{"id":249,"date":"2003-09-13T08:20:00","date_gmt":"2003-09-13T07:20:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/leos-janacek-moravian-folk-poetry-songs\/"},"modified":"2023-12-18T08:50:11","modified_gmt":"2023-12-18T07:50:11","slug":"leos-janacek-moravian-folk-poetry-songs","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/","title":{"rendered":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"248\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-mhrische-volkslieder\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&amp;ssl=1\" data-orig-size=\"145,146\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"M&amp;auml;hrische Volkslieder\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&amp;ssl=1\" class=\" alignright size-full wp-image-248\" hspace=\"5\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?resize=145%2C146&#038;ssl=1\" alt=\"M&auml;hrische Volkslieder\" width=\"145\" height=\"146\" \/>Etwas schade an dieser Aufnahme ist, dass die beiden Stimmen etwas zu kunstvoll k<br \/>\n<!--more--><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"248\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-mhrische-volkslieder\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&amp;ssl=1\" data-orig-size=\"145,146\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"M&amp;auml;hrische Volkslieder\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&amp;ssl=1\" class=\" alignright size-full wp-image-248\" hspace=\"5\" align=\"right\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?resize=145%2C146&#038;ssl=1\" alt=\"M&auml;hrische Volkslieder\" width=\"145\" height=\"146\" \/>Etwas schade an dieser Aufnahme ist, dass die beiden Stimmen etwas zu kunstvoll klingen, sie klingen nach Konzerthaltung. Ihnen fehlt die Gelenkigkeit und der Witz, den zum Beispiel eine andere Aufnahme mit weniger St&uuml;cken aufweist, die ich leider einmal verliehen hatte und nie wieder zur&uuml;ck bekam (Hans-Herwig!). Das deutlichste Beispiel w&auml;re die Fliegen\/M&uuml;cken-Hochzeit (CD 1, Track 12). In der anderen Aufnahme findet die Hochzeit wunderbar in den Summpassagen statt. Hier ist das etwas bieder gel&ouml;st, n&auml;mlich gar nicht. Auch die Frauenstimme der anderen Aufnahme ist wesentlicher \u0084sachlicher\u0093, nie so &uuml;berdreht, wie beispielsweise das opernhaft &uuml;berdrehte Koukol (CD 1, Track 9). Es geht auch leichter, wirklich; obgleich man kann sich immerhin daran gew&ouml;hnen. So muss man diese Aufnahme einfach empfehlen, denn es gibt sonst nur die etwas weniger materialreiche, die musikalische allerdings &uuml;ber dieser steht.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Etwas schade an dieser Aufnahme ist, dass die beiden Stimmen etwas zu kunstvoll k<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Leos%20Jan%C3%A1cek%3A%20Moravian%20Folk%20Poetry%20in%20Songs%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F09%2Fleos-janacek-moravian-folk-poetry-songs%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div>","protected":false},"author":2,"featured_media":248,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_metis_text_type":"","_metis_text_length":1054,"_post_count":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2660,2662],"tags":[1826,2323,2543],"class_list":["post-249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","category-tontrger","tag-bhmen","tag-janacek","tag-mhren","entry","has-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse\" \/>\n<meta property=\"og:description\" content=\"Etwas schade an dieser Aufnahme ist, dass die beiden Stimmen etwas zu kunstvoll k\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/\" \/>\n<meta property=\"og:site_name\" content=\"Kritische Masse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2003-09-13T07:20:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-18T07:50:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"145\" \/>\n\t<meta property=\"og:image:height\" content=\"146\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"huflaikhan\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"huflaikhan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"1\u00a0Minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/\"},\"author\":{\"name\":\"huflaikhan\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/68ba534ff428038503fc5320a3c8f932\"},\"headline\":\"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs\",\"datePublished\":\"2003-09-13T07:20:00+00:00\",\"dateModified\":\"2023-12-18T07:50:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/\"},\"wordCount\":171,\"publisher\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\"},\"image\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2003\\\/09\\\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1\",\"keywords\":[\"B\u00f6hmen\",\"Janacek\",\"M\u00e4hren\"],\"articleSection\":[\"Rezension\",\"Tontr\u00e4ger\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/\",\"name\":\"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2003\\\/09\\\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1\",\"datePublished\":\"2003-09-13T07:20:00+00:00\",\"dateModified\":\"2023-12-18T07:50:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2003\\\/09\\\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2003\\\/09\\\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1\",\"width\":145,\"height\":146,\"caption\":\"M&auml;hrische