Wie armselig manchmal welche sind","author":"huflaikhan","date":"25. Oktober 2009","format":false,"excerpt":"Kaum zu glauben, wie Theo Geissler seiner selbsternannten Karla Kolumna der Neuen Musik (t\u00f6rrr\u00f6\u00f6\u00f6\u00f6!!!) immer noch die Stange h\u00e4lt. Und das nach allen L\u00fccker\u2019schen Peinlichkeiten im Umfeld der Darmst\u00e4dter Ferienkurse 2008 \u2013 und offenbar GEGEN fast alle Stimmen seiner nmz-Mitredakteure! (Wieso wehrt sich diesmal eigentlich niemand mehr aus der nmz-Redaktion\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8457,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/darmstadt-ist-oeffentlicher\/","url_meta":{"origin":2458,"position":3},"title":"Darmstadt ist \u00f6ffentlich(er)","author":"der huflaikhan","date":"4. August 2014","format":false,"excerpt":"Mit der Ausgabe im Jahr 2014 haben sich die Ferienkurse f\u00fcr neue Musik tats\u00e4chlich etwas hinausgewagt in die weitere \u00d6ffentlichkeit \u00fcber die Kommunikationsnetze. So gibt es Lesungen und Diskussionsrunden wie RundeTische in einiger Auswahl zum Anh\u00f6ren wie Internetstream. Die Technologie daf\u00fcr stellt Voice Republic zur Verf\u00fcgung. Deren Mitgr\u00fcnder hat nun\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8463,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/fotobombing-mit-johannes-kreidler\/","url_meta":{"origin":2458,"position":4},"title":"Fotobombing mit Johannes Kreidler","author":"der huflaikhan","date":"18. August 2014","format":false,"excerpt":"Als wir uns zur Berichterstattung \u00fcber den Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik nach Darmstadt begeben hatten, konnten wir noch nicht ahnen, wessen Geistes diese Veranstaltung sein sollte. Ein Blick in Johannes Kreidlers \u201eBlog\u201c h\u00e4tte unmittelbar Aufschluss geben k\u00f6nnen. Kreidler \u00fcberall. Da hilft nur Photoshop. Hier die Original-Bilder von der Veranstaltung. \u00a0","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11099,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/schulzi-bis-2009\/","url_meta":{"origin":2458,"position":5},"title":"Schulzi (bis 2009)","author":"der huflaikhan","date":"24. Juli 2025","format":false,"excerpt":"Heute im Jahr 2009 starb einer meiner besten Freunde. Ich erinnere daran. Gestern wurde in Darmstadt der Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik an Patrick Becker verliehen. Eine exzellente Wahl!","rel":"","context":"In &quot;Privates&quot;","block_context":{"text":"Privates","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/"},"img":{"alt_text":"schulzi spricht u\u0308ber das internet","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2458"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2458\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}