{"id":2503,"date":"2008-10-14T20:13:55","date_gmt":"2008-10-14T19:13:55","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/zwischenbescheid\/"},"modified":"2023-12-18T08:48:15","modified_gmt":"2023-12-18T07:48:15","slug":"zwischenbescheid","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/10\/zwischenbescheid\/","title":{"rendered":"Zwischenbescheid"},"content":{"rendered":"<p>Am sch&ouml;nsten hat das immer noch der Eisler formuliert. Damals bei Aufbau der DDR habe man so viel zu tun gehabt, dass man gar nicht zum Arbeiten gekommen sei.<\/p>\n<p><!--more--><\/p>\n<p>Am sch&ouml;nsten hat das immer noch der Eisler formuliert. Damals bei Aufbau der DDR habe man so viel zu tun gehabt, dass man gar nicht zum Arbeiten gekommen sei.<\/p>\n<ul>\n<li>h&auml;tte man zu tun gehabt, hatte man zu tun gehabt?<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Zwischenbescheid https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F10%2Fzwischenbescheid%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Zwischenbescheid https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F10%2Fzwischenbescheid%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Damals bei Aufbau der DDR habe man so viel zu tun gehabt, dass man gar nicht zum Arbeiten gekommen sei.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Zwischenbescheid https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F10%2Fzwischenbescheid%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":60,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/dr-hufner-analysiert-hanns-eisler-deutsche-sinfonie\/","url_meta":{"origin":2503,"position":0},"title":"Dr. Hufner analysiert: Hanns Eisler, Deutsche Sinfonie","author":"huflaikhan","date":"19. September 2004","format":false,"excerpt":"Hanns Eisler: Deutsche Sinfonie Hanns Eisler: Deutsche Sinfonie Volksfront und AvantgardeIm Gegensatz zu den Werken von Wagner und Beethoven hat die \u0084Deutsche Sinfonie\u0093 von Hanns Eisler die Popularit\u00e4t ihres Sch\u00f6pfers nicht gesteigert. Dabei hat Eisler gerade hier den Versuch unternommen, avancierte musikalische Techniken mit politischen Interessen zu verbinden, was bei\u2026","rel":"","context":"In &quot;Programmhefte&quot;","block_context":{"text":"Programmhefte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/programmhefte\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8826,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2020\/07\/klassik-eil-hanns-eisler-lebt\/","url_meta":{"origin":2503,"position":1},"title":"Klassik +++ Eil +++ Hanns Eisler lebt!","author":"der huflaikhan","date":"28. Juli 2020","format":false,"excerpt":"Soll man lachen, soll man weinen? Soll man reden, soll man schweigen? Opus Klassik auf der \u00dcberholspur des Kulturbetriebes. Auch dieses Jahr voll Neugier der Blick in die Kategorie: Komponistx des Jahres. Vor einem Jahr, nun, \u00c4hh, da war doch was? War damals nix. Ist heute nix. Aber immerhin mit\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":84,"url":"https:\/\/www.kritische-masse.de\/logbuch\/1998\/06\/komposition-und-film\/","url_meta":{"origin":2503,"position":2},"title":"Komposition und Film","author":"huflaikhan","date":"15. Juni 1998","format":false,"excerpt":"\u201eComposing for the Films: Adorno, Eisler and the sociology of music\"(Historical Journal of Film, Radio and Television, Vol.18, No.4, 1998I. 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