Volkslieder\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2003\\\/09\\\/leos-janacek-moravian-folk-poetry-songs\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u0085\",\"item\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2005\\\/11\\\/content\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#website\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\",\"name\":\"kritische masse\",\"description\":\"amt f\u00fcr vermassungsschutz\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\"},\"alternateName\":\"das logbuch der kritischen masse\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\",\"name\":\"der huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"contentUrl\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"width\":512,\"height\":512,\"caption\":\"der huflaikhan\"},\"logo\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\"},\"description\":\"Betreiber der Kritischen Masse seit 1995. Seit 2023 Wiederaufnahme. Promotion mit einer Arbeit \u00fcber Adornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik. Arbeit f\u00fcr den Bayerischen und den Mitteldeutschen Rundfunk als freier Autor und Regisseur \u2013 zumindest bis Ende 2015. Online-Redaktion f\u00fcr neue musikzeitung, Jazzzeitung und Oper &amp; Tanz. Ungl\u00fccklich, aber fast taub.\",\"sameAs\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\",\"https:\\\/\\\/www.facebook.com\\\/hufner\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/68ba534ff428038503fc5320a3c8f932\",\"name\":\"huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"caption\":\"huflaikhan\"},\"description\":\"Musikwissenschaftler, Ideologiekritiker seit 1964.\",\"sameAs\":[\"https:\\\/\\\/kritische-masse.de\"],\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/author\\\/huflaikhan\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/","og_locale":"de_DE","og_type":"article","og_title":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse","og_description":"Etwas schade an dieser Aufnahme ist, dass die beiden Stimmen etwas zu kunstvoll k","og_url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/","og_site_name":"Kritische Masse","article_publisher":"https:\/\/www.facebook.com\/hufner","article_published_time":"2003-09-13T07:20:00+00:00","article_modified_time":"2023-12-18T07:50:11+00:00","og_image":[{"width":145,"height":146,"url":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg","type":"image\/jpeg"}],"author":"huflaikhan","twitter_misc":{"Verfasst von":"huflaikhan","Gesch\u00e4tzte Lesezeit":"1\u00a0Minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#article","isPartOf":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/"},"author":{"name":"huflaikhan","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932"},"headline":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs","datePublished":"2003-09-13T07:20:00+00:00","dateModified":"2023-12-18T07:50:11+00:00","mainEntityOfPage":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/"},"wordCount":171,"publisher":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c"},"image":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1","keywords":["B\u00f6hmen","Janacek","M\u00e4hren"],"articleSection":["Rezension","Tontr\u00e4ger"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/","url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/","name":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs - Kritische Masse","isPartOf":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#primaryimage"},"image":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1","datePublished":"2003-09-13T07:20:00+00:00","dateModified":"2023-12-18T07:50:11+00:00","breadcrumb":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#primaryimage","url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1","width":145,"height":146,"caption":"M&auml;hrische Volkslieder"},{"@type":"BreadcrumbList","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/09\/leos-janacek-moravian-folk-poetry-songs\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.kritische-masse.de\/logbuch\/"},{"@type":"ListItem","position":2,"name":"\u0085","item":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/content\/"},{"@type":"ListItem","position":3,"name":"Leos Jan\u00e1cek: Moravian Folk Poetry in Songs"}]},{"@type":"WebSite","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#website","url":"https:\/\/www.kritische-masse.de\/logbuch\/","name":"kritische masse","description":"amt f\u00fcr vermassungsschutz","publisher":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c"},"alternateName":"das logbuch der kritischen masse","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.kritische-masse.de\/logbuch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":["Person","Organization"],"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c","name":"der huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","url":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","contentUrl":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","width":512,"height":512,"caption":"der huflaikhan"},"logo":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg"},"description":"Betreiber der Kritischen Masse seit 1995. Seit 2023 Wiederaufnahme. Promotion mit einer Arbeit \u00fcber Adornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik. Arbeit f\u00fcr den Bayerischen und den Mitteldeutschen Rundfunk als freier Autor und Regisseur \u2013 zumindest bis Ende 2015. Online-Redaktion f\u00fcr neue musikzeitung, Jazzzeitung und Oper &amp; Tanz. Ungl\u00fccklich, aber fast taub.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch\/","https:\/\/www.facebook.com\/hufner"]},{"@type":"Person","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932","name":"huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","caption":"huflaikhan"},"description":"Musikwissenschaftler, Ideologiekritiker seit 1964.","sameAs":["https:\/\/kritische-masse.de"],"url":"https:\/\/www.kritische-masse.de\/logbuch\/author\/huflaikhan\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/09\/20030731-masse-cd-moravian.jpg?fit=145%2C146&ssl=1","categories_names":["Rezension","Tontr\u00e4ger"],"post_class":[["post-249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","category-tontrger","tag-bhmen","tag-janacek","tag-mhren","entry","has-media"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":437,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/simon-rattles-schoenberg-berg-und-webern\/","url_meta":{"origin":249,"position":0},"title":"Simon Rattles Sch\u00f6nberg, Berg und Webern","author":"huflaikhan","date":"13. Mai 2004","format":false,"excerpt":"Heute habe ich zur Ausleihe eine CD mit den Orchesterst\u00fccken op.16 von Sch\u00f6nberg, den Orchesterst\u00fccken op.6 von Webern und Alban Bergs Symphonischen St\u00fccke aus der Oper \u201cLulu\u201d erhalten. Das City Of Birmingham Symphony Orchestra spielt dort unter der Leitung von Simon Rattle (Aufnahme von 1989 bei EMI). Der erste Eindruck\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":946,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/kinder-musik-schau-i-sepp-depp-hennadreck\/","url_meta":{"origin":249,"position":1},"title":"Kinder-Musik-Schau I \u0096 Sepp, Depp Hennadreck","author":"huflaikhan","date":"10. Dezember 2004","format":false,"excerpt":"Es geht ja auch anders. Vor Jahren legten die Bierm\u00f6sl Blosn eine Scheibe mit lutigen bayerischen Kinderliedern auf. Die hie\u00df \u201eSepp, Depp, Hennadreck.\u201c Reinh\u00f6ren und schmunzeln Was unterscheidet diese Art des Musizierens von den andern Horror-Bildern der Musik? Erstens, es handelt sich um die richtige Besetzung mit den richtigen Instrumenten.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":760,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/noten-mit-koepfen\/","url_meta":{"origin":249,"position":2},"title":"Noten mit K\u00f6pfen","author":"huflaikhan","date":"18. September 2004","format":false,"excerpt":"Das St\u00fcck, um das es hier gehen soll ist eine kleine feine Komposition f\u00fcr Violi Das St\u00fcck, um das es hier gehen soll ist eine kleine feine Komposition f\u00fcr Violine und Viola aus dem Jahr 1982: fugato, scherzo, kanon op. 3g \u2014 komponiert in den Schulpausen oder zwischen den Kursen\u2026","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/ich\/"},"img":{"alt_text":"Noten mit K\u00f6pfchen","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/09\/20040918-seit4-small.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":176,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/johann-sebastian-bach-goldberg-variationen\/","url_meta":{"origin":249,"position":3},"title":"Johann Sebastian Bach: Goldberg-Variationen","author":"huflaikhan","date":"18. Juni 2003","format":false,"excerpt":"Goldberg-Variationen? Ja. Aber in einer Version f\u00fcr Streichorchester - und zwar einem sehr guten und programatisch Avancierten: dem Ensemble Resonanz, welches in Hamburg ans\u00e4ssig ist. Die haben die Bearbeitung von Dmitry Sitkovetsky nochmals \u00fcberarbeitet. Heraus gekommen ist eine sehr lebendige und gut klingende Musik, die mit den Mitteln der Instrumentierung\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/06\/johann-sebastian-bach-goldberg-variationen\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":422,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/kopierschutz-und-schadensersatz\/","url_meta":{"origin":249,"position":4},"title":"Kopierschutz und Schadensersatz","author":"huflaikhan","date":"30. April 2004","format":false,"excerpt":"\u201cWenn ein CD-Spieler in einem Neuwagen keine kopiergesch\u00fctzte Platten abspielen kann, hat der K\u00e4ufer keinen Anspruch auf Schadensersatz. Das hat das Amtsgericht Aachen entschieden (Az.: 84 C 210\/03). Da die kopiergesch\u00fctzten Tontr\u00e4ger vom allgemeinen CD-Standard abwichen und nur einen geringen Marktanteil h\u00e4tten, habe der Verk\u00e4ufer nicht von sich aus auf\u2026","rel":"","context":"Mit 5 Kommentaren","block_context":{"text":"Mit 5 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/kopierschutz-und-schadensersatz\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1038,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/der-klingellauscher\/","url_meta":{"origin":249,"position":5},"title":"Der Klingellauscher","author":"huflaikhan","date":"2. Februar 2005","format":false,"excerpt":"W\u00e4hrend man fr\u00fcher fr\u00fch in die W\u00e4lder zog, um mit Mikrofon (mit Keulencharakteristik) und schwerem Tonbandger\u00e4t (das leichte von Uher) den V\u00f6geln ihren Gesang abzulauschen, gestaltet sich ein derartiges Vorhaben f\u00fcr Gro\u00dfst\u00e4dter mitunter schwierig \u2014 wenngleich die Aufnahmeger\u00e4te selbst viel kleiner und leichter geworden sind. Die V\u00f6gel sind schon alle\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/der-klingellauscher\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=249"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/249\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/248"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